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Revolver

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Hiatt, Brian (28 July 2021). "The Beatles in Spatial Audio: Producer Giles Martin on How It All Works". Rolling Stone . Retrieved 11 September 2022. Album Top 50 (27/09/2009)". australian-charts.com. Archived from the original on 26 October 2010 . Retrieved 28 June 2017. Literally anything [could come out of the next recording sessions]. Electronic music, jokes ... one thing's for sure – the next LP is going to be very different. [14]

Held at Wembley's Empire Pool, in north-west London, this was the last concert that the Beatles played before a paying audience in the United Kingdom. [52] a b c Goldstein, Richard (27 March 2020) [25 August 1966]. "Report from Swinging London: 'Revolver' Revolution [Pop Eye: On 'Revolver']". villagevoice.com . Retrieved 28 October 2021. Wells, Matt (9 November 1999). "How Robbie headed Amadeus in the race to be music's man of the millennium". The Guardian . Retrieved 22 June 2020. Among these meetings, Lennon participated in the filming of D.A. Pennebaker's documentary about Dylan's 1966 tour, Eat the Document, [58] on 27 May, [59] while Shankar agreed to become Harrison's sitar teacher on 1 June. [60] Psychedelic Pop". AllMusic. Archived from the original on 8 December 2016 . Retrieved 30 July 2020.Tyrangiel, Josh; Light, Alan (13 November 2006). "The All-Time 100 Albums". Time. Archived from the original on 9 November 2007 . Retrieved 24 June 2017. The Beatles – Revolver". hitparade.ch. Archived from the original on 4 August 2017 . Retrieved 28 June 2017. Album – Classifica settimanale WK 44 (dal 28.10.2022 al 03.11.2022)" (in Italian). Federazione Industria Musicale Italiana . Retrieved 5 November 2022.

a b c d Sheffield, Rob (5 August 2016). "Celebrating 'Revolver': Beatles' First On-Purpose Masterpiece". Rolling Stone . Retrieved 24 June 2017. The unearthly sounds that Revolver released into the world were at once the antithesis of the human and a provocative indication of the mysterium tremendum ... As they took their audience through a radically defamiliarized acoustic universe, these sounds were essentially questioning sounds. They kept forcing their audience to ask: what is this I'm listening to? [403] Oficjalna lista sprzedaży:: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved 10 November 2022.VIVA Album Top 50 - Alle Musikvideos - Chart". VIVA.tv. Archived from the original on 20 May 2013 . Retrieved 13 November 2012.

Wakin, Daniel J. (14 February 2010). "From the Pope to Pop: Vatican's Top 10 List". The New York Times. Archived from the original on 4 October 2018 . Retrieved 24 June 2017.Brown, Peter; Gaines, Steven (2002) [1983]. The Love You Make: An Insider's Story of the Beatles. New York, NY: New American Library. ISBN 978-0-451-20735-7. Hodgson, Jay (2010). Understanding Records: A Field Guide to Recording Practice. New York, NY: Continuum. ISBN 978-1-4411-5607-5. New Zealand album certifications – The Beatles – Revolver". Recorded Music NZ . Retrieved 14 April 2020. Part of The Beatles’ story is that of pop’s transformation into something like art. Not that Revolver was without precedent. Frank Sinatra’s serial-like string of albums in the ’50s (In the Wee Small Hours, Only the Lonely, No One Cares), Ray Charles’ Modern Sounds in Country and Western Music, the sound sculptures of producers like Phil Spector and Joe Meek, the arrangements of The Beach Boys’ Pet Sounds—all undoubtedly pop music. But they’re also examples of artists stretching pop to accommodate a sense of depth and conceptual ambition that hadn’t been there before. As George said around the time of Revolver’s release, selling a lot of records was nice. Now the point was to make them better. Kronemyer, David (25 April 2009). "How Many Records Did the Beatles Actually Sell?". Deconstructing Pop Culture. Archived from the original on 6 March 2016 . Retrieved 23 June 2017.

The release coincided with a period of public relations challenges for the band, [55] [323] the combination of which led to their decision to retire from touring following the end of their North American tour, on 29 August. [324] [nb 26] In the US, the album's release was a secondary event to the controversy surrounding the recent publication there of Cleave's interview with Lennon, in which he remarked that the Beatles had become " more popular than Jesus". [25] [328] This episode followed the unfavourable reaction to the Yesterday and Today butcher sleeve, from the press, [329] radio stations and retail outlets. [330] [nb 27] As a result, at press conferences during the tour, questions were typically focused on religious matters rather than the band's new music. [333] In addition, the group were vocal in their opposition to the Vietnam War, a stand that further redefined their public image in the US. [334] The Beatles did not attempt to perform any of the songs from Revolver during the tour. [335]Italiancharts.com – The Beatles – The Beatles In Stereo". Hung Medien. Retrieved 20 September 2023. Coplan, Chris (20 September 2009). "Album Review: The Beatles – Revolver [Remastered]". Consequence of Sound. Archived from the original on 13 June 2017 . Retrieved 24 June 2017. Greenfield, Edward (15 August 2016) [15 August 1966]. "The Beatles release Revolver – archive". theguardian.com . Retrieved 8 April 2020. Miles, Barry (2001). The Beatles Diary Volume 1: The Beatles Years. London: Omnibus Press. ISBN 0-7119-8308-9.

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