Faeries Deluxe Collector's Ed

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The Dark Crystal - The Making Of..." DarkCrystal.com. The Jim Henson Company. Archived from the original on 4 September 2019 . Retrieved 27 December 2019. Froud was honoured by the World Fantasy Convention with a nomination for the World Fantasy Award for Best Artist in 1991, and again four years later. [56]

a b M. L., del Mastro (1 January 1979). "Faeries". Library Journal. 104 (1): 123. EBSCO host 5794266. Leonard, Tohn (16 November 1975). "Are All the Giants Dead?". The New York Times . Retrieved 23 June 2020. In 2001, Froud, along with his wife, was awarded the Inkpot Award. [6] Froud received a lifetime achievement award from the New York Society of Illustrators Museum in 2011. [59] Film [ edit ] YearFamily displays art at McCune". Petoskey News-Review. Petoskey, Michigan. 5 December 1989. p.6. Archived from the original on 14 August 2020 . Retrieved 14 August 2020– via Newspapers.com. Hunter, Stephen (10 December 1978). "Books of wonder, books of light...". The Baltimore Sun. Baltimore, Maryland. p.D5. Archived from the original on 19 August 2020 . Retrieved 19 August 2020– via Newspapers.com. a b Hauptfuhrer, Fred (19 March 1979). "For Artists Alan Lee & Brian Froud, Life Is a Faerie Tale Come True". People. Vol.11, no.11. Archived from the original on 9 July 2019 . Retrieved 23 June 2020. a b Justus, Ed; Justus, Cynthia (2 March 2018). "Do you believe in 'Faeries'?". The Garden Island. Lihue, Hawaii. Archived from the original on 2 March 2018 . Retrieved 3 May 2021.

a b c "Brian Froud". Gale Literature: Contemporary Authors. Gale. 22 September 2004. Gale H1000154699 Sharing lodging in Chagford on the edge of Dartmoor, [14] Lee and Froud spent nine months researching, illustrating and writing the book. [3] They referred to the work of leading British folklorist Katharine Briggs as one of their main sources for information about faeries. [15] Other sources include 19th-century folklorists such as Robert Hunt's Popular Romances of the West of England (1865) and Lady Wilde's Ancient Legends of Ireland (1887), as well as stories from the Middle Ages such as those told by Gerald of Wales. [16] According to Froud, Ballantine had "expected a fun, jolly book with fluffy faeries, and what he got were all these green horrible creatures with nasty teeth that bit your ankles, and he was horrified. But our research was based on folklore and on what faeries were really like." [15] a b "Faeries". The Atlantic Monthly. Vol.242, no.6. Boston, U.S. December 1978. p.97. ProQuest 204093881. Heritage Capital Corporation (2005). Heritage Comics Auctions #815 Pini Collection Catalog. Ivy Press. p.21. ISBN 978-1-932899-50-4.Brian Froud (born 1947) [1] is an English fantasy illustrator and conceptual designer. He is most widely known for his 1978 book Faeries with Alan Lee, and as the conceptual designer of the Jim Henson films The Dark Crystal (1982) and Labyrinth (1986). [8] [9] According to Wired, Froud is "one of the most pre-emiminent visualizers of the world of faerie and folktale". [10] Henson, Jim (16–24 January 1978). "1/16-24/1978 – 'Brian Froud comes to NY to live and work – have 1st series of meetings on Froud film.' ". Jim Henson's Red Book. Archived from the original on 16 August 2014 . Retrieved 24 June 2020. His artwork has been exhibited in the United Kingdom and the United States. [2] By 2003, Froud had sold over eight million large-format books of his paintings of fairies. [21] Personal life [ edit ] And the "glossary" was very limited, and didn't give any real information. Instead, there's info about the creatures thrown all around but with no any explanation, as if we are expected to already know at least half of these. Pete's Dragon (2016)". British Film Institute. Archived from the original on 14 November 2017 . Retrieved 16 August 2020.

The book received a mixed critical reception from news sources and library trade publications. Reviewers praised the authors' illustrations and depth of research, while some criticized the book's writing style for not clearly separating fact from fiction regarding the book's mythical subject matter. a b c Harper, Sheryl (16 December 1978). "Faeries". The Gazette. Montreal, Quebec. p.64. Archived from the original on 19 August 2020 . Retrieved 19 August 2020– via Newspapers.com. Milligan, Mercedes (31 August 2020). "2020 Concept Art Awards Finalists; Miyazaki, Froud Named Lifetime Achievement Recipients". Animation Magazine . Retrieved 2 November 2020. a b c Cline, Lynn (1 November 2002). "Brian Froud's Enchanting Faerie World". The Santa Fe New Mexican. Santa Fe, New Mexico. p.34. ProQuest 331467425 Gale A180362518. a b c d Alred, B. Grantham (2008). "Froud, Brian (1947-)". In Haase, Donald (ed.). The Greenwood Encyclopedia of Folktales and Fairy Tales. Vol.One: A-F (Illustrateded.). Greenwood Publishing Group. p.393. ISBN 978-0-313-33442-9.Robinson, Abby (8 August 2019). "Here's why Netflix's Dark Crystal was made into a prequel". Digital Spy . Retrieved 24 June 2020. THE LIGHT FANTASTIC". The Washington Post. Washington, D.C. 3 December 1978. p.E10. ProQuest 146850547. Pike, Sarah M. (2014). "Selling Infinite Selves: Youth Culture and Contemporary Festivals". In Stievermann, Jan; Goff, Philip; Junker, Detlef (eds.). Religion and the Marketplace in the United States. Oxford University Press. pp.191–214. doi: 10.1093/acprof:oso/9780199361793.003.0009. ISBN 978-0-19-026657-8. urn:oclc:271693134 Scandate 20110804165751 Scanner scribe7.shenzhen.archive.org Scanningcenter shenzhen Worldcat (source edition)