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Mounts are a big deal as these determine how and where you can affix your camera. If you plan on using your camera on a bike, for example, you’ll want to make sure that a compatible handlebar or helmet mount is readily available.
If you’re looking for a flagship action camera that can do it all, few devices come close to matching the flexibility of the Insta360 One RS. Rather than using GoPro’s classic 4:3 native aspect ratio, the Hero 11 comes with a nearly-square 8:7 chip. Combined with the camera’s high-resolution 5.3K recording options, this should allow creators to cut landscape and vertical videos from the same take. The Max makes capturing superb-quality video and nd sharing the footage a breeze. 360 videos are stitched automatically in-camera, you can then opt to upload the files to YouTube as interactive videos that users can pan and zoom around in, or “reframe” the footage using GoPro’s smartphone or desktop app. Reframing allows you to take your favourite angles from within the 360 clip and export them as standard video files – essentially, it’s like filming with multiple cameras at once. For well over a decade now, GoPro’s flagship Hero line has defined the action camera genre. And, while we’re certainly fans of GoPro’s current camera lineup, the firm rarely strays far from its tried and tested formula. The best GoPro alternatives offer a different take, with specifications, features and designs that may better cater to the kind of subjects you plan to film or the environments you plan to record in.The Insta360 One RS 1-inch 360 Edition is certainly not going to appeal to everyone. It’s larger and heavier than the Insta360 One X2, offers limited IPX3 water resistance and carries a hefty price tag. For demanding users looking to bump the quality of their 360 videos, however – especially those already invested in the Insta360 One R and One RS ecosystem – it’s well worth considering. Given GoPro is renowned for point-and-shoot simplicity, this feature is therefore a little niche. It's also slightly at odds with the fact that GoPro doesn't offer any desktop editing software, and is instead funneling everyone towards its Quik app instead. But it's definitely something that'll please pro shooters who are looking to drop GoPro footage into a timeline shot by more advanced video cameras. The Go 2 records 1440p video at up to 50fps, can create 4x slow-motion clips in Full HD and there are dedicated modes for timelapses and hyper-lapses. Insta360’s FlowState electronic stabilisation is on hand to keep the videos nice and steady and a neat horizon levelling function ensures your shots are level no matter how you orient the camera. Both the 4K and 360-degree lenses produce crisp, vivid footage and Insta360’s FlowState stabilisation is effective at taming even the jerkiest of clips. The One RS even offers full-360-degree horizon levelling – although this does require applying after the fact using Inst360’s app. The benefit of this approach is that, rather than taking a crop from a horizontal frame, you still maintain very high image quality with the vertical exports. For example, if you shoot in 8:7 and export a 9:16 vertical video from that footage, its resolution will be about 20% higher than 4K. So this feature is certainly a big boon for social media creators, particularly those posting on platforms that are stylistically different like YouTube and TikTok.
Built off of Insta360’s modular One RS platform, the RS 1-inch Edition is the firm’s most capable consumer 360 camera yet. Featuring a pair of 1-inch imaging sensors and lenses designed in partnership with Leica, the 1-inch 360 Edition supports 360 video recording at up to 6K30 and can capture 360 still images at up to 21MP.I will note, however, that it would be nice to have some in-camera 16:9 grid lines to overlay whilst filming in 8:7. As it is, GoPro only offers some basic rule of thirds guides, which leaves you guessing as to how to frame your shots. Video recording is supported up to 4K60, stills can be shot up to an impressive 64-megapixels and there are creative modes for producing hyperlapses, timelapses and panoramas. The camera can be used standalone or you can connect it directly to your smartphone to take advantage of your phone’s larger display. DJI’s smartphone app also allows you to share and edit your clips on the go.
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