Keeley 'Loomer' Fuzz & Reverb Pedal

Product Information

Not every pedal needs to be super-limited edition and hand-soldered in a basement by monks. Witness the Source Audio Collider, a digital reverb and delay combination that combines their top-of-the-line Nemesis Delay and Ventris Reverb pedals. Unless you need specific patches from those pedals that aren't here, this can replace both on your board. A stoned, morning floaty, messed up, thrill machine is what it is. Washes of reverb in new ways you’ve not heard in a stomp box before and a fuzz that’s like a cigarette burn on your forearm. It rages. De Reverse geeft my Bloody Valentine. De decay regelt ook tegelijk de predelay (langere decay - langere predelay) maar dat geeft niets. Het geluid is mooi, mbv en een toevoeging aan mijn andere reverse reverbs die ik al had. Een extra predelay knop was leuk geweest voor hall en soft-focus; maar geen noodzaak.

He realised that he could make a success of his pedal designs. It’s all in the history books from there on in because the company has just grown from strength to strength. The Keeley Range Because all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.) Muffdive Introducing our Artist Series, a new line of Custom Shop takes on our favorite Keeley pedals! Each of the Artist Series pedals will feature artwork from their associated artists, as well as an Artist Series bottom print.The Loomer is essentially a huge fuzz tone with a large wash of reverb that aims to sound like My Bloody Valentine’s epic masterpiece Loveless. The album includes many seminal sounds that guitarist Kevin Shields spent a ridiculous amount of time perfecting in the studio. He often used the Yamaha SPX90 and the Alesis Midiverb II. These were combined with fuzz and a Jazzmaster tremolo arm, which was played rhythmically in a slow, powerful manner. The subtle warble of pitch, fuzz drone and washes of reverb were balanced in such a way that it made you feel as though you were gliding through a dream. Also vorweg: Das Pedal ist sicherlich sehr speziell. Der Fuzz-Teil ist intuitiv und vielseitig; für mein Empfinden ist es nicht grade der sanfteste Fuzz, den ich je gespielt habe. Der Reverb-Teil hingegen ist kein Standart-Hall. Alle drei Einstellungen bringen besondere Hall-Settings mit, die in meinem Setup einen Spring-Reverb mit ihren ausgefallenen Sounds ergänzen.

Granted, it's likely more complex in reality than it seems on the outside, and there's of course a financial and practical incentive to want to divide the line-up by function. Ebenfalls sehr gut ist die Möglichkeit, die Reihenfolge von Fuzz und Reverb zu vertauschen, ohne dafür alles neu zu verkabeln. Eccentric Belgian boutique builder Drolo designed the loop channel, presumably taking experience gained from their excellent Molecular Disruption Device and Stammen pedals. De Fuzz is een voltreffer met de drie modes (full, flat en scoop). Mijn ehx big muff nano is overbodig geworden. The Chase Bliss Mood is a supergroup, or at least a super-collaboration of the pedal world. The MIDI controls and 'brain' of the pedal come from Chase Bliss, with their usual pattern of complex control parameters and dip switches, but its 'heart' is two weirdo pedals in one, combining looping, reverb and delay.Soft Focus- Because all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the lush and surreal Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.) Muffdive... I’m happy that Keeley has chosen My Bloody Valentine as part of their ‘soundalike’ series of pedals. It makes a change from effects based on boring old blues-based guitar legends. I was one of those kids that went out and bought the album on the day it was released and went to see them live on that tour. Because all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.) Muffside