No Music On A Dead Planet Climate Support T-Shirt

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But Luke’s work extends far beyond music. His illustrations grace innumerable video games – including in-game elements for the Gears Of War franchise as well as Tony Hawk’s Pro Skater 1 + 2. His artwork has also appeared on Santa Cruz skateboards and in 2000 AD – the iconic comic where Luke started out as a graphic designer some 15 years ago. Not even NFTs (non-fungible tokens) escape this debate. These pieces of one-of-a-kind digital content – everyone from Slipknot to Mike Shinoda to Poppy have got in on the act – also have a negative impact on the environment. The cryptocurrencies used to buy and sell them create planet-heating emissions – one piece of analysis, reported by The Verge, estimated the average NFT has a carbon footprint equivalent to a month’s worth of electricity usage for a standard person in the EU.

Music festivals have to evolve; they can’t stand still,” Reading & Leeds boss Melvin Benn told Sounds Like A Plan. “The most important things are audience travel, the power, and what’s left behind and recycled.” While it might seem odd for a climate crisis organisation to be making anything physical at all, we’re assured that all the shirts are made through a process that’s “sustainable and circular,” using natural materials and renewable energy. People are also encouraged to send shirts that are “at the end of their life” to online retailer Teemill to be reincorporated into the manufacturing process and go round the cycle again. Foals attend the Hyundai Mercury Prize: Albums of the Year at Eventim Apollo, Hammersmith on September 19, 2019 in London (Picture: Jeff Spicer/Getty Images) Yeah. I started there around 2004 and I worked there for about nine years whilst playing in bands. I was commuting from Birmingham to Oxford every day and then playing gigs at night, and not really sleeping. This was when I was a lot younger and I still had energy! I was always into the metal scene and I wanted to tap into that still by doing gig posters. Then I left 2000 AD and started working in video games. I did bits of concept art for video games while continuing with my own art. Every artist’s goal is to be able to do what they want to do. Now I’ve got to a point where I am able to do that. Charity Music Declares Emergency blummin’ hopes so. The organisation was founded in July last year by music business executives and artists to forge a cohesive, industry wide response to the climate emergency—their declaration of a Climate and Ecological Emergency has over 3,500 signatures now. That document calls for net zero greenhouse gas emissions by 2030 and pledges music industry action on environmental sustainability.We caught up with Luke to discuss his approach to designing these shirts and his wider work. The softly spoken Midland-born artist also took time to show off his latest vinyl acquisitions – including a brace of Kerbdog reissues (“I love that band, they should’ve been huge!” he enthuses) and a copy of Paradise Lost’s Draconian Times – as well as talking about the state of metal as a whole. I’m no expert on this stuff, but obviously Fay and Nigel know an awful lot about it. But on a personal level, I’m a father and I have two daughters. Before having kids I was probably oblivious to a lot and I didn’t think about much that went on, drifting through life like a typical 20-something-year-old. But having my children made me view the world differently – as cheesy as that sounds. When they asked me to do the work on this, I thought, ‘Finally, I can work on something that contributes to something that matters.’

With regards to education, I went to art college in Birmingham and I gave up. I’m not sure that’s the best bit of advice, but I gave up because a job as a graphic designer came up and I wanted to learn from that and make money. There was never a hard and fast rule, or a grand plan. It was because I was into stuff. I felt that I was willing to learn and I figured that if I was into what I was doing, things would go somewhere and that’s what’s happened.” We believe that greening the music industry is a necessary part of creating a fertile environment for artists to speak out and create their own work around climate. We work with our partner organisation, Julie’s Bicycle, to coordinate and activate change within our own industry.

I’ve also worked on the Tony Hawk game recently, which is great. All of these things just come out of the blue. ‘Would you like to work on a Tony Hawk game?’ ‘Oh, alright then!’ That was just two skateboards that I designed that were put in game, but then they kindly sent me versions of the physical boards that are hanging in my studio. Launched in July 2019, Music Declares Emergency is an independent charity with no party political or commercial affiliations. We believe in the power of music to promote the necessary cultural changes to create a greener, fairer, better future. The latest release is designed by Thom York of Radiohead fame and his long term artistic collaborator Stanley Donwood . The pair met at Exeter University’s art school, and first worked together in 1994 when Donwood worked on the single My Iron Lung from that same year, and created the cover for 1995 album The Bends. He’s gone on to work on designs for the band’s album ever since, as well as Yorke’s solo projects, inclidong Atoms for Peace.