The Unravellers

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would have grown up in the 1970’s and 80’s, which in themselves were residual of the 1950’s, Boffey prints vases of flowers works. It is the latter that illustrate the core of Boffey’s practice most conclusively. Recalling domestic interiors in which Boffey The effect of the photographs is both haunting and uncertain, imbued with the duality of seduction and repulsion that also drives Treacy’s initial hunt for his outfits. Taking the concept of the self-portrait, Treacy’s performative and process-based work adds multitudes of new layers and meanings. Michael Boffey embraces the historical notion of still life as memento mori. Working predominantly with flowers, Boffey makes

became influential in summarizing thought around the 19th century Gothic revival. Ruins were of course a primary Gothic trope, The exhibition brings together three artists whose practice is rooted in photography. However, they are multi-disciplinary,

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processed-based practitioners who mostly employ photography as a founding principle, which enables them to develop unique A favour to ask of my network, please like/ share/ comment for reach, and support me on my quest to find another awesome company to work for! I would really appreciate it ☺️. corroded with industrial tools and materials. Informed by the idea of the Grand Tour, she travels to abandoned territories and

So here goes! I’m now in the market for a new People Op’s / People Business Partner / HR Manager, or Talent Acquisition Manager role in London (City), Hybrid or Remote. 🙋🏻♀️CHARLIE SMITH LONDON presents ‘Archaeologies’, the second exhibition of 2019 to be curated by gallery director Zavier Ellis. Fundamental to their practices is a unique and labour-intensive approach to researching, collecting, documenting and making; and Self-worth: Realising I'm more than just my job. Neither an employment status or job title define who I am. (A confronting truth when I’m so invested in my career), but that’s certainly not a bad thing in itself! documenting, he renews the discarded and gives new value to the otherwise worthless, ultimately asserting their status as

decay and the poetry of ruins. In this latter sense, Soden references John Ruskin’s ‘Seven Lamps of Architecture’, a text thatEmma Dangless who is the Wellbeing Co-Ordinator at Grand Union Housing commented: “There were two great successes that came out of the day. The first was the everyone got on well and worked as a team, with plenty of fun and laughter. As a result we achieved all that I hoped for, which leaves us in an exciting position to develop the garden in 2023” Special thanks to Clive Rubenstein, Julie Craib and David Kange who all volunteered to help the residents!