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For Bowie, Labyrinth was an opportunity to indulge his theatrical side – the ripple of panto that ran through so much of his work. He’d always wanted to make a record for kids. Now he finally had a chance. But for Henson the movie was a shot at redemption. Jones was put to work on Lee’s script. He was surprised to discover that it was essentially a “poetic novella”. Most of that was thrown out by Jones, who envisaged the film as having an environmental message. He was also keen to keep the Goblin King off-screen for most of the movie. This would have left David Bowie, and his trousers, at a bit of a loose end. Henson was not enthused. The impact on Henson was devastating. He had long craved recognition as a serious artist, rather as merely the creator of the Muppets and of Sesame Street characters such as Cookie Monster and The Count. But Labyrinth had crashed and burned just a few years after another mega-flop, 1982’s The Dark Crystal. “Jim Henson” and “serious cinema” were becoming a contradiction in terms.

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He was rusty in the beginning, sure, he’d miss some notes,” says the show’s musical director, Michael Bearden. “But he would always say, ‘That’s why we rehearse.’ And the last two or three rehearsals, he was ready to do that show. He knew it, he had that glow, that swagger about him. MJ is the master closer. He’s got amazing muscle memory. When he gets in front of his fans up on that stage, it’s just magic.” Michael got to try the pants on before he died and saw how the lights worked. He was so thrilled with Zaldy's work that he declared, "It's everything I've always wanted."Bowie, as ever, was hipper to this than anyone else, which is why he slipped in a reference to The Bachelor and the Bobby-Soxer. And perhaps that’s why Labyrinth has lived on: it’s a rare Hollywood movie that takes seriously the experience of being a young woman finding her way in the world. Costumes for the Show [ ] Zaldy Opening Songs Outfit (Wanna Be Startin Somethin', Jam, Drill/They Don't Care About Us, and Human Nature/Stranger In Moscow) [ ] Labyrinth has also contributed to the mythology of Bowie, known to many younger people less as the Thin White Duke and more as the mega-mulleted weirdo who steals baby Toby for the goblin hordes. Following his death in 2016, one of the ways in which fans paid tribute was by attending Labyrinth screenings. To be precise, there weren’t any gnomes in the film for which the song was made, Jim Henson’s fantasy adventure Labyrinth, which turns 35 this week. There were, however, lots of rubber goblins. Bowie, 38 and squeezed into pop’s tightest trousers, played Jareth, their evil king. He’s summoned by Sarah, a spoiled teenager (14-year-old Jennifer Connelly), who wishes that her baby half-brother Toby would be taken away “by the goblins”.

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New! Bad Trousers- (Pro Series) this is the closest to the originals available anywhere.. you will not get quality like this anywhere else, Insist on the best! They brought me the concept,” said Bowie. “[Henson] showed me The Dark Crystal,which I found a fascinating piece of work. And I could see the potentiality of making that kind of movie, with humans, songs, more of a lighter comedy.”How can we make these look like real creatures? It’s a struggle because it’s a technological exercise more than anything else. Jim’s ability to combine old puppet techniques with state-of-the-art [ones] was his genius. He really understood how to [do] make-believe and then make it real.”