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A Crown of Ivy and Glass

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This book starts out as a regency flavored romp, following Gemma Ashbourne as she befriends the foreign Talan d’Astier, and they form a pact to hunt down the demon responsible for the Ashbourne blood feud, and in exchange Gemma helps Talan integrate into high society. From there, things slowly devolve into madness. A book that started as parties and balls slowly unwinds to a dark fantasy horror, and I loved every second of the unspooling. First off, Lady Gemma Ashbourne, our main character, is INSUFFERABLE. She cares so much about her vanity and how LONELY she is. Yeah, okay she's neglected, but for VALID REASONS. Her sister is protecting the Middlemist, and her eldest sister and her father are at work dealing with a DEADLY blood feud. I get that being lonely is sad and depressing, especially considering she is lowkey dying, but GIRL think about someone besides yourself for once! She's also always bragging about how her family is so rich and how privileged they are. SHUT. UP. My first initial reaction to this book was that it is the perfect blend between an English high society period drama and an epic fantasy novel. Her bestselling Empirium Trilogy consists of epic fantasy novels FURYBORN, KINGSBANE, and LIGHTBRINGER.

Then she meets the devastatingly handsome Talan d'Astier. His family destroyed themselves, seduced by a demon, and Talan, the only survivor, is determined to redeem their honor. Intrigued and enchanted, Gemma proposes a bargain: She'll help Talan navigate high society if he helps her destroy the Basks. According to popular legend, a demon called The Man With the Three-Eyed Crown is behind the families' blood feud—slay the demon, end the feud.

Diaries & Calendars

A Crown of Ivy and Glass really wasn't the Fantasy book for me. My main problem with it was the writing style and how it fit more with a YA novel than an Adult one. It was very difficult to suspend my disbelief in regard to Gemma as a main character and narrator when she sounded like a young teenager most of the time. Gemma finds herself drawn immediately drawn to Talan d’Astier, a foreign visitor who is seeking help from her father to redeem his family honor. Intrigued, Gemma proposes that she’ll help Talan navigate the ins and outs of high society and gain an audience with the queen if he assists her family in their ongoing feud with the neighboring Bask family. If this were all of the story, A Crown of Ivy and Glass might actually be better off—there’s something compelling about the competitive inter-family rivalry, and the prospect of Gemma’s grooming Talan to fit in with the rich and royal is fun. Die Handlung klingt eigentlich ganz interessant, aber ich fand sie auch sehr chaotisch. Da ist natürlich der Dämon, der die Ashbournes verflucht hat, sodass sie sich mit Familie Bask bekriegen müssen, die aber den größten Teil des Buches nur eine Bedrohung im Hintergrund darstellen, sodass man kaum fühlen kann, warum man sie fürchten sollte. Man versteht auch kaum, warum die Ashbournes eigentlich so einflussreich sind, was Mara als Wächterin des Middlemist tut und auch generell erfährt man nur wenig über die Welt, weil Gemma in ihrer eigenen kleinen Blase lebt und nichts über ihre eigenen Probleme hinaus wahrnimmt.

I think this book isn´t going to be everyone’s taste and many will make too early decisions and judgements, however I hope that more people will fall in love with this book as much as I did. I cannot wait for this book to come out next year and for everyone to dive into this world and story. Meanwhile, I´m going to sit here in misery wondering how many human sacrifices it will take to get an ARC of the second book too. This is the first book by this author for me. I have seen many of her books everywhere and was very curious about her writing style.

Christmas Gifts

This book has been on my radar from the moment it was announced, so trust me when I say I had high hopes for it. I had previously read the first two installments in the Empirium trilogy— Furyborn and Kingsbane—and enjoyed them, so I was very intrigued by this first book in Legrand’s adult fantasy romance series. Sadly, this one was a huge miss for me. Speaking of characters, I didn't like our two leads. Gemma--especially at the beginning--was entitled and nasty to everyone who cared about her. She took everything for granted and hurt those around her. I understand that she had anxiety but I actually think using her anxiety as a weapon to hurt others is harmful stereotyping. I get that a book doesn't have to have likable characters, but especially when mental health is a main aspect of character, it's important to make characters redeemable or at least sympathetic. In that same vein, Talan was not a character, he was paper cut out that the author moved around to further the plot. He and Gemma went from disliking each other to being madly in love within a chapter and I still don't understand why. They had almost nothing in common, and the only conversations they had were cheesy declarations of love. As in every Claire Legrand book, the writing, and descriptions were wonderful, as was the worldbuilding. Often, I had a clearer image of what a scene looked like than I did the role the characters played in that scene, which though problematic, made the story immersive (that is until Gemma started complaining). The sensory writing was incredibly vivid, as were the hints of horror the author included. Each book will follow one of the Ashbourne sisters, and in this first novel, we are introduced to Lady Imogen “Gemma” Ashbourne…. a young, rich and beautiful woman of a family, which was Anointed by the gods and blessed with incredible abilities, she seemingly has it all. But where do I even begin with this book? There is so much to write about. So much to say. And I am going to try not to share everything about it. But oh, I have many thoughts. And I simply must share most of them. The writing was absolutely stunning. As always, with a Claire book. I fully fell in love with everything.

First, a huge thank you to Sophie from Sourcebooks International for sending me this ARC. I´ll treasure it forever. So, overall, this was a very mixed bag for me. I think, in the end, I didn’t end up loving this book. But, BUT!, on the other hand, I’m supremely invested in the next book in this series and can’t wait to get my hands on it! Given the nature of my complaints with this book, they all feel of the very specific sort that won’t be a problem in the books going forward. Both sisters seem like much more interesting characters than Gemma. The romantic interest/plot for one of them is already laid out and is incredibly appealing. And I think the world-building is now established enough that we won’t have the same plotting/pacing issue going forward where the tone is unclear between Bridgerton or ACOTAR. So, all of this to say, while I did struggle with this book, I do recommend it for fantasy romance readers based on my faith that the trilogy will turn out to be well worth it as a whole. The world building was absolutely fantastic. I loved the regency society juxtaposed with magic, and the mysteries of the Mist. I loved the different demon and horror elements that were incorporated more and more as the book continued. There was a lot of twisted imagery as the book continued. Gemma has grown up with a very priveleged existence: rich, beautiful, and a member of one of the most powerful families in the land. But, at the same time, Gemma has always felt herself to be on the outside looking in. Not only does she not possess any of the magical talent that her family is known for, and that both of her older sisters excel at in their own ways, but magic actively hurts Gemma, causing her to move through life in a very magical world experiencing constant levels of pain. When Gemma meets Talan, a young man who also feels that he exists outside the strictures of society, she finally begins to see a way forward, teaming up with him to hunt a powerful demon who may be the answer to her struggles with magic. But along the way, she begins to suspect that there is much more going on with Talan and the larger world as a whole.

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She was such a special girl. Fully broken, but trying. Somewhat. She was trying to seem better than she was. Trying to not let people see how much she hurt. And the panic she often had. I loved reading about it. As it was so hurtful and raw and real and honest. I loved it so. Gemma was precious to me. Sure, she often did things I did not agree with, ha. But I loved her. Most especially at the end of the book. Oh, and her family. Gosh. Her mother was not there. Her father was pretty much the worst. Ugh. I truly hated him. I'm disappointed. I had high expectations for this one and, sadly, the book didn't meet them. The ending did bring up some intriguing questions on Gemma and her family, though, but I won't be continuing the series to figure out those answers. The only reason I didn’t DNF it was because I was listening to the audiobook while commuting and doing chores, otherwise I don’t think I’d have been able to finish it. But even though this was a huge disappointment for me and I won’t be continuing this series, I’ll still keep an eye out for Legrand’s future works. If you haven’t read anything by this author yet but you want to, I recommend starting with her Empirium trilogy. I don’t care what scars you have. I have them too. I’m not afraid of your grief. I’ll help you carry it and you’ll help carry mine.”

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