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And the names--nearly every one of them strange, and (to me) irksome. I couldn't decide through the entire book how to pronounce Quoyle--with a hard C or with a Kw. Wavey reminded me of Wavy Gravy. Petal. Marty for a girl. Beety. Last names (often used alone) were bizarre as well. Nutbeem. Pretty. Quoyle (double whammy, first and last). Buggit.

a few torn pieces of early morning cloud the shape and color of salmon fillets" (I think I'd prefer that one without the fish) Parents die, wife dies, aunt shows up out of nowhere and whisks the whole aimless uninteresting lot of them off to a dreary remote end-of-nowhere town in Newfoundland. Here is an account of a few years in the life of Quoyle, born in Brooklyn and raised in a shuffle of dreary upstate towns.But I know knots. A knot at the base of my throat, an edgy knot taking over my stomach, a knot where my colon used to be. Family is defined not only by blood but also by bond, by those who are there, in the dark and the light. This is a great story, with a cast of truly colourful characters but if you will bear with me for just a moment, I would like to talk about what this book, wrong or right, said to me. As Quoyle arrives in Newfoundland, he hears much of his family's past. In fact, there is an old relative, "some kind of fork kin," still alive in Newfoundland. Why does Quoyle avoid Nolan -- seem angry at the old man from the start? Is the reason as simple as Quoyle denying where he came from, especially after learning the details of his father's relationship with the aunt?

This was one of the first twenty books I added to my to-read shelf here on Goodreads nearly eight years ago. Along the way, I somehow acquired not just one but two copies of this Pulitzer prize winning novel. Either my memory of what I own failed me, or I really wanted to read this. In any case, it was high time I grabbed one of those copies from my bookshelf! Besides, it’s so well loved, I was sure to be wild about it as well. I’m sorry to say that something went wrong here, friends. While I did respect Proulx’s work, I’m not able to write a gushing review of it! I’m kind of stumped to explain exactly what happened. Horrible, near-grotesque people. People you would never want to know, or date. Food I would never touch, outside of starvation.Why we're going, the raw materials," Partridge said. "Wine, ripe tomatillos, alligator pears." He poured fumé blanc, then told Quoyle that really it was for love, not vegetables. At last the end of the world, a wild place that seemed poised on the lip of the abyss. No human sign, nothing, no ship, no plane, no animal, no bird, no bobbing trap marker nor buoy. As though he stood alone on the planet. The immensity of sky roared at him and instinctively he raised his hands to keep it off. Translucent thirty-foot combers the color of bottles crashed onto stone, coursed bubbles into a churning lake of milk shot with cream.” Each chapter is preceded by a small quote from Ashley's " Book of Knots" , which aims at the meaning of the chapter. Ultimately, it's at least as much about (re)birth and healing as death and doom. One character slowly realises it may be possible to recover from a broken relationship: "was love then like a bag of assorted sweets passed around from which one might choose more than once?" He fell into newspapering by dawdling over greasy saucisson and a piece of bread. The bread was good, made without yeast, risen on its own fermenting flesh and baked in Partridge's outdoor oven. Partridge's yard smelled of burnt cornmeal, grass clippings, bread steam.

No, this one is not without its problems--this is not Graham Greene, it is not Toni Morrison, it is not Geoffrey Eugenides, after all. Alas, it suffers from similar ailments shared by other Pulitzer winners: it is, at times, a tad too superficial ("A Visit from the Goon Squad"); somewhat dull-ish, small, insignificantish ("Breathing Lessons"); dense ("American Pastoral") or even a little too long, overdone (sorry--"Loneseome Dove"). & it is thoroughly enjoyable, too. (Which is NEVER a detractor from the overall experience.) When winter arrives, the aunt and Quoyle and the children move out of the family house. The aunt after receiving money in the mail from Silver Melville, finds a job upholstering in St. John's and moves there just for the winter. Meanwhile, Nutbeem decides he will head out of Newfoundland. At a good-bye party, the men get so rowdy that they destroy Nutbeem's boat. Nutbeem decides he will go to Brazil instead. That is the plot as it stands so far. This book won awards. Why is it that some committees feel that if it makes you miserable it must be good prose? If I were as clever and witty as some of my GR friends (you know who you are), I would have written this review in the style of the book.I was enthralled with the people I met while reading and when this family saga ended - of loves lost and found; of careers begun, stalled, and begun again; of friendships and warmth and caring; of dark times and sad times and cruel times and joyful times – when it all came to an end, I felt I would give anything for a few more (like 10 or 20) chapters, even though the ending is perfect. The story follows Quoyle, a hulk of a man, who’s life begins with dysfunction and tragedy. He is a man adrift in upstate New York, deadened from abuse and ill treatment. The only positive thing he receives from his early life and broken marriage to an unfaithful and dreadful wife, is two daughters. An Aunt, Angis Hamm, convinces Quoyle to return to his ancestral home in Newfoundland where he finds work on the local newspaper. This is where the story really finds solid ground with Proulx deftly describing the local culture, language, and harsh climate of Newfoundland. Proulx tells us the aunt is a lesbian, yet never makes a specific issue out of the aunt's sexual orientation. Does this fact add dimension to the story for you? Does it add to the aunt's character? We, as readers, assume that characters are heterosexual without needing to hear specifically about their sexual life. Does the matter-of-course way Proulx treats the aunt's sexuality help make the reader a less judgmental critic? Quoyle nodded, hand over chin, If Partridge suggested he leap from a bridge he would at least lean on the rail. The advice of a friend. It happens in Newfoundland, a place of water, moisture, and rottenness, of words that travel long distances, a place for people who know everything about boats, cliffs and icebergs.

I don't remember nautical terms. They are lost on me. Always have been. If the ship goes down, it's going down with me. Or maybe a butterfly which is also an insect, a fact that cannot have escaped an author as addicted as Annie is to using every English word in the dictionary whether or not it is relevant to the meaning she is trying to impart. Knots are the most obvious one. Each chapter opens with a quotation pertinent to what it contains, and many are from Ashley Book of Knots, which Proulx found second-hand, and gave her the inspiration and structure she sought. Knots feature in the plot metaphorically (in terms of being bound or adrift), in a more literal and superstitious sense. Rope can be wound and knotted to make good a wound or separation. We also learn that Quoyle's name means "coil of rope", and I suppose he is pretty tightly coiled for the first half of the book. The ghost of his wife, "Petal's essence riding under his skin like an injected vaccine against the plague of love" This story on the County Mutual Aid Transportation meeting? A month ago they were ready to start van service in four towns if Bugle Hollow came in. You say here that they met last night, then, way down at the end you mention sort of as a minor detail, that Bugle Hollow decided not to join. You know how many old people, no cars, people can't afford a car or a second car, commuters, been waiting for that goddamn van to pull up? Now it's not going to happen. News, Quoyle, news. Better get your mojo working." A minute later added in a different voice that he was doing Greek-style marinated fish and red peppers on skewers Friday night and did Quoyle want to come over?

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Proulx describes Quoyle as "a great damp loaf of a body." What kind of man is Quoyle? How does Proulx's sublime, comic style make you feel about him? I am not going to lie. I love the fact that this story unfolds on the stark and beautiful, majestic coast of Newfoundland, a province in the land I call my own.

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