Yes Please

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Squirrel was famously produced by John Cale and whilst he served the songs well you can definitely tell the difference between his original production and the remastered version. You get a sense that sonically he may not have added that much yet by bringing him in Tony Wilson was instantly making the Mondays part of that avant-garde and influential lineage of the Velvet Underground, The Stooges and Patti Smith which knowing what we know about Wilson was probably more important than how the album would end up sounding. Miranda Sawyer (25 February 2007). "It's great when you're straight" (News article). The Observer. Guardian News and Media Limited . Retrieved 6 May 2012. I’ve seen a lot of people who live life on the edge, but I’ve never before seen a group of people who had no idea where the edge is,” Weymouth recalled. Ryder played with Happy Mondays for their peak era in the late 1980s, as the group communed with the rave scene of the time while innovating their own brand of psychedelic pop. After minor success with second album Bummed, they had a huge hit with the follow up Pills ‘n’ Thrills and Bellyaches in 1990, buoyed by the singles Step On and Kinky Afro, which both reached No 5 in the UK singles chart. a b c d e "Happy Mondays | full Official Chart History". Official Charts Company. Archived from the original on 1 May 2021 . Retrieved 6 October 2021.

And I’ve just asked Maria and her favourite is ‘Beach Fish Boat’ (below), Mariasays –‘More Stand Out’ Wills, Dominic; Sheehan, Tom (1999). The Charlatans: The Authorised History. London: Virgin Books. ISBN 0-7535-0194-5.

Notes

Elsewhere, in a prescient review in Vox magazine, the music writer Simon Reynolds described the band’s extraordinarily difficult fourth LP as being “as good as Happy Mondays get, but perhaps not good enough to matter. To recoup [its] outlay, [the] LP has to be laden with potential hit singles or to strike some kind of chord with a sizeable faction of the populace. Yes Please!, unless I'm very much mistaken, will fail on both counts.” In place of the kind of creative unity required to navigate such headwinds, the Happy Mondays had mutiny in the ranks. Reflecting on the group’s choice of producers, in Twisting My Melon, Shaun Ryder complained that “the rest of the band didn’t get it; they didn’t understand that our fans liked our sound. They thought that if we could incorporate Chris and Tina’s sound into the Mondays’ sound, then all the Talking Heads fans would get into it and we would break into a much bigger market. But it doesn’t work like that.” Unlike his showman brother, Ryder admitted: “I am embarrassingly shy – that’s why I used to take copious amount of drugs before I went on stage … with Shaun being a Leo and older he was so much more the extrovert, and from what I know he always loved the attention.”

Yes Please! may have a lot not to like on it but it definitely has enough quality to keep it an interesting listen and it is certainly worth your while revisiting it once in a while. What goes up must come down… Ryder, Shaun (2012). Twisting My Melon: The Autobiography. London: Corgi Books. ISBN 978-0-552-16547-1. I’d out-smoked meself, out-e’d meself, out-charlied meself, out-whizzed meself, out-drunk meself,” he told The Mirror in 2020.Indeed it is, must be rewarding to recieve such reactions to the artwork. So which would you say are your stand out pieces from the exibition? How about the publicity you, Maria and the exhibition has caught over the last 6 months. Its been really well received hasn’t it, on many different levels. But what would you like to think the images and the whole idea behind it can influence in other artists and those who have Downs Syndrome maybe?

First inspired by Motown artists, Ryder was then drawn to the Chicago house music of the 1980s, saying that his bass lines were “me trying to replicate that style but using a real instrument rather than a computer”. Happy Mondays Chart History (Alternative Airplay)". Billboard. Archived from the original on 10 October 2021 . Retrieved 10 October 2021.

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Ryder flew to Manchester from Barbados, where he left his wife at the airport and went to find drugs. [51] The following day, Ryder was admitted to the Charter Clinic detox centre in Chelsea, London for a period of six weeks, with McGough supervising him. [48] When he left, McGough decided to have Ryder avoid Manchester, subsequently booking them an apartment in Newquay for two weeks. [20] While Ryder was in a healthier state, he still struggled with writing new lyrics. [52] Ryder returned home for a week before going to Comfort's Place Studio in Lingfield, Surrey to do vocals. [53] The sessions re-started in May 1992, with assistance from Ray Mascarenas, for a period of two weeks. [29] [48] Aside from visiting a local pub, Ryder otherwise kept himself free from drugs. On the advice of his doctor, the rest of the band stayed away from the sessions. [54] Abbit, Beth (26 February 2018). "The Madchester Murder Mystery that inspired an award-winning film". Manchester Evening News . Retrieved 10 March 2018. Why were the Mondays going to Barbados? According to The Mirror, it was because the island nation was a heroin-free zone at the time and the label spent big money to send the band there, hoping it would force addicts Shaun Ryder and brother and bassist Paul to dry up. In the meantime, the members of the band had taken advantage of their fame and fortune, living lives of decadence and excess. Lead singer Shaun Ryder, in particular, was notorious for his Caligula-esque antics, such as hosting four-day parties featuring sex shows and dwarfs. Meanwhile, he took so many drugs he made the Gallagher brothers look like teetotalers.