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Birdsong: A Novel of Love and War (Vintage International)

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This is a powerful novel, and certainly not for the faint hearted. I read this for my local book club and I can imagine when we meet in February this book is going to make for great discussion. Stephen’s story unfolds alongside that of his granddaughter, Elizabeth Benson, and her own life in London in the late 1970s. Elizabeth is single and fiercely independent. At thirty-eight, she is already the successful manager of a clothing design company, and she is also in love with a married man. Elizabeth is content in her life, despite its challenges, but she feels something is missing. One day, she reads a newspaper article about the anniversary of the 1918 armistice, and it touches a curiosity deep inside her. She knows her grandfather fought in the war, but little else about him. The topic seems too big and out of reach—it happened too long ago and in France—yet thoughts of it linger in her mind. She remembers seeing some of her grandfather’s old journals in her mother’s attic, and she decides to snoop a bit. Birdsong is a 1993 war novel and family saga by the English author Sebastian Faulks. [1] It is Faulks's fourth novel. The plot follows two main characters living at different times: the first is Stephen Wraysford, a British soldier on the front line in Amiens during the First World War, and the second is his granddaughter, Elizabeth Benson, whose 1970s plotline follows her attempts to recover an understanding of Stephen's experience of the war. It was not his death that mattered; it was the way the world had been dislocated. It was not all the tens of thousands of deaths that mattered; it was the way they had proved that you could be human yet act in a way that was beyond nature."

I found that the frame story, actually a dual frame, diminished the war story tremendously. In fact I wondered, prior to the war story beginning, whether I would want to complete reading the book. Gorra described the novel's split into parallel narratives as the critical fault in the reading experience of the novel. [9] For de Groot, however, the split structure provides one of the most sophisticated elements of the novel. [8] De Groot writes that Benson's investigation of personal history allows Faulks to examine the difference between the two perspectives on the memory, highlighting the "unknowability of the horror of war" and of history more generally. [8] Trauma [ edit ] Death surrounded British soldiers on the front line, often to the point of breaking their psychological endurance. Faulks explores this historical trauma, throughout the novel. Painting by C. R. W. Nevinson, 1917. I believe there are novels that affect you long after you have closed the book and I do believe that this is one of them. It was fated for me to read this book (at least I believe it to be so) since as I walked into the library, this book was propped up on the shelf seeming to send a message saying take me home. I listened and am ever so grateful I did take this powerful book home and to heart.I have quite mixed feelings about this book. While I found the sections on the war proper quite devastating and very well done, I also found the framing device of the pre-war romance and more present day life far less effective and also less well written. My feelings may also be affected to some extent by other World War I literature that I have been reading as part of the Centennial over the past few months. Many times I have lain down and I have longed for death. I feel unworthy. I feel guilty because I have survived. Death will not come and I am cast adrift in a perpetual present. I do not know what I have done to live in this existence. I do not know what any of us did to tilt the world into the unnatural orbit. We came here for only a few months. Sebastian Faulk's writing is sumptuous and pitch perfect, capturing the essence of each of the three eras he writes--the tumescent melodrama that unfolds in Amiens in 1910, the desperation, emptiness and incongruous vividness of the war years, and the practical, surging energy and wealth of late 70s London. This is a great novel, an engrossing but devastating read. Just look up every so often and take If I could quote this entire book I would. It was powerfully affecting, emotional and profound. 4.5 stars.

I loved the characters and they are so well developed that I found they not only had faces but voices and I had such a connection with each and every one of them. Elizabeth’s love story echoed her grandmother’s but with its own spirals— History Does Not Repeat Itself, But It Rhymes . These examples might be termed calls rather than songs proper. But there’s more than might be imagined to even the shortest and simplest-seeming calls. Among many different species of songbirds, for example, the alarm calls for an overflying hawk are almost identical: a thin, compressed whistle, delivered with the bill barely open, thought to be designed to alert as many birds as possible without causing excessive risk to the sentinel. The hawk can’t get a fix on the source of the sound. Although I had mixed feelings about the book, the main reason being my inability to connect emotionally to its characters, I think that it definitely fulfilled the mission I assigned to it. It taught me things about WWI I was not aware about, even though historical fiction and wars were receiving a lot of my attention lately. It made me look for more information about the war and convinced me at the same time that France deserves another visit of mine, this time to places such as Thiepval or Amiens. It also made me ask myself if normality can ever be restored after one has experienced a war.

Birdsong - Key takeaways

Faulks' writing is truly outstanding, the fear and hopelessness felt by the men is made vivid and terrifyingly portrayed. My grandfather (age sixteen) fought in the Argonne forrest and was gassed in WW 1. He was in the trenches and as I read I pictured him there among the rats, the mud, the awfulness of war. Perhaps this connection made the book not just another book about a war, but one that held memories for me of a beloved man who was just a kid fighting a onerous war. The heroism and unflinching humanity these ordinary people displayed is something those of us who’ve lived our lives untroubled by war will probably never understand. They had to be phenomenally brave to survive – in the mental sense as much as the physical. BIRDSONG brings that home to us in no uncertain terms. Take heed, because as a reader of this book you will need to be likewise.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize. I have really enjoyed this story so much and feel so emotional after reading it. There are moments when you feel heart-break but then the story is so lovely and heart-warming too that it’s the perfect ending that will make you smile and get tearful, in a good way, too! I would recommend this to anyone, especially people who love music and animals. The story is one that many can relate to, moving home and feeling like you can’t succeed at something in life, but it’s such a wonderful story of hope and friendship that I’m sure everyone young and old will enjoy reading this! In 2012 it was adapted as a two-part television drama for the BBC. [20] The production starred Eddie Redmayne as Stephen Wraysford and Clémence Poésy as Isabelle Azaire, and was directed by Philip Martin, based on a screenplay by Abi Morgan. The historian Edward Madigan favourably compared the television adaptation to Steven Spielberg's War Horse as a successful evocation of the experience of the World War I trenches. [20] But there is humor and passionate love too. Their is death and there is birth. There is hope and despair. The story takes place during WW1 in the trenches in France. It also has events set later, in the 70s. Most authors cannot switch between different time periods. In this book the two are wonderfully intertwined.Birdsong begins in 1910 by introducing the Protagonist, Stephen Wraysford. He is a young Englishman on assignment for a textile factory in Amiens, France. He is a lodger in the home of Rene and Isabelle Azier, an unhappily married couple. Stephen and Isabelle, an abused wife, progressively fall in love. After eloping to Provence, Isabelle becomes pregnant and for reasons not mentioned at the time, chooses to leave Stephen. Faulks has created a poignant and epic love story, set in the absolute atrocities of the first world war. The scenes in the trenches are truly horrific and they tell the reader the very depths of human despair. I had to pause after a couple of these such scenes, just to let what I had just read, sink in. a b Sokołowska-Paryż, Marzena (2015). "Re-imagining the Thiepval Memorial to the Missing of the Somme in Contemporary British Writing". In Anna Branach-Kallas; Nelly Strehlau (eds.). Re-imagining the First World War: New Perspectives in Anglophone Literature and Culture. Newcastle-upon-Tyne, United Kingdom: Cambridge Scholars Publishing. pp.92–109. ISBN 978-1-4438-8338-2. Archived from the original on 5 August 2021 . Retrieved 31 July 2021. Stephen’s love interest throughout the book, Isabelle is the unhappy and abused wife of Rene Azaire. Although she loves Stephen, she does not tell him about the pregnancy and leaves him to return to her sister, Jeanne. After then returning to Rene, she later raises their daughter, Francoise with a German soldier named Max. Shortly after the war, she dies of influenza. Stephen and her sister, Jeanne then raise Francoise. Elizabeth Benson Bob – Irene's husband. He offers to translate the code used in Stephen Wraysford's war diaries for Elizabeth.

A scene which, some may say, in the greater scheme of the whole book pales into insignificance but is still very well worth mentioning, is the extremely erotic, yet tastefully presented, first sexual encounter between Stephen and Isabelle, which occurs early on in the story. There are other encounters throughout the book, but I found this to be one of the most sexually arousing pieces of writing that I have ever read. It omits just the right amount of detail to allow the reader's imagination to run riot. Amazing! I fill the space around me with music. I don’t play anything that I’ve learned. I just play. I play for me and I play for the bird who has lost so much.”

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No matter what Katya Balen writes, she always leaves me spellbound, smiling, or with my heart aglow. Birdsong left me with all three. During these episodes, Stephen feels lonely and writes to Isabelle, feeling that there is no one else to whom he can express his feelings. He writes about his fears that he will die, and confesses that he has only ever loved her. Several episodes depict a downtrodden Stephen whose only respite is his friendship with Captain Michael Weir and his men. Stephen gains the reputation of a cold and distant officer. He refuses all offers of leave, because he is committed to fighting the war. René Azaire – Factory owner in Amiens. He states that Stephen will go to Hell for his affair with his wife Isabelle. Embarrassed by his inability to have a child with his wife he beats Isabelle.

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