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Two semiquavers are equal to one quaver, or four semiquavers are equal to one crotchet, or eight semiquavers are equal to one minim, or sixteen semiquavers are equal to one semibreve (which is why they’re called sixteenth notes). REED, Alexander S., Assimilate: A Critical History of Industrial Music, Oxford University Press, New York, 2013. RIETVELD, Allegonda C., This is Our House - House Music, Cultural Spaces, and Technologies, Ashgate, Aldershot, 1998. Or, for time signatures with a number eight as their bottom number, a dotted crotchet would represent one beat. BROUGHTON, Simon, ELLINGHAM, Mark, TRILLO, Richard (ed.), World Music vol.1 – Africa, Europe and the Middle East, Rough Guides, London, 1999.

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CEPEDA, Raquel (ed.), And It Don’t Stop! – The best American Hip-Hop Journalism of the last 25 Years, Faber and Faber, New York, 2004. PERCINO, Gamaliel, KLIMEK, Peter, THURNER, Stefan, Instrumentational Complexity of Music Genres and why Simplicity Sells, in: PLOS DOI:10.1371/nr.0115255, December 2014.First steps in music is my course for families with children aged 0-3 that will help you support your child’s musical development with original songs and new creative ideas. REYNOLDS, Simon, Generation Ecstacy – into the World of Techno and Rave Culture, Routledge, New York, 1999. The name for a genre is often coined by a music journalist as an attempt to summarize underlying currents in past events, sometimes many years after the date of origin when the boundaries of the common denominator characteristics have finally become clear. The urge to do so in a concentrative manner (a noun or genre name) can lead to unfortunate results, i.e. something “new” or “progressive” in the eighties can hardly sustain this feat in present times. In other occasions, artists themselves come up with a name to describe their style, often compared to already existing genres. Another possible origin is by mixing records from two different genres, either consecutively or simultaneously. When the crowd starts to welcome these mixes, new records get made to approximate this combination and a new genre becomes born. More often than not, genre names are poorly chosen and reveal little information about the true nature of the genre. There is however no debate about which genre is which: once denounced, the genre name stays infinitely.

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It starts with a semibreve (whole note) at the top, which can be split into two minims (half notes).

I took my daughter from 3 months till 15 months old and she simply loved Tiziana’s classes, and so did I. They are unlike any other classes I’ve been to: really about experimenting and interacting with sounds, rhythm and music, allowing each child to express their response without any expectation. Each class is fun and also builds from one to another to enable a child to play more and more with music. I wish I could still attend and would recommend her unequivocally to every child and parent! BROUGHTON, Simon, ELLINGHAM, Mark (ed.), World Music vol.2 – Latin & North America, Caribbean, India, Asia and Pacific, Rough Guides, London, 2000. DUNN, Sam (dir.), Metal: A Headbanger's Journey, Seville Pictures, 2005 (DVD). Ibidem: Metal Family Tree, 2005. CARR, Ian, FAIRWEATHER, Digby, PRIESTLEY, Brian; Jazz – The Rough Guide (3rd ed.), Rough Guides, London, 2004. McLEOD, Kembrew, Genres, Subgenres, Sub-subgenres and More: Musical and Social Differentiation Within Electronic/Dance Music Communities, in: Journal of Popular Music Studies, 13, pp. 59-75, 2001.