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The film follows Pascal (Pascal Lamorisse), a young boy who discovers a large helium-filled red balloon on his way to school one morning. As he plays with it, he realizes it has a mind and will of its own. It begins to follow him wherever he goes, never straying far from him, and at times floating outside his apartment window, as his mother will not allow it inside. The Red Balloon ( French: Le ballon rouge) is a 1956 French fantasy comedy-drama featurette written, produced, and directed by Albert Lamorisse. The thirty-four-minute short, which follows the adventures of a young boy who one day finds a sentient, mute, red balloon, was filmed in the Ménilmontant neighborhood of Paris. Lamorisse used his children as actors in the film. His son, Pascal, plays himself in the main role, and his daughter, Sabine, portrays a young girl. The film won numerous awards, including an Oscar for Lamorisse for writing the Best Original Screenplay in 1956 and the Palme d'Or for short films at the 1956 Cannes Film Festival. It also became popular with children and educators. It is the only short film to win the Oscar for Best Original Screenplay.

The film was first released on VHS by Embassy Home Entertainment in 1984. A laserdisc of it was later released by The Criterion Collection in 1986, and was produced by Criterion, Janus Films, and Voyager Press. Included in it was Lamorisse's award-winning short White Mane (1953). A DVD version became available in 2008, and a Blu-ray version was released in the United Kingdom on January 18, 2010; it has now been confirmed as region-free. [24] [25] Book [ edit ] Cannes Film Festival: Palme d'Or du court métrage/ Golden Palm; Best Short Film, Albert Lamorisse, 1956. [16] A boy with a bright red balloon is featured in the epilogue of Damien Chazelle's 2016 musical film La La Land. [21]The film has been featured in many festivals over the years, including the Wisconsin International Children's Film Festival; the Los Angeles Outfest Gay and Lesbian Film Festival; the Wisconsin Film Festival; and others. [ citation needed] The theme of innocence is persistent and is one of the main focuses of the film. Through a child's gaze, a cynical world is transformed into an almost magical one, highlighting the power of the innocence and imagination of children. [5]

a b Kennicott, Philip (23 November 2007). " 'Red Balloon' and 'White Mane': Childhood Colored by Adult Cynicism". The Washington Post . Retrieved 9 May 2020.Koresky, Michael (28 April 2008). "The Red Balloon". The Criterion Collection . Retrieved 9 May 2020. The Red Balloon, Anthony Clark. London: Oberon Books, 2000, ISBN 978-1-84002-079-3. Accessed February 12, 2018. Breen, Myles P. (1978). "The Rhetoric of the Short Film". Journal of the University Film Association. 30 (3): 3–13. JSTOR 20687433. Authors Myles P. Breen has identified the film as having thematic/stylistic qualities that are reflective of the poetic medium. This perspective is rationalised by Breen through quoting film theorist Christian Metz, who states, "in a poem there is no story line, and nothing intrudes between the author and the reader". The film, therefore, is categorised by Breen as being a filmic poem, partially due to its loose, non-narrative structure. [6] Hathaway, Alisa (28 February 2011). "The Red Balloon (1956)". Notes on Short Film . Retrieved 22 September 2018.

Lamorisse was a former auditor at the Institut des hautes études cinématographiques (IDHEC), and the crew that he used for the making of the film was entirely composed of IDHEC graduates. [8] The A to Z of French Cinema, P.xxx) 1956: December: Albert Lamorisse's Le Ballon rouge wins the Prix Louis-Delluc Accessed February 12, 2018. Gibson, Brian (5 February 2007). "What childhood films are these?". archive.is. Archived from the original on 5 February 2013 . Retrieved 9 May 2020. As the film was filmed in Paris after World War II, its mise-en-scène is quite dark and grey and therefore gives a depressing quality to the setting and mood. In contrast, the balloon's bright color acts as a symbol of hope and light within the film. [2] The cluster balloon ride in the closing scene could also be said to represent a religious or spiritual analogy. For example, when the balloon is destroyed, its "spirit" lives on as it is transferred to all the other balloons in the city, which some believe to be a metaphor for Christ. [3] Themes of self-realisation and loneliness are also present in the film. [4] Don Hertzfeld's 1997 short film Billy's Balloon, which also showed at Cannes, is a parody of the film.

Tessonneau, Rémy; Ferguson, Charles (1957). "The French Institute Of Cinema (IDHEC)". Journal of the University Film Producers Association. 10 (1): 4–6. JSTOR 20686478. Guitarist Keith Calmes' album Follow the Red Balloon [23] is named as an homage to the spirit of Pascal and Sabine.