Fuji Superia X-TRA 3 Pack ISO 400 36 Exp. 35mm Film, Total 108 Exposures

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Konica Big Mini BM-302 and Fujifilm Superia 400. Inverted by hand with no adjustments. A brief history of the Fujifilm Superia film line and the technology behind it. Olympus OM-1 with F-Zuiko Auto-S 50mm f/1.8 and Fujifilm Superia 400. Over-exposed by about 1 stop. Inverted by hand with no adjustments. Where to buy Fujifilm Superia X-Tra and how much does it cost.

Fujifilm Fujicolor Superia 200 Print Film - PhotographyReview Fujifilm Fujicolor Superia 200 Print Film - PhotographyReview

Van: Fuji X Weekly Verzonden: woensdag 10 juni 2020 01:09 Aan: [email protected] Onderwerp: [New post] Fujifilm X100V Film Simulation Recipe: Fujicolor Superia 100 So far with my FujiFilm camera I have always been shooting Jpeg plus Raw to always process my Raw-files. I have tried different FujiFilm profiles and have found Pro-Neg Hi to be my go to profile for processing my raw files. I find it to have the most true color and temperature to my liking. I find that to be the same in your images for your recipes. That certainly does not mean there is no place for other recipes for different views. Because Superia ZD is more robust, shorter run jobs will look better too, with consistent image quality from the first to last print. Print quality is exceptional - with a specification of 1-99% resolution and 20 µm FM screening, Superia ZD does not require any processing or finishing involving chemistry or gum, so the stability and consistency is actually better than a traditionally processed plate.Fujifilm's next generation processless plate is ready to advance your commercial offset production to new levels of efficiency. With excellent robustness, Superia ZD delivers high run lengths and consistent quality. It is also UV ink compatible. The '4th' cyan colour layer was designed to provide improved colour reproduction under fluorescent lighting, although use of filters is still recommended. Later films dropped the 4th layer (see Superia 400 X-tra and Premium 400). Though most sources, including Wikipedia , categorize Superia as a consumer/amateur-oriented film, it’s built on the same technology as one of the most sought-after colour emulsions: Natura 1600 . Notice of discontinuation of some photographic film products". www.fujifilm.co.jp . Retrieved 2020-02-09. I’ve also been pleasantly surprised by the image quality in the under-exposed areas. Despite the colour shifts and the increased grain, the dark parts of my scans look relatively clean, virtually free of all colour noise.

The Color Film Photography Blind Taste Test: Can You Figure

Fujifilm’s processless plate technology features a number of high performance multi-layer coatings. In previous generations of processless, handling without care could sometimes damage the coatings, but Superia ZD is less sensitive to scratching.Kodak Portra 400 is pretty notorious for having fairly muted tones so that it can be edited to your heart’s content, so it’s generally pretty pastel which is what I expected. What wasn’t prepared for was for the Superia to be almost identical. I know what you’re thinking, it’s that meme from the office where she’s like “They’re the same picture” and honestly, there’s very little difference at all. The only thing that I think I can glean from these pictures is that the Superia may have a little more saturation in the magentas (the pink flowers) and possibly a little more green.

SUPERIA Processless Thermal CTP Plates - Fujifilm

To make things easier for you as you evaluate the photos, I’ve prepared a handy scoring sheet you can use to evaluate the films as we go through the blind test. To use it, and this is important, you’ll need to make a copy of my template. Please don’t send me a request to edit my copy. I can’t give you permission to edit the template. You need to make a copy of mine so you can edit it to your heart’s content. To do that, in Google Docs file menu, go to File -> Make a copy. The scoring sheet will help you prioritize the aspects of color film that are most important and unique to you and your shooting needs. So the first thing you’ll do is go along the top and rate how important each evaluation criteria are to you. First rate how important color is. Note that you’re not defining what is good color, only how important color is to you, in general.Superia ZD is engineered for robustness and durability, delivering a run of 150,000 with one set of plates. That means you can handle longer runs with less plate remakes and press downtime. Especially during the winter season I practice a lot of night-time photography. During the day, one photograph might take up 1/125th of a second of your time. However, at night, things change drastically. You should have much more time on your hands as a single exposure can easily consume several minutes. It might be hard to see, but with Portra 400 on the left, the overexposed areas aren’t as ‘blown out’ as they are with the Fuji on the right. Also, the Portra retains a bit more of the shadows than the Fuji does.

Fujifilm Superia X-Tra 400 Film Review - analog.cafe Fujifilm Superia X-Tra 400 Film Review - analog.cafe

If you’re still reading, I’ll assume you’ve gone through and rated the photos. And if that’s the case, it’s now time for the big reveal. Here are the names of the emulsions assigned to each letter:Of all the films out there, I believe that Superia honestly could serve as a great everyday film for so many photographers. It’s affordable price point combined with good quality makes it very attractive. In ISO 200, 400, and 800 you’re bound to get some of the best colors. But with 1600 you’ll be subjected to a fair amount of grain. You have to come to expect this though as even Fujifilm Natura 1600 was grainy. I’m going to miss natura, but I really like Superia 1600 if you overexpose it. In fact, I’d recommend giving it more than an extra stop of light. I think many of you will really appreciate this film simulation recipe. It has fairly low contrast, but not too low, and produces very nice colors. It has a nostalgic quality to it, since the film that it’s based on was widely used for family snapshots in the 1990’s and 2000’s. You can use it for portraits or street photography or landscapes—really, it’s good for most situations. Unfortunately, as of this writing, this Fujicolor Superia 100 film simulation recipe is only compatible with the Fujifilm X-Pro3, X100V and X-T4 cameras. This recipe does use the new Clarity feature, and you should be aware that it slows down the camera considerably. For the trip, I brought my Leicaflex SL2 in combination with not one but two 35mm lenses (the f/2 Summicron as well as the PC Curtagon shift lens). As I had wisely loaded the film in complete darkness , I was able to obtain 40 frames from the single roll. An impressive number to be reduced to a not-so-much impressive count of 37 useful frames by camera operator error. By the way, my point-and-shoot cameras often get one more frame out of a Fuji than of a Kodak film. To have a little more room for exposure errors, I rated the Fuji Superia at EI 200. The Images – Day-Time Shots All this being said, Superia’s biggest claim to fame is its color rendition, which is simply fantastic. The gorgeous tones and stunning saturation are traits we most often find in pricier, “professional” film, and it’s even more stunning when we consider the low cost of Superia. This film absolutely shines when capturing vibrant scenes of the natural world, as well as bustling urban cityscapes. Colors are saturated without looking garish, and blues and greens render beautifully. The only caveat with Superia 400’s color rendition in daylight is that it might have a tendency to render lighter skins with a pinkish tone that may be unflattering for portraiture. On balance, over-exposure can help with this as well. As we increase the exposure times we see a shift that pushes dark tones closer to the highlights, tightening the curve, rendering skin brighter and making contrast from facial shadows less visible. The triumvirate of LH-PJ, LH-PL, and Ecomaxx-T long-, medium- and short-run plates possesses Fujifilm's proprietary MultiGrain surface treatment technology, which gives each of these plates enhanced durability and remarkable ink/water balance on press, translating into faster, cleaner roll-up and faster restarts for decreased makeready time and waste.