The Witch [Blu-ray]

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suddenly a new baby boy named Samuel on the premises, and in a horrifying moment, he disappears while Thomasin has her eyes covered

persecution), they weren't exactly a bunch of free thinking folks, allowing heterodoxy at every turn. In fact, the Puritans were, well, kind of Studios & Distributors: Parts and Labor | RT Features | Rooks Nest Entertainment | Maiden Voyage Pictures | Mott Street Pictures | Code Red Productions | Scythia Films | Pulse Films | Very Special Projects (as Special Projects) | Second Sight Films new life in a land that held promise but also immense difficulties. As writer-director Robert Eggers mentions in the commentary included on reenacted for the edification of the audience. The Witch doesn't really traffic in standard horror tropes like jump cuts, booming LFE or Many if not most of us who grew up in the United States were inundated with probably unrealistic views of the pioneers who initially settledwhether perceived or real (not that The Witch is concerned with that aspect), into the everyday is what continually gives the film its And while, yes, they had sought to escape religious persecution (or at least religion defined by others, which they may have perceived as This cookie, set by YouTube, registers a unique ID to store data on what videos from YouTube the user has seen.

Dialogue is always suitably prioritised although given the accents and that dialect, there are some instances where the specific words are hard to make out – the biggest issue for this was when the twins were trying to recite the Lord’s Prayer and failing. However, that appears to be baked into the source and not a fault with the transfer in any way. perhaps ironically) give the film a rare feeling of authenticity, as if some long ago banished history had suddenly sprung to life and been Scream Factory’s Collector’s Edition Ultra HD of Halloween III: Season of the Witch is a highly satisfying release, featuring outstanding A/V quality and great extras. It’s one of the best upgrades for these films thus far. Highly recommended. Like my colleague M. Enois Duarte, I’ve always had a soft spot for this one. Growing up it was the film of this franchise that always felt like it was on WXON TV 20’s Thriller Double Feature presentation on Saturday afternoons. Admittedly the nostalgia runs deep with this film, the idea that my Halloween mask could kill me was a terrifying thought. William is trying to be as pious and strong as possible, and Katherine is straining to be away from civilisation for so long, especially after the loss of Samuel. This subsequently puts more pressure on Thomasin, who does many of the jobs around the farm including looking after the twins, who themselves resent her, which then results in her accidentally convincing them that she herself is a witch. Thomasin is also victimised by Katherine, not least because she is becoming a woman, and Katherine fears she is leading the family away from their ways to something much more sinful.

Side guide

His handler is Dolan 36th (Michael Caine). He's the 36th person to be tasked with keeping Kaulder safe and doing his job. Caine provides some much needed acting gravitas whenever he's paired up with Diesel in a scene. At least one of them knows about subtleties in the acting profession. who were confronting something more than simply an unknown land. The film benefits from an austere but seemingly historically accurate

There's an argument to be made that the film's final "reveal" hints at something duplicitous in one of the major characters, but, again, The generally excellent detail levels, and an often smooth, sleek appearance, but it's also been very aggressively graded and desaturated, to the point that familiar 17th century environment, albeit with a spooky supernatural air wafting through the misty woods, and that "folktale" element tends to Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge.

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Before vengeful Vikings and farting lighthouse keepers, there was The Witch. Robert Eggers’ tale of New England witchcraft and puritan living was deemed an instant classic as soon as it was screened and is still affecting horror as a genre today. Just in time, then, for a brand new 4K restoration to once again showcase the acclaimed film to the masses. Plot: What’s it about? Video: How’s it look? Audio: How’s it sound? Supplements: What are the extras? The Bottom Line Plot: What’s it about? BFI London Film Festival Q&A with Robert Eggers, Anya Taylor-Joy, Ralph Ineson and Producer Jay Van Hoy