Kuretake ZIG GANSAI TAMBI watercolor set (36 Colour Set)

Product Information

Gansai also have a much higher pigment to binder ratio than Western watercolours. They are designed to be used in a single layer on absorbent Japanese paper rather than in several layers. The colours are more vibrant and saturated than Western ones, even when diluted. There is very little colour fade from wet to dry. I recently confirmed that Satta was active in 1907. Intriguingly, the Satta paintings I saw contained a red seal that can also be found on watercolours by the artist Bunya. Thanks to Marijana for this data.

the surname YOSHIDA is written in capital letters only (not mixed upper/lower case) with the bottom leg of the 'Y' being curly The colours of traditional Japanese gansai sets are often different from those in Western watercolours. They were formulated for Japanese picture painting, an art form which is very different from Western painting in the classic European tradition. Japanese colours are inspired by nature, there is usually a large selection of blues and greens in gansai palettes. After learning basic drawing and watercolor painting skills at a local community school in San Diego, she took on her first project as an artist together with her father, a renowned scholar of French literature in Japan. Through the Azure Sea and Sky of Provence: A Tribute to Her Joie de Vivre (Kosei Publishing, Osaka, Japan) was published in August, 2003, authored by her father and illustrated by Keiko. From then on, she intensely taught herself to be fluent in watercolor painting, just as one would do to master a foreign language. One of the best ways to boost your creativity is to try something new and take yourself out of your comfort zone.

顔彩耽美 | Gansai Tambi

Generally, it is not recommended to paint directly from the pans, but to mix the paints with water in a palette. Akashiya plum flower shaped palettes allow you to separate colours or different saturations of a single colour from each other, or from ink. |Very little is known about the majority of the pre-war Japanese watercolour artists. It is generally accepted that the painters of early Japanese watercolours (from late Meiji to early Showa) studied the Western-style watercolour technique, with many artists also having a Western-style education. In most cases the artists signed their names in the usual Western way using Roman letters. Despite the fact that most were superbly talented artists, their paintings can be obtained very inexpensively at auction. Kuretake Gansai Japanese Watercolours are traditional, highly pigmented watercolour paints. They are suitable for professional and amateur artists, and are ideal for drawing, illustration, Sumi-e etc. Whether you already paint with traditional watercolours or not, we are sure that you will love using Akashiya Gansai. Gansai ( 顔彩) are traditional Japanese watercolour paints. She then worked in international relations positions in a Japanese government trade organization in Tokyo, at a large law firm in San Francisco and at a private consulting firm in San Diego. For decades, she has traveled extensively, mainly in European countries, Asia and North America.

Kuretake Gansai Japanese Watercolour Sets contain whole pans and are available in the following sets: Gansai have a glossier finish than Western watercolours, especially in areas where they are applied generously. All watercolour paints are made by combining pigment and a binder. Gansai are traditionally bound with animal glue, beeswax, sugar and other natural binders. Western watercolours are bound with gum arabic. The type of binder used gives each type of paint a specific appearance. Akashiya “Pine” Paper, bright white with a pleasant texture for smooth brush strokes. It has low bleed, which makes it suitable for calligraphy or more precise painting. Artists represented here include R. Aoki, H. Fukaya, S. Hodo, S. Ishida (Shigeburo?), Yuhan Ito, Eika Kato, Kyoha, T. Masami, M. Matsu, Matsumoto, J. R. Ozawa, S. Niimi, H. Saito, Emiko Satsuta, K. Seki, T. Seki, Shuho, E. Terada, Fukutaro Terauchi, S. Tosuke, T. Tosuke, I. Yamanoi, T. E. Yanagiwara, Tasuke (G.T.) Yokouchi, A. Yoshida. Additionally, she self-publishes her art books and nine books have been completed by 2019. She’s also a sought-after workshop instructor. Since 2011, she has been invited to and completed successfully more than 230 workshops and numerous live demonstrations around the world. She has served as a juror in a number of art exhibitions including some major watercolor shows around the world such as the Transparent Watercolor Society of America, the International Watercolor Society, the Northwest Watercolor Society, the Utah Watercolor Society and the New Mexico Watercolor Society. In 2015 she was named an official Ambassador for Winsor & Newton. In 2018, she was appointed to the advisory board of the American Watercolor Weekly. In 2018 and 2019, she was invited to be a faculty member for the Plein Air Convention & Expo, the world’s largest plein-air painting event.Gansai paints are said to be unsuitable for mixing, producing muddy tones. We recommend trying this out for yourself.

You can use them to paint in the classic Western or Japanese styles, or our current passion - Etegami. Etegami is a perfect art form for beginners, requires no special talent and is guaranteed to be lots of fun! See our etegami introduction here for more information. The artist E. Kato may be Eizo Kato (1906-1972) or Eika Kato (1859-1942, born in Fukui Japan) -- most probably the latter. I've seen one painting dated 1911, so definitely a pre-war artist. An owner of K. Seki watercolours writes that her grandmother bought two of his/her paintings in Japan between 1925 and 1932, so it would appear that K. Seki was certainly a pre-war artist. Gansai come in much larger pans than typical Western half pans. Traditional Japanese watercolour brushes are larger and need more space to avoid damaging the bristles. Being larger, they are also suitable for use with calligraphy brushes.These brushes work well for painting in details. the first initial looks clearly like an 'A', or more usually, looks in-between an 'H' and an 'A'. The right-hand vertical stroke often extends below the baseline,

Japanese Painting Techniques

A. Yoshida signatures. Note the "H" character in the name "Yoshida" is well defined. Clearly this artist can write a disctint "H" character. Now compare this "H" character to the first initial. We can obviously see that the first initial is not an "H" character at all; it is an "A" character. Also note that the "Y" character is always written with a "curly leg" (called a decender). June 2008: collector Laura Marino has a Terauchi painting in a frame that also contains a Japanese newspaper sheet dating to September 1958. This high saturation makes Gansai ideal for sketches, while allowing the artist to lighten the colours by increasing dilution. Because the binder adhesion in gansai is weaker, the colours are also easier to lift (removing with a wet brush to lighten an area). Although all but one are untitled, there are several familiar scenes, such as the Torii gate at Miyajima, Mount Fuji, Cryptomerias Trees in Nikko, and two gorgeous scenes of Matsushima (summer and winter scenes). These Kuretake Gansai Watercolours are very intense colours with exceptional brilliance and brightness. All shades blend perfectly together.