Midnight Cowboy: Music From The Motion Picture

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a b Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6. a b c Balio, Tino (1987). United Artists: The Company That Changed the Film Industry. Madison: University of Wisconsin Press. p. 292. ISBN 9780299114404. The musical score of Midnight Cowboy presented a new concept, widely used in the last decades, but not in the late sixties—a combination of songs and original music wisely developed into a perfect underscore. Renowned British composer John Barry, who had already won three Oscars in 1969, appeared under the credit of "Music Supervisor," but also composed a series of original cues and supervised the entire musical concept of the film, along with legendary American producer Phil Ramone. Frankel, Glenn (2020). SHOOTING MIDNIGHT COWBOY: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic. New York, NY: Farrar, Straus and Giroux. pp.175–176. ISBN 9780374209018. Popik, Barry (August 22, 2007). "The Big Apple: "If you don't have an oil well, get one!" (Eddie Chiles of Western Company)". The Big Apple. Archived from the original on March 19, 2015 . Retrieved February 14, 2015.

Upon initial review by the Motion Picture Association of America, Midnight Cowboy received a "Restricted" ("R") rating. However, after consulting with a psychologist, executives at United Artists were told to accept an "X" rating, due to the "homosexual frame of reference" and its "possible influence upon youngsters". The film was released with an X rating. [1] The MPAA later broadened the requirements for the "R" rating to allow more content and raised the age restriction from fourteen to seventeen and above. The film was later rated "R" for a reissue in 1971. [1] [22] Wear, Mike (October 8, 1969). "Sept. Totals Soar to High Plateau; 'Cowboy,' 'True Grit,' 'Easy Rider,' 'Daddy,' 'Oliver,' 'Curious' Leaders". Variety. p.7. Ditmore, Melissa Hope (2006). "Midnight Cowboy". Encyclopedia of Prostitution and Sex Work. Vol.1. Westport: Greenwood Publishing Group. pp.307–308. ISBN 9780313329685.Monaco, Paul (2001). History of the American Cinema: 1960–1969. The Sixties. Vol.8. New York: Charles Scribner's Sons. p.166. ISBN 9780520238046.

Joe receives oral sex from a meek young man in a movie theater in an attempt to make money, but the man cannot pay. Joe threatens him, but releases him unharmed. The next day, Joe spots Rico at a diner and angrily confronts him. Rico manages to calm Joe and invites him to share his squalid, condemned apartment squat. Joe reluctantly accepts, and the two begin a "business relationship" as hustlers. Rico asks Joe to call him "Rico" instead of "Ratso", but Joe does not oblige. They struggle with severe poverty, stealing food and failing to get Joe work. Joe pawns his radio, while Rico's persistent cough worsens during winter without heat. Voight Worked for Scale for 'Midnight Cowboy' Role". The Denver Post. Digital First Media. Associated Press. August 29, 2013 . Retrieved August 29, 2013. Midnight Cowboy". Box Office Mojo. Archived from the original on January 30, 2012 . Retrieved February 26, 2012.Quartet Records, in collaboration with Metro-Goldwyn-Mayer, Capitol Records, Universal Music Enterprises and the Phil Ramone estate, present an expanded 2-CD edition of the iconic score for the landmark film Midnight Cowboy, directed by John Schlesinger in 1969, starring Dustin Hoffman and Jon Voight, and winner of three Academy Awards, including Best Picture.