The Girl, the Bear and the Magic Shoes

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MD at Girl&Bear, Claire Young , added: “For us ‘how’ we make things is just as important as ‘what’ we make for clients. I’ve always wanted to reimagine production and creating Girl&Bear has enabled us to supercharge our making offering and evolve the industry model. We know that creativity is a business multiplier and we believe that great production doesn't need to be a choice between pace, scale and craft - we’re in the business of ‘and’. World class integration is something that VCCP is famous for, and with Girl&Bear we are now in an even stronger position than ever to deliver on that promise.”

Girl&Bear will be led by managing director Claire Young, executive head of production Anthony Austin and global head of operations Dan Montalbano. Austin joins from BBH London, where he was executive creative director. The trio will report to VCCP London chief exec Andrew Peake and group chief creative officer Darren Bailes.Young said Girl&Bear would engage in sustainable production practices from the outset and is working with Greenshoot and AdGreen to ensure the right measures are in place. The studio is already working towards B Corp status, the group said. No clean getaway! British family catch cleaner stealing their property - and hiding it in her BRA - after setting up secret camera in their four-star Benidorm hotel room According to the agency, the system is designed to guide clients through the increasingly complicated world of multi-format, multi-language and dynamic creative production and enable the delivery of crafted work at scale and pace, across all channels. Bringing cutting-edge technology and automation into the production process in the right way, at the right moments will ensure Girl & Bear’s makers around the world can work more efficiently as well as give clients a seamless delivery experience.

The pandemic served as a catalyst for change in the industry, forcing a reevaluation of traditional norms and processes; she explains, “the pandemic also created an inversion point, a moment of reflecting of what was and wasn’t working in the industry… It accelerated us changing the way we make.”

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She said she ran outside after hearing her dogs barking and at first thought the bear was a "funny-looking dog." When she noticed it was a bear, she sprinted toward the animals. Snow could fall as far south as Hampshire this week with Arctic snap set to send temperatures plunging below zero - as map shows where flurries could hit UK today

Cigarette butts account for 66% of all litter in England, yet many smokers do not consider dropping them on the ground to be littering. So how do you bring about behavioural change? 🚬 At the time Engel was writing, sex research conducted by Alfred Kinsey and colleagues, as well as by William Masters and Virginia Johnson, had put paid to any notion that women were less sexual than men. Their work undid much of the hand-wringing about frigidity that had dominated in previous decades. It also bolstered the importance of the clitoris in women’s sexual satisfaction. Within a certain strand of second-wave feminism, sexual pleasure and political emancipation were tightly linked, with sex and orgasm and the clitoris itself functioning as metaphors for women’s liberation: from men and from patriarchy. Lou plays out these issues, on the rug, by the fire, with the bear. When Bear was first published, to great acclaim and some controversy, the feminist and women’s liberation movements had been burgeoning for some years in North America and Europe. While the utopian hopes of the 60s had fractured, legislative change had been enacted around abortion, contraception, and equal pay. Arguments for equality and freedom were unfolding alongside internal divisions as to what this freedom would look like. In the late 70s, the emphasis on the right to have a sexuality would be critiqued as the preserve of a largely white cohort, by feminists of colour for whom their own depiction as inherently sexual was a greater source of violence. At the time Engel was writing feminists were grappling with men as objects of desire, who can nonetheless always pose a threat The production landscape has witnessed significant changes lately, but how can we effectively remain in step with these shifts? Our Managing Director, Claire Young, spoke to Creative Salon Worldwide on how we stay ahead and competitive in a transformative production landscape. The Girl&Bear senior leadership team will report into VCCP London’s Chief Executive Officer, Andrew Peake and VCCP’s Group Chief Creative Officer, Darren Bailes.William Hague says the prospect of The Telegraph being owned by a UAE-based company is 'disturbing and should be prevented' The commotion caught Morinico's attention, and without thinking, she told KTLA news, she ran over to defend the family pets.