Peter Berlin: Icon

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More naked young men join the photo shoot; they adore Berlin as he stands on a podium like a statue while the camera continues to flash. “I want to take pictures of them watching you,” the cameraman exclaims. “I want my camera to hold you all. To capture every one of you in its fine lens.” The climax of the scene has no penetrative sex or ejaculation. It ends with a slideshow of imagery hitting a rapid-fire pace. The erotic thrust of the scene is not traditional, not solely based on men’s enjoyment of each other’s bodies. It favors the camera’s actions and outcomes over penetrative sex or climax. Much more than just a simple pornographic film, through the lens of history, That Boy can now be understood as a photosexual manifesto.

Another '70s icon, plus-sized drag star Divine, gets her own homage in a show at the Fringe Festival (an annual event for people who must really love theater, because there's never enough air conditioning, lol). Written by E. Dale Smith from a concept by Braden Chapman (a.k.a. drag star Mimi Imfurst), Divine/Interventiontakes us to the end of Divine's life in 1988, as the John Waters cult star is about to do a guest role as a man on Married With Children, a career twist that tragically wasn't meant to be. I stopped traveling completely,” he said, adding that he “dreaded” the trip prior to arrival. “I don’t have friends [here] anymore who are alive.” Although he retreated from the limelight in the 1980s, he continues to make videos of himself and lives quietly in San Francisco, where he is still frequently recognized on the streets.That Man: Peter Berlin had its world premiere at the prestigious Berlin International Film Festival and was an official selection of over 65 film festivals, including the Seattle, Chicago, Palm Springs, Rio, and Durban International Film Festivals. In January 2006, the documentary opened theatrically to great acclaim. A Special Edition DVD was released by Water Bearer Films. In addition, That Man: Peter Berlin is available for streaming on Vimeo On Demand and Fandor. When you're living in that era, you take it as normal and nothing special. When I was part of Studio 54, everyone was running there. There were big lines outside, and [co-owner] Steve Rubell was standing on some kind of pedestal to look over the adoring people. He said, "Peter you don't have to be in line." I was ushered in. He spoke about being an icon to so many in the gay community, saying it surprised him to hear how much of an influence he’s had on men’s lives. Culture Trips are deeply immersive 5 to 16 days itineraries, that combine authentic local experiences, exciting activities and 4-5* accommodation to look forward to at the end of each day. Our Rail Trips are our most planet-friendly itineraries that invite you to take the scenic route, relax whilst getting under the skin of a destination. Our Private Trips are fully tailored itineraries, curated by our Travel Experts specifically for you, your friends or your family.

Anderson, James: "Peter Berlin Sixty-Something German Artist From San Francisco Spent His Entire Life Getting Laid", BUTT Magazine, Summer, 2004 It’s a real celebration of queer sexuality,” said Thomas Cawson, creative director of Helmut Lang, of Berlin’s influence. “Celebrating a totally queer language of what streetwear looks like. Everything we do at Helmut, there’s always that undercurrent of referencing those iconic, underground moments. Especially when there is that beautiful queer twist to it.” Jonny is extremely personable and generous. In fact, after a Flaming Saddles bartender hopped atop the bar to do some elaborate two-stepping, he didn't think twice about handing the guy a five dollar tip. "He really did amazing stuff up there," Jonny told me, "plus before we were anything, he used to work at Mother Burger [an HK restaurant], and I'd go to him to get fed. He'd give me a free burger because I was hungry." Anyone who hands out food to future stars and can also dance up a gay storm on a bar deserves a shot at President, in my opinion. If he also knows who Peter Berlin is, he can definitely be my next husband. Since you are here, we would like to share our vision for the future of travel - and the direction Culture Trip is moving in.

For Peter Berlin, art is life and life is art. He has been called both “the Bettie Page of beefcake” and “the Greta Garbo of gay porn” as a definitive gay sex icon of the 1970s and 1980s. For many, he brought artistic legitimacy to gay erotica with his artfully composed self-portraits.

I never had sex in any of those places. I went for being seen and seen. I'm so shy that you would never have seen me having sex. Sex was for me a very intimate, private thing. Culture Trip launched in 2011 with a simple yet passionate mission: to inspire people to go beyond their boundaries and experience what makes a place, its people and its culture special and meaningful — and this is still in our DNA today. We are proud that, for more than a decade, millions like you have trusted our award-winning recommendations by people who deeply understand what makes certain places and communities so special.

At the Mine Shaft, did you sprawl out in the famous bathtub and get urinated on, perchance? That was a common occurrence there. Armin Hagen Freiherr von Hoyningen-Huene (28 December 1942) is a German-American photographer, artist, filmmaker, clothing designer/sewer, and model best known by his stage name Peter Berlin. In the early to mid-1970s. [1] If Narcissus—the famous character from Greek mythology—had been mentored by Peter Berlin, his story might not have ended in tragedy. After falling in love with his own reflection and then realizing that it actually wasn’t another person, Narcissus was so devastated by the prospect of never being able to experience true romantic love that he took his own life. But had he come of age in the early ’70s, when the tools of photographic reproduction were available to the general public, Peter Berlin’s example would have taught him that focusing entirely on your own image can be quite a satisfying substitute for traditional romantic love. Berlin’s photographic project is arguably closer to performance art, in that the act of cruising in his elaborate getups was the point of his ambitious pursuits. The expertly composed and printed photographs, gorgeous art objects in and of themselves, are ultimately records of his sexually pointed happenings. Most illuminating and exciting, of course, is the extensive commentary by Berlin himself, still looking remarkably boyish in his early 60s. Tushinski's interviews are complemented perfectly with an astonishing archive of photos and film clips that reveal the full scope of Berlin’s impressive body of work.This whole thing amazes me,” he said. “I stopped living, basically — I don’t do anything anymore. I only use my time to think. I love thinking, and trying to figure out stuff. I try to think ‘why did I do why I did?’ My mind is very entertained. Usually people either bore me, or annoy me, so I’m by myself, right? And it’s sort of a luxury.”

After a period of cruising bars, streets and house parties, Berlin comes to the realization that “normal sex”—meaning sex in a bedroom with one partner—barely interests him. Throughout the course of the film he discovers the key elements he needs to get turned on: leather, public spaces, role-play, and exhibitionism. The film concludes with him journaling as his voiceover explains, “By now, normal sex seems so boring to me. I like much more to get into perverse trips . . . but as far as normal sex is concerned, one of the best experiences I have ever had was last week, when these two boys approached me at the gym. They asked me to come with them, because they enjoyed nothing more then having sex on a couch with spotlights aimed at them and an audience watching.” For Berlin’s rapidly advancing taste, “normal” has come to mean engaging with multiple partners for spectators. By the film’s end, he is finished with traditional sexuality. Peter Berlin grew up in Berlin in the 1940s and 1950s. He studied photography and his first job was working for the fashion photography journal, VIP Shaukel. This “ordinary life,” however, did not last long. A Dorian Gray-type character, Berlin once caught sight of his own reflection in a shop window in Paris; mistaking his own face for that of another and believed he had found true love. Berlin’s cultural contributions were so many decades ahead of his time and so unique—not fitting cleanly into either the world of art or the world of pornography—that understanding their relevance and impact requires the invention of a new terminology. I propose the word photosexuality and aim to make the case that Berlin was the first acclaimed male photosexual and the leading pioneer of its practice. As I see it, photosexuality is a contemporary mainstream sexuality in which erotic self-portraiture—the documentation of one’s own sex acts and the private and public distribution of those images—is intertwined so completely with one’s sex life that it becomes as important as the sex acts themselves and, in some cases, even more important. Of course, even then, the relationship between sex and the camera was far from new. Since its inception, the camera had been used to document the beauty and wonderment of the naked human form. What was new about Peter’s approach was that it was an independent enterprise. He wasn’t a muse for another artist or a model for a pornographer; nor was he a sex symbol produced by a film studio, like Garbo, Brando, or Monroe. He didn’t wait for an adoring and powerful benefactor to hand him the capitalist machinery of star production. As an out gay man, such tools were only available to his counterparts who had agreed to remain closeted for the purpose of becoming cultural icons. Berlin, on the other hand, valued himself and his sexuality with such militant pride that he took his identity into his own hands and became his own muse. “I wanted to turn myself into the type of man I wished I would see on the streets,” he has said as a way of explaining his style. Berlin designed and sewed all of his clothing without a pattern. He also was a painter and illustrator. He began photographing himself in erotic poses and making skin-tight clothes to wear as he cruised the parks and train stations of Berlin, and the streets of Rome, Paris, New York and San Francisco. Many of his designs are now seen in the fashion works of such international designers such as Jean Paul Gaultier. [ citation needed] Filmmaking and celebrity [ edit ]Peter Berlin was born December 28, 1942, in German-occupied Łódź, Poland, but he grew up in an aristocratic family in Berlin, Germany. He is the second of the three children. [2] [3] The extended family included the Russian American 1920s and 1930s fashion photographer George Hoyningen-Huene. I told Sherie about the Lombard/Hawn comparisons and she grinningly replied, "My hairdresser will love that! And I love that no one under 50 will know who Carole Lombard is. 'Which talk show host is that?'" Hey, I will gladly educate them one by one, about Carole, Peter Berlin, Stonewall, and my childhood.