METEORA (20th Anniversary 4LP Edition)

Product Information

American album certifications – Linkin Park – Meteora". Recording Industry Association of America . Retrieved April 15, 2023.

Also this version comes with a double sided printed insert and the records is housed in standard white paper inner sleeves Discos de Oro y Platino" (in Spanish). Cámara Argentina de Productores de Fonogramas y Videogramas. Archived from the original on August 20, 2011 . Retrieved January 10, 2021. British album certifications – Linkin Park – Meteora". British Phonographic Industry . Retrieved August 6, 2021.

The promotion for the album began well ahead before its release, as pictures of the band recording were distributed to the media. To support the album, there were many photo shoots of the band on October 29 at the Ambassador Hotel, where the band took a break from recording the album for two days, for designing the cover art of the album. "The Flem" and "Delta" helped the band for the art works, for the album as well as for the singles spawned by it. A TV commercial for the album was premiered on January 1, 2003. Guld- och Platinacertifikat − År 2003" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on 2011-05-17 . Retrieved March 4, 2020. a b "Linkin Park: Inconspicuously Huge". MTV. Archived from the original on 2015-10-17 . Retrieved 2015-08-20.

Singapore album certifications – Linkin Park – Meteora". Recording Industry Association Singapore . Retrieved February 18, 2023. Austrian album certifications – Linkin Park – Meteora" (in German). IFPI Austria . Retrieved March 4, 2020. Linkin Park - Meteora (album review 13) - Sputnikmusic". www.sputnikmusic.com . Retrieved August 21, 2017.Lyrically, the album contains elements including depressing emotions, anger, and recovery. Explaining to MTV, Bennington said: "We don't talk about situations, we talk about the emotions behind the situations. Mike and I are two different people, so we can't sing about the same things, but we both know about frustration and anger and loneliness and love and happiness, and we can relate on that level." In the same interview, Shinoda explained it as: "What we really wanted to do was just push ourselves and push each other to really find new ways to be creative." He continued: "We wanted each sample that was in each song to be something that might perk your ear – something that you might not have ever heard before." [13] Joel Derouin, Charlie Bisharat, Alyssa Park, Sara Parkins, Michelle Richards, Mark Robertson – violins