Catch Bull at Four

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The tone of side one is tentatively happy. It begins with "Sitting," which has Cat on piano and electric mandolin, and Davies on guitar. The song's circular melodic patterns aptly express a resigned but not hopeless personal philosophy: "Just keep on pushing hard, boy, try as you may/You're going to wind up where you started from.""The Boy with the Moon and Star on His Head" is a silly narrative "legend," styled after a typical "olde" English country ballad, about a luminescent illegitimate "love child.""Angelsea,""Silent Sunlight," and "Can't Keep It In" are celebratory meditations, the first two carrying Cat's elusive, sometimes shimmering visual imagery. Sound effects—muted synthesizer on "Angelsea" and penny whistle on "Silent Sunlight"—are used with delicacy and taste. "Can't Keep It In," the most openly joyous cut, fittingly closes the side. The propulsive energy generated by Stevens' and Davies' dual acoustic guitars is considerable, as Cat sings his outbursting message with infectious gusto.

Les Albums (CD) de 1972 par InfoDisc" (in French). infodisc.fr. Archived from the original (PHP) on 9 February 2012 . Retrieved 11 February 2012. Matrix / Runout (Variant 8): [Universal logo]x4 07314 546 886-2 02 ✷ 51045664 MADE IN GERMANY BY EDC CStevens played a huge range of instruments throughout the LP, mostly stringed instruments and keyboards of many kinds, but also including pennywhistle, drums, and percussion. Other standouts in the set included the Greek-Latin “O Caritas,” with bouzouki by Andreas Toumazis, and “Sweet Scarlet,” written for his girlfriend of the time, Carly Simon (who had earlier composed her hit “Anticipation” about waiting for him to arrive at her house for a date). Top 100 Album-Jahrescharts" (in German). GfK Entertainment Charts. 1973. Archived from the original on 23 May 2021 . Retrieved 2 April 2022. Matrix / Runout (Variant 7): [Universal logo]x4 07314 546 886-2 02 ✷ 51045664 Made in Germany by EDC B a b Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. 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Fans also speak with great fondness of the simple, acoustic tale of “Boy with a Moon & Star on His Head,” in which the truth is spoken by the child, not the adults. “Children are closer to it, whatever it is, that we are from,” Stevens mused to Rolling Stone the following year. “I hate it when they are ruined by things like fashion.” InfoDisc: Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste: Cat Stevens". infodisc.fr. Archived from the original on 6 May 2013 . Retrieved 24 February 2012. Note: user must select 'Cat STEVENS' from drop-down amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br 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In the United States the album spent three weeks at number one on the Billboard 200. It also reached number one in Australia and Canada and became Stevens's second consecutive album to reach number two on the UK Albums Chart. The song "Sitting" was released as a single in 1972, reaching 16 on the Billboard Hot 100.Dutchcharts.nl – Cat Stevens – Catch Bull at Four" (in Dutch). Hung Medien. Retrieved 17 June 2022. All told, I think that Catch Bull At Four is more interesting than Teaser, though tune for tune it is far less memorable. With Mona Bone Jakon and Tea for the Tillerman I was content to bask in gorgeous melody and orchestration. The economy and simplicity of Teaser I admired more than I liked. But what could come next, if Cat continued in this direction? Though Catch Bull doesn't answer this question definitively, I think it represents Cat's challenge to himself to transcend poetic eccentricity and come out front with a clearer, more unified, more emotionally direct expression of what he is about. I hope he continues to wrestle with this challenge, even if its outcome is more truth and less beauty.