Japanese Sweet Lolita Flat Shoes Maid Cosplay Mary Jane Shoes

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Lolita Nylon Advertisements". Archived from the original on 10 July 2016 . Retrieved 6 August 2017. a b c d e f g h i Kawamura, Yuniya (2012). "Harajuku: The Youth in Silent Rebellion". Fashioning Japanese Subcultures. pp.65–75. doi: 10.2752/9781474235327/KAWAMURA0008. ISBN 9781474235327. Tidwell, Christy (2010). "Street and Youth Fashion in Japan". East Asia. Vol.6. pp.398–403. doi: 10.2752/BEWDF/EDch6063. ISBN 9781847888556. Hinton, Perry R. (2013). "Returning in a Different Fashion: Culture, Communication, and Changing Representations of Lolita in Japan and the West". International Journal of Communication. 7: 1582–1602. Staite, S. Abigail (2012). Lolita: Atemporal Class-Play With tea and cakes (Thesis). University of Tasmania.

Within the whole of Lolita fashion, you’ll find that there are many sub-categories. The three most popular are Gothic, Classic, and Sweet Lolita. While each would never be caught without a parasol or ribbon trim, certain aspects of their clothing differ greatly. The Tea Party Club Presents: Revelry Q&A (2014) at Jame World (archived version at archive, 14 August 2017 version) Berry, B. (2017). Ethnographic Comparison of a Niche Fashion Group, Lolita (Thesis). Florida Atlantic University. Monden, Masafumi (2008). "Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney". New Voices. 2: 21–40. doi: 10.21159/nv.02.02.

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Robinson, K. (2014). Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States (Thesis). Georgia State University. Some Lolitas say they enjoy the dress of the subculture simply because it is fun and not as a protest against traditional Japanese society. [10] Other motives could be that wearing the fashion style increases their self-confidence [98] [99] [100] [101] or to express an alternative identity. [10] [76] [32] [97] [102] [103] Socioeconomic dimension [ edit ]

Talmadge, Eric (7 August 2008). "Tokyo's Lolita scene all about escapismn". The Japan Times. Archived from the original on 11 August 2017 . Retrieved 11 August 2017.

a b Rahman, Osmud; Wing-Sun, Liu; Lam, Elita; Mong-Tai, Chan (2011). " "Lolita": Imaginative Self and Elusive Consumption". Fashion Theory. 15: 7–27. doi: 10.2752/175174111X12858453158066. S2CID 145769507. a b Kawamura, Yuniya (2012). "The Globalization of Japanese Subcultures and Fashion: Future Possibilities and Limitations". Fashioning Japanese Subcultures. pp.126–135. doi: 10.2752/9781474235327/KAWAMURA0015. ISBN 9781474235327. Park, J. Joohee (2010). "Japanese Youth Subcultures Styles of the 2000s". International Journal of Costume and Fashion. 10 (1): 1–13. doi: 10.7233/ijcf.2010.10.1.001.