Blow By Blow

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Buchanan pioneered expressive playing techniques like creating tone and volume swells by manipulating his guitar’s control knobs. Amp: Early ’70s Ampeg VT-40 (Input One/Bright, Volume 1: 7, Volume 2: 0, Treble: 6, Midrange: 8, Bass: 2, Reverb: 0, Sensitivity 1: 0dB, Sensitivity 2: NA, Ultra Hi: Midrange switch: 2/1000Hz) with four Ampeg special-design 10-inch speakers (either CTS or Eminence)

Yeah, well that’s not necessarily a good thing. It’s like taking a bit of vanilla ice cream and pouring something else over it to cover up the vanilla. You either like vanilla or you don’t.

Interview with Carmine Appice". DMME.net. May 2000. Archived from the original on 12 July 2015 . Retrieved 29 March 2017. I mean, you can make it better with chocolate sauce, but it’s not right when you try to put another flavor in. Strings/tuning: Unknown (probably Ernie Ball Super Slinky .009, .011, .016, .024, .032, .042)/standard

On 27 March 2001, a remastered edition for compact disc was reissued by Legacy Records, Epic and its parent label Columbia Records now a division of Sony Music Entertainment. No. He didn’t know I existed. The awe I would have been in of him, and he would have been sitting there, wishing he was fishing. Do you dislike being perceived as a fusion player because you don’t feel you really are one, or because you don’t like the implication the label carries? It was getting very stodgy. I was getting so depressed by ’65 because I was 10 years too late to be around the Gene Vincent, Cliff Gallup thing, and I bitterly resent that.I didn’t like the ’60s and ’70s basically. I hated them. The mid ’60s were okay, because every day was a hurricane in the Yardbirds and I could afford to look at it with contempt; around me were a lot of things I had nothing to do with, like flower power and awful things like flared trousers.