Joined in 2023 
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anyways, i really liked this one! and it's one of those books that feels weird so say you "liked" or "loved" because of the flawed main character ... and boy is she FLAWED! i agree that there were a lot of moments that i cringed through while the FMC self sabotaged her life, but something about it felt relatable? plus (while it does take a while to get there) her character growth is EVERYTHING. i was so pleased with the ending and to see how far maggie had come. and not to mention this book is FUNNY. the sarcasm, wit, and dry humor sprinkled throughout was top notch. Maggie, the 29-year-old heroine of Schitt’s Creek screenwriter Monica Heisey’s effortlessly readable debut novel, is trying to work out why her marriage has ended. Laugh-out-loud funny and filled with sharp observations, Really Good, Actually is a tender and bittersweet comedy that lays bare the uncertainties of modern love, friendship, and our search for that thing we like to call "happiness". This is a remarkable debut from an unforgettable new voice in fiction. (From HarperCollins) I am awake WAY too early because I accidentally took a weeeee depression nap after learning about a family member's illness. 🥺🥺I think my mind just needed to take a break to process so here I am awake at this unGodly hour. They say nothing good happens after midnight and I 100% agree with that. Laugh-out-loud funny and filled with sharp observations, Really Good, Actually is a tender and bittersweet comedy that lays bare the uncertainties of modern love, friendship, and our search for that thing we like to call “happiness”. This is a remarkable debut from an unforgettable new voice in fiction.
A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.I've been seeing this gorgeous cover all across Bookstagram and Goodreads so I'm hoping it's good! I just DNFed my last read, and I'm actually really proud of myself for that because I was genuinely not invested in it! Maggie’s marriage ended just 608 days after it started, but she’s fine – she’s doing really good, actually. Sure, she’s alone for the first time in her life, can’t afford her rent and her obscure PhD is going nowhere...but at the age of twenty-nine, Maggie is determined to embrace her new status as a Surprisingly Young Divorcée. One of the most hilarious and barbed accounts of unexpectedly starting over I’ve ever read. . . . If you’ve ever felt lost and hoped that it was leading towards wisdom, Really Good, Actually is your novel.” — Stephanie Danler, New York Times bestselling author of Sweetbitter Of the 43 most stressful events that an average adult might contend with in their lifetime, “divorce” and “marital separation” rank at Nos 2 and 3 respectively, grimly sandwiched between “spousal death” and “imprisonment”. (“Vacations” and “frequency of family reunions” make the list too – useful to remember in the wake of the holiday season.) It’s a nugget of popular psychology with which Maggie, the heroine of Monica Heisey’s debut novel, Really Good, Actually, would be familiar. Recommended by Los Angeles Times • Washington Post • GQ• Elle • Good Morning America • People • Guardian • The Times • E! News Online • The Globe and Mail • Toronto Star • The Week • New York Post • Shondaland • and many more!
Maggie is an interesting character in that she is more complex than first meets the eye. I'll admit to getting frustrated with her at times but to be honest that's kinda what made the book special. Had Maggie been written as a one-dimensional character , it would have been a fluffy, mindless read. Instead she's a hot mess and even though you might not make the same choices as her, on some level she is relatable. Maggie’s marriage is ending only six hundred and eight days after it began (despite being together nearly a decade) . . . My marriage ended because I was cruel. Or because I ate in bed. Or because he liked electronic music and difficult films about men in nature. Or because I did not. Or because I was anxious, and this made me controlling. Or because red wine makes me critical. Or because hunger, stress, and white wine make me critical, too. Or because I was clingy at parties. Or because he smoked weed every day, and I did not think it was “actually the same thing” as my drinking two cups of coffee in the morning. Or because we fell in love too young, and how could our actual lives compare to the idea we’d had of what our lives could be when we were barely twenty and our bodies were almost impossibly firm? Or because we tried non-monogamy for three months in 2011, and it was just fine, not great. Or because he put hot sauce on everything, without tasting it, even if I’d spent hours balancing the flavours from a recipe I’d had to scroll past a long and detailed story about some woman’s holiday to find. Or because he forgot our anniversary once. Or because I did our laundry never. Or because his large Greek family had not quite accepted me as one of their own, even after I learned his yiayia’s favourite poem for her birthday. Or because he walked in on me shitting that time. Or because, in 2015, we attended nine weddings and got carried away, and a big party where everyone told us we were geniuses for loving each other then gave us three thousand dollars seemed like a great idea. Or because we went to Paris and had an argument instead of falling more in love or at least rimming each other. Or because I’d stopped imagining what our children might look like. Or because he’d never started. Or because I was insecure, and sometimes petty. Or because he kept insisting we go vegan, then sneaking pizzas into the apartment while I slept. Or because we finished watching The Sopranos and never started The Wire. Or because when we were first getting together, I’d kissed someone else, and sometimes still thought about her. Or because he was needlessly combative, with a pretentious streak. Or because I was a coward, whose work did not “actively seek to dismantle the state.” Or because I scoffed when he said that and asked about the socialist impact of his latest McDonald’s commercial. Or because he called me a cunt. Or because sometimes, I was one. Anyway, it was over. Almost every time Heisey comes close to a serious idea about Maggie’s inner turmoil – she also went through divorce as a twentysomething – it’s bookended with a deadpan quip. Freshly divorced Maggie is open to trying and doing new things, including dating, journalling, working out and standing up for herself. With all of this, she crumbles weekly and spends days indoor hiding away from the world. With the help of friends she slowly faces her situation and make plans for next step.Three woman who join together to rent a large space along the beach in Los Angeles for their stores—a gift shop, a bakery, and a bookstore—become fast friends as they each experience the highs, and lows, of love. Kind of. He’d moved out, taking the cat (for now) and a gaming system and three acoustic guitars. The idea of Jon writing breakup songs in some dark sublet filled me with equal parts deep despair and incredible relief—despair, to think that I had caused him such pain he’d been driven to experimental songwriting; relief, that I wouldn’t have to listen to it.
Maggie is a 29 year old struggling to come to terms with a fresh divorce and for some reason has zero self restraint. She is endlessly cringey; constantly acting poorly and saying awful things to her friends. I’m surprised her friends didn’t fall out with her sooner. One day,” she said, “and it will surprise you how soon this day will come, but one day you will wake up and feel good. It won’t last long, but then you’ll have another day where you barely remember this abjection, and another, and another, until that’s just your life. But for now, it will be hard. This is the part that’s hard.”
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One of the most hotly anticipated, hilarious and addictive debut novels of 2023, from Schitt’s Creek and Workin’ Moms screenwriter and electric new voice in fiction, Monica Heisey. I’m giving it 2 stars because I managed to finish it, but I expected something good to happen at some point. I’m sad to say I regret the investment. Maggie is too young to be getting divorced. But she is. Six hundred and eight days after the vows, her marriage has ended. First of all, the positives as I see them. The premise is a creative one and I do enjoy the new chaotic life Maggie now lives though the standout feature that appeals to me the most is the ironic, sarcastic tone and the social commentary. The friendships are good and there are some scenes that are entertaining as Maggie employs a multitude of diversionary tactics. The Google searches she does a funny too!
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