The Extraordinary Life of an Ordinary Man: A Memoir

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Read More: The Last Movie Stars Traces the Legacy of Paul Newman and Joanne Woodward in Six Dazzling Parts Newman’s often traumatic childhood is brilliantly detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Marlon Brando and James Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward—their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually. This unforgettable and extraordinary memoir, one of the best and most compelling books of 2022, is a breathtakingly honest mea culpa from a complicated man striving to excavate his demons; according to Newman's daughter Clea, who writes the memoir's afterword, he succeeded in his final decades.

To start, this book published 14 years after Newman's death is a book Paul Newman never meant for you to read. It was compiled from hours and hours of interviews he did with a screenwriter friend decades ago, and after that session, he decided to burn all of the recordings. However, this book was compiled at the wishes of two of his daughters from the transcripts. Much of this is revealed at the end of the book in an afterward. He had a reputation for being a private person so I was pleasantly surprised how much he shared his thoughts and feelings of his childhood, career, marriages and fatherhood. He sought therapy over the years and I'm sure that led to quite a bit of reflection about his life. He's self-deprecating, to a fault in my opinion, but it also shows he didn't have a massive ego. He knew he had flaws, he knew there was always room for improvement. I always liked him as an actor but after reading this memoir, I have mad respect for him as a man. Newman at his best...with his self-aware persona, storied marriage and generous charitable activities...this rich book somehow imbues his characters' pain and joy with fresh technicolor." -- The Wall Street Journal In 1986, Paul Newman and his closest friend, screenwriter Stewart Stern, began an extraordinary project. Stuart was to compile an oral history, to have Newman’s family and friends and those who worked closely with him, talk about the actor’s life. And then Newman would work with Stewart and give his side of the story. The only stipulation was that anyone who spoke on the record had to be completely honest. That same stipulation applied to Newman himself. The project lasted five years.In 1986, Paul Newman and his closest friend, screenwriter Stewart Stern, began an extraordinary project. Stuart was to compile an oral history, to have Newman's family and friends and those who worked closely with him, talk about the actor's life. And then Newman would work with Stewart and give his side of the story. The only stipulation was that anyone who spoke on the record had to be completely honest. That same stipulation applied to Newman himself. The project lasted five years. also a director, race car driver, husband, father, philanthropist, (went further than most actors), business owner of a non-profit ‘Newman’s Own’ (salad dressings, etc.), struggled with alcohol, was often lonely, a private man who needed to have a lot of people around him….. Much later in his career, Newman’s voice became an equally striking feature. Unlike the eyes, the voice had to be earned; it was no pretty boy’s birthright. Decades of smoking, drinking and pain produced a rusty baritone that could narrate its way to the very soul of a man’s regret. Newman’s voice settled into its terminal register in the 1980s, in movies like “Absence of Malice” and “The Color of Money.” His world-weary characters could still get the girl, but the right one had long since gotten away. By the end of his career, Newman spoke with a lovely white-haired softness as a sort of national grandfather, teaching a boy to use a watch in “Nobody’s Fool” (1994) and describing the rules of the road in Pixar’s animated “Cars” (2006). Millions of children know him by his voice alone.

This was a painstaking collaboration that took his recorded conversations, and translated them into a well-coordinated readable, reasonable sized book. This is pieced together from work Newman did for a memoir project earlier in his life that he never ended up finishing. It does help you feel like you know him as a person, and in compiling it they've done a good job of bringing in a few other voices from other people he had interviewed. This isn't an industry memoir. The first half or so is his life before fame, and the second half is less linear story and more anecdotes and thoughts around particular topics. I didn't mind it, and Jeff Daniels reading it is a nice choice. This was at times difficult to listen to because as he points out, there is a difference between the inner child and the outer self, the movie star persona who we all expect to see or meet. He was not an easy man (in his own words), but he does believe he always strives to do what is best especially as he has grown older. The Paul Newman narration is done by Jeff Daniels and is well done and easy to listen to. I liked this one and I love the cover. It felt like a candid look into the life of Paul Newman. I liked that he owned his life decisions, both the good and maybe the not so good. And I liked the way he covered the issues with his parents without playing the "woe is me - victim card". Still, it's a fascinating portrait of an actor of preternatural beauty who worked extraordinarily hard at his craft. His complicated childhood and fraught personal life as a young man imprinted him early with a need to be seen and yet fiercely guard his true self. Understanding the irony that his looks would breed jealousy and suspicion in an industry where beauty opens doors, Paul Newman pursued gritty, hard-edged roles ( Hud, Cool Hand Luke), but there wasn't a snowball's chance in hell that he would escape the sex symbol status that vaulted him to the top of the celebrity A-list.An insider’s account of the rampant misconduct within the Trump administration, including the tumult surrounding the insurrection of Jan. 6, 2021. THE EXTRAORDINARY LIFE OF AN ORDINARY MAN is revelatory and introspective, personal and analytical, loving and tender in some places, always complex and profound. Flash forward to around 1982. By then, I was deeply involved in car racing, truly loving that it was a world away from the film business and Hollywood.

Do I really want to watch eternal faves like THE HUSTLER, ABSENCE OF MALICE, SLAP SHOT, NOBODY'S FOOL and think about what a shitty young husband and father Paul Newman was? How mean he could be when he was drunk? That he didn't speak to his mom for fifteen years? The one thing I’ve always admired is excellence. I recognize it in almost anything: plumbers, museum guides, limousine drivers, bank tellers—I delight in seeing it. Maybe we choose those arenas in which we have the best chance for excellence. For me, maybe that’s acting, or being somehow connected to the theater, or capitalizing on the way I look, or fooling people” In 2008, Paul Newman died at the age of 83. While his kids figured the transcripts from their father's project were floating around somewhere, it took a decade to locate them. Piecing together what they found, they came up with this book, which is Paul's life in his own words with some relevant anecdotes from others, and it is an utterly fascinating read.An excessively private man he started to make notes for an intended Memoir and then gave it up. His children found much of the documents long after his death and decided to share it with the public. Since they are his children they would know better than I if he would be pleased about this or not – considering he passed away so many years ago, maybe now he couldn’t care less. When Joanne and I went to Paris to shoot a few scenes of Mr. and Mrs. Bridge there were photographers at the airport, and Joanne said to me: “Don’t be a jerk. Pose for them and then they’ll leave us alone.” So you agree to stand there and smile for a minute or two, hold your wife’s arm, etc. and you tell them, “I’ll see you, goodbye.” Then you walk to your car and about two-thirds of them follow and do exactly what you thought you were getting away from. They honor nothing, and they even chase the car. His intention was to bare his soul and be real in ways that expose his truth – his life, and thus he could feel right that he left his story the way he needed it to be said. Mostly for his children. And then for those who cared to read it, too. And in this way, we would learn about the man, the actor, his flaws, his imperfections, and the realness of him. As well as all the people that surrounded his life. The Last Movie Stars". Сериал, посветен на въпроса, как може да си звезда, и все пак да останеш женен за една и съща жена 50 години, да преживееш самоубийството на сина си, да участваш в движението за граждански права на Лутър Кинг, да дариш милиони за грижа за болни деца и наркомани като насмешливо сложиш лика си върху домашен сос из супермаркетите и същевременно живееш на ръба като автомобилен състезател.

I felt no closer to understanding Newman after reading this book than I did before. He would agree with my assertion and nod and shrug. Paul Newman is also candid about his own alcohol addiction and the abandonment of his children from his first marriage, but he seems to have pulled it together after Scott's death, devoting more time to his philanthropic endeavors (yep, I've got a bottle or two of Newman's Own salad dressing in my fridge), his passion for auto racing, and his family. And still his acting roles just seemed to get better as he aged ( The Color of Money, The Verdict)... he was honest to the core, was a loyal friend, very well respected by most people, loved to laugh at his own jokes…..Newman often had a shitty opinion of himself - spent time in therapy examining his life, his marriage to Joanne Woodward, his parenting, his acting, etc. Memoir is loosely applied here. This is the transcript of a recorded series of conversations between Paul Newman and screenwriter friend Stewart Stern in the late 80s- early 90s that two of Newman's daughters published years after their father's death, with added bits and pieces from other friends, family and industry colleagues to round out the anecdotes and memories. In this way, it is mostly Newman's own words, but it's impossible to know if this is how he would have chosen to present his story and his voice. Newman's often traumatic childhood is brilliantly detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Brando and Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward - their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually. Newman was a complicated man. The forces that drove him were highly contradictory. Keenly aware of his privilege and charitably-inclined, he was also intricately bound to the dictates of a lusty machismo, and fenced with the sparkling blades of his own vanity throughout the course of his life. His mother, he felt, treated him like a doll and a decoration - like a girl, at one point he says - which led him into a dark and disorganizing conflict with regard to his appearance; a conflict that simmered through the many years of his film career and elevation to the status of sex symbol.