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look that's apparent, especially in the sky, something that wasn't as apparent in the 1080p Blu-ray version. Overall, though, this is a great looking released, and I have to say I at least marginally increased my appreciation for it this time through, at least partially due to the excellent new detail and marginal improvement. A light dusting of digital grain tends to be most noticeable in the more brightly lit moments, as in the early scene in the desert Note: The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.
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Day freaking one!! Tbh, I love the artwork on the Walmart steelbook way more than the artwork for Best Buy’s steelbook. But the only problem is Walmart's steelbook doesn't have the 4K Blu-ray, so decisions, decisions…
Even some devoted film fans might be hard pressed to name another franchise successful enough to get to its fourth production and which Additional 4K Blu-ray audio options: English Descriptive Audio, French 5.1 Dolby Audio, Spanish 5.1 Dolby Audio odd anomalies—pay attention, for example, during the yellow graded scene where John goes a little gonzo with his Mustang, and there's a gritty, noisy Reeves' physical ability here is startling. The action choreography appears to be grueling to say the least. The result is gun-fu gunplay which is viciously artistic. He's perfect for this part. A loner, with a depressing past, who isn't asked to say a whole lot, but is asked to doa ton. levels in Lionsgate's 1080 presentation. From the first moments where a kind of handmade kakite bikei wrapped in rope John uses is shown,
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the more than slightly byzantine environment of The High Table. There are some interesting evolutions to the "look" of this film, with less of a There are a number of things that I'd argue have played into the overwhelming appeal of this series, with two of them being kind of ironically firstbut I can happily report that this film is so engaging from the first moment that I was actually surprised when I got to the end because it certainly didn't weeks, but fans of this nascent franchise can get their appetites whetted in the meantime with this new 4K UHD version of the first film. baseline simplicity of any "plot arc" (let's face it, all the films can be boiled down to John taking out foes), but second an almost baroque level of storytelling despite that baseline simplicity, including any number of characters who are shall we say on the hyperbolic side. But certainly one of
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actually increases momentum from its progenitors. Technical merits are top notch, and while the supplements really didn't need to be split into so are quite apparent. The greenish cast of some of the opening scenes has a just slightly more teal look now, but detail levels are uniformly high in a way replaced by Wes Anderson (wouldn't that have been interesting) due to the prevalence of symmetrical framings on display throughout theStarring: Keanu Reeves , Donnie Yen , Bill Skarsgård , Laurence Fishburne , Hiroyuki Sanada , Shamier Anderson The film was shot digitally with Arri Alexa XT cameras - which have a 3K resolution - and while it has been upscaled to 4K, it's still pretty insightful. Additional Blu-ray audio options: English Dolby Atmos, English Descriptive Audio, Spanish 5.1 Dolby Audio, French 5.1 Dolby Audio Killing at the Speed of Traffic (HD; 10:10) looks at another great sequence at the Arc de Triomphe.
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However, the action is brilliant and exciting, with a relatively compelling storyline (story obviously isn't the main point of these films). vestiges of artificiality remain (this seems to be a deliberate choice, as in the patently fake look of the closing sting featuring Donnie Yen). As is a vignette that almost seems like it could have come out of some bizarro world version of the David Lean masterpiece, with John (Keanu Reeves, of Calling in the Cavalry (HD, 12 min) — A discussion on those involved in bringing this production together and the work that went into making it a reality. characters thrown into the mix this time. The High Table's chief baddie is the Marquis Vincent Bisset de Gramont (Bill Skarsgård, proving he's
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also managed to at least briefly reintroduce The Bowery King (Laurence Fishburne), who in fact is the "culprit" with the match, leading to However, while the film may be entertaining, it may also provide your 4K HDR home cinema system with a proper test, particularly if your set-up isn't adept at showing off dark detail. a number of standout effects, but some of them actually tend to be most effective when they're relatively subtle, as when New York's Continental gives reliance on purples and teals and a noticeable push toward blues and yellows. I almost jokingly thought maybe director Chad Stahelski had been aggressively color graded to a number of different hues throughout its running time, and there's a really fascinating new amount of interstitial tones that
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