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A more angled top would have suited us more, but then the ID range never had this so it’s curious as to why EVO brings this to our attention! We’re calling it the mic preamp of the future,” says Andy. “Our powerful EVO Mic Preamp technology combines all the sonic advantages of a studio-grade analogue mic preamp with digitally controlled tactile precision, so you can set your gain with pin-point accuracy – right down to the decibel.” EVO Mic Preamps provide 58dB Mic Gain, while its advanced 32-bit converter technology offers 121dB dynamic range. As with all EVO products, SP8 benefits from the addition of Smartgain, an innovative and time saving feature which gives the option to automatically set the gain with the touch of a button. “As with EVO 16, EVO SP8 can automatically set the gain for all 8 channels at once,” explains Andy, highlighting the added advantage for musicians who have multiple mic inputs (drummers) or line inputs (synth players). Whether you're a musician, podcaster, beatmaker, producer, streamer or another creative entirely, the EVO 8 is made for you. With a sleek, minimal design, paired with a streamlined control panel, the EVO will slot seamlessly into your existing setup. The Engineering
Want to grow your studio business? Invest in Audient. – Audient on Audient keeps Lito’s Place on Top of Film Work A series of smart systems enhance the EVO 8 further - making the recording process a fun and headache-free process. For example, Smartgain mode sets the levels of your inputs automatically while you sing or play. This helps to prevent clipping and distortion and stops your performances from being too quiet. It's also possible to adjust the gain of every channel at once, resulting in a perfect auditory match.Collection and delivery costs are included for the first 2 years in the event of an item becoming faulty Input recording is also exemplary, helped a little with a Smart Gain feature that helps you set levels, although to be fair you don’t really need it as such (see below for more on this). Each of the inputs can handle microphone or line-level signals, all with 48V phantom power for condenser mics. Power to the interface is supplied directly over a USB-C cable, meaning there’s no need for a separate power supply. It is worth noting that if your computer only has the larger USB-A ports, you’ll need to connect via a USB-A to USB-C cable and only be able to use phantom power on two mic inputs. If your computer has USB-C ports, you can use the supplied cable and run phantom power on all four mic inputs simultaneously. Setup is plug-and-play on a Mac with drivers required under Windows, but either way it’s advisable to install the Evo Mixer application, which allows you to do things like set up routing and upgrade firmware. These preamps are complimented by high performance converters; they feature 113dB of dynamic range, allowing you to pinpoint sections of your mix with unrivalled accuracy. You can even use the JFET instrument input to plug your bass or electric guitar directly into the EVO 8 and start recording. Intuitive Features
For most home recording tasks, simplicity is a good thing. Why over-complicate the process and make life hard for yourself? That’s particularly true of audio interfaces, where the objective is to get sound into and out of your computer with minimal fuss. As long as the sound quality’s up to scratch, it’s better not to add unnecessary features, which often serve to do little more than disrupt workflow or increase the price of the device. Another neat touch is that you can change preamp gain inside certain DAWs, including Logic Pro X, meaning you don’t even have to switch windows to the mixer. Unfortunately, there’s no way to save input levels within your DAW projects, but the Evo mixer software is more than capable. Sound For guitarists, the front-facing JFET instrument input is well located and sounds excellent. The Evo 8 also comes with the Torpedo Wall of Sound amp modelling plug-in from Two Notes Audio Engineering which pairs well with the bundled Cubase LE. There are also 2GB of free Loopcloud samples for beat-oriented producers and a rotating library of plug-ins and tutorials available for Evo 8 owners, making this an even more attractive prospect. One of the most unique and groundbreaking features of the interface is "Smartgain Mode". Once you start playing or singing with Smartgain Mode, the interface will automatically adjust the levels of your microphones, so you can avoid clipping and distortion. It will even match and adjust gain to both channels at the same time for added versatility. This makes the recording process easier than ever before, eliminating the need to adjust levels manually. This is perfect for beginners and professionals alike, streamlining your workflow. Detailed, warm sound with EVO mic preampsThe preamps are remarkably clean and transparent with a gain range of 58dB – enough for most microphones. Notably, there is comfortably enough gain for an SM58, Røde NT-1 and Aston Origin. You can even get a passable level out of the notoriously low-sensitivity Shure SM7B for spoken word, but you do have to max out EVO 8’s input gain. The EVO interface comes complete with a professional software bundle including premium-grade plugins to get you started straight out of the box. Features We are delighted to partner with Rational Acoustics in integrating our huge selling EVO 2, 4 and 8 channel audio interfaces into the Smaart v9 platform,” says Audient Marketing Director Andy Allen. “With EVO’s ability to digitally control the interface’s gain, phantom power and polarity via our EVO Control app running on users’ laptops and now with Smaart’s embedded integration, we’re providing a new, intuitive workflow for Smaart users everywhere. Indeed, a Gain Changing solution.” However, the LED ring’s position encircling the central control knob on the flat top of the device means that if you push it further than a foot away, the knob begins to obscure the LEDs. An angled top would avoid this but undoubtedly increase the price. The compact and portable design makes the EVO perfect for musicians on the move. Whether you’re recording vocals for your latest song or podcasting with friends on the go, the EVO is the perfect choice. It’s even USB powered, meaning you don’t have to bother with tedious power supplies, just plug it in and you’re ready to go.
You should get an instant answer on whether your application has been successful, though in some rare cases Klarna or V12 may need to look at the application in more detail. Too often, though, attempts to circumnavigate the technicalities of the recording process result in limited and limiting feature sets... With the EVO 4, however, Audient has created an audio interface that is genuinely simple to use but is in no way simplistic." Please note that this extended warranty is currently only available on products sold within the UK, EU or EEA, and is subject to the terms and conditions as detailed on the extended warranty certificate provided. The audio quality of the Evo 4 is very good. Yes, it’s true that most audio interfaces sound good these days but to my ears Evo has that Audient quality sound that I know and love" The Audient Evo 8 USB Audio Interface is a compact USB audio interface designed for musicians, podcasters and content creators. The Audient EVO 8 provides ultra-low latency performance delivering pristine sound thanks to the 24-bit/192kHz audio resolution. The EVO mic pres deliver exceptional warmth whilst remaining accurate and nuanced, providing up to 58dB of gain range. You can record both instruments and vocals thanks to the built-in Phantom Power and JFET input.Low-latency, customisable software mixer - route outputs/inputs, apply phantom power, configure headphone mixes, set sound levels and more.
The Monitor Mix switch allows you to easily blend your input signal with your DAW output so you can play along and record with your songs As well as the EVO 8 itself, you'll also get access to a library of industry-standard software, providing you the essential tools needed to get recording from the outset. FeaturesAll front panel controls are intuitive and immediate. Want to mute an input or output? Hold down its button. Want to link channels 3 and 4? Hold down both their input buttons. Want phantom power? Hit an input button, then press the 48V button. The basics are exactly as simple as you’d hope. There’s also a high resolution, full-colour LCD screen built into the unit. “Navigate SP8’s hardware features with blazing speed, courtesy of our Motion User Interface. The wide angle screen intelligently displays information as you need it, transforming EVO SP8 into a fully immersive, easy to use Smart Preamp – the first of its kind,” Andy continues. With the option to view the channel status and keep an eye on metering levels, Motion UI uses a centralised one-knob system to adjust all EVO SP8’s hardware parameters.
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