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Nikon Coolpix P520 Camera - Black (18.1MP, 42xZoom, 24mm Wide Lens) 3.2 inch LCD

£9.9£99Clearance
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Camera Strap, Lens Cap LC-CP24 (with cord), Rechargeable Li-ion Battery EN-EL5 (with terminal cover), Charging AC Adapter EH-69P, USB Cable UC-E6, Audio Video Cable EG-CP16, ViewNX 2 Installer CD, Reference Manual CD

Nikon Coolpix P520 (English - 244 pages) User manual Nikon Coolpix P520 (English - 244 pages)

Camera Strap, Lens Cap LC-CP24 (with cord), Rechargeable Li-ion Battery EN-EL5 (with terminal cover), Charging AC Adapter EH-69P, USB Cable UC-E6, Audio Video Cable EG-CP16, ViewNX 2 CDSwitch to the PASM modes and you have a range of semi auto and fully manual modes to choose from. In PASM modes both the Command dial and multi-selector wheel are used to change the appropriate exposure control; the command dial engages program shift in Program auto and the shutter speed in Shutter priority and Manual modes. The multi selector wheel is allocated to the aperture in Aperture priority and Manual modes. So far, so straightforward, but it’s a bit of a shame the redundant dial is just that – the command dial is disabled in Aperture priority mode, likewise the Multi selector wheel in Shutter priority mode. Both the continuous H and L modes record at full 18 megapixel resolution, with the 60 fps restricted to 2 megapixels and the 120 fps mode limited to VGA size.

Nikon COOLPIX P530 review | Cameralabs Nikon COOLPIX P530 review | Cameralabs

The COOLPIX P520 has two full resolution continuous shooting modes; Continuous L shoots a burst of up to 30 frames at about 1fps and Continuous H shoots a one-second burst of 7 frames at, that’s right, 7fps. There are also some novel continuous shooting options that use a pre-shooting cache to capture a sequence including images recorded before you press the shutter release. The pre-shooting cache starts recording when you half-press the shutter release for half a second or more and captures a total of up to 20 frames included 5 pre cached frames at around 15fps. The COOLPIX P520 doesn’t offer particularly fast continuous shooting or extended bursts, if the action lasts any longer than a second you won’t be able to capture at full resolution. But it does offer a wide range of reduced resolution burst modes as well as some novel and versatile ones. If you want fast continuous shooting at full resolution, neither the PowerShot SX50 HS nor the Lumix FZ70 / FZ72 does better, for that a better option would be something like the Canon PowerShot S120 or G16, or of course a mid-range DSLR. But the COOLPIX P520 does at least offer some other options. Here, I’ve compared the COOLPIX P530 with the Canon PowerShot SX520 HS, which shares the same 42x zoom range, 16 Megapixel resolution and a lot of other features besides. I’ve also tested it alongside Sony’s Cyber-shot H400 which has a massive 63.3x zoom in a slightly larger, heavier body. Read on to discover which is the best buy for those looking for a long zoom with an affordable price tag. Get the latest photography news straight to your inbox by signing up to our newsletter. Newsletter SignupMeasuring 125.2 x 84.1 x 101.6mm, the Nikon Coolpix P520 is slightly larger than the previous P510 model, but its design is only minimally different. Like most high-end superzooms, the Nikon P520 sports the typical bridge camera look, with a chunky hand-grip, large lens barrel, pop-up flash and an eye-level electronic viewfinder. The deep grip is moulded to fit comfortably into your right hand, and is rubberised in a textured material for added comfort. The camera also provides a customizable function button, called FN, allowing users to program the button for a variety of functions it offers. And it also has a single user-defined shooting preset on the mode dial, called U. This mode position allows users to recall a preset shooting setup, saving time. Physical Layout & Ergonomics

Nikon COOLPIX P520 | COOLPIX Digital Camera from Nikon

In addition to the 2-megapixel resolution bump, the P520 gets a new flip-out, rotating 3.2-inch LCD; a lower starting sensitivity of ISO 80; two more shots in its full-resolution burst mode, so now it can capture seven in a row; and support for Nikon's tiny WU-1a Wi-Fi adapter, so you can wirelessly connect to iOS or Android devices for viewing or sharing your photos and videos. All of the sample images in this review were taken using the 18 megapixel Fine JPEG setting, which gives an average image size of around 6Mb. This Agreement is governed by and shall be construed in accordance with the laws of Japan without regard to its conflicts of laws principles. In the event a dispute arises under or in connection with this Agreement, you hereby consent to personal jurisdiction of Japan and waive any objection that such forum is inconvenient. You further consent to service of process in any action arising from this Agreement by regular mail or other commercially reasonable means of receipted delivery. If any provision of the Agreement shall be determined invalid for any reason, the remaining provisions shall not be invalidated and shall remain in full force and effect. This Agreement sets forth the entire agreement and understanding between you and Nikon, and supersedes and replaces any other agreements relating to the subject matter of this Agreement. The failure of any party to insist upon strict performance of any of the terms or provisions of this Agreement, or the exercise of any option, right or remedy contained herein, shall not be construed as a waiver of any future application of such term, provision, option, right or remedy, and such term, provision, option, right or remedy shall continue and remain in full force and effect. The headings of the sections of this Agreement are inserted for convenience only and shall not constitute a part hereof or affect in any way the meaning or interpretation of this Agreement. Except as otherwise expressly provided herein, the provisions of section 3 and section 4 together with any provisions that by their express terms apply to periods after termination of this Agreement, shall survive termination of this Agreement for any reason.It’s not a whole lot of fun to use, either. Autofocus was lethargic, taking at least half a second, and up to three seconds in low light or at the long end of the zoom. Even in favourable conditions with a bright, nearby subject, it only managed to capture a photo every 2.9 seconds. After zooming right in, we measured an average of 3.7 seconds. Anything above a second is disappointing, especially for a bridge camera that’s likely to be pointed at fleeting subjects.

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