Pop Screen Microphone Pop Filter for Blue Yeti and Any Other Microphone Dual Layered With Flexible 360° Gooseneck and Metal Stabilizing

Product Information

This pop filter features a double-mesh screen which filters out plosives while maintaining the quality of your voice. The pop shield screen disperses air pressure from the mouth, protecting the microphone from bursts of air and saliva.

This foam cover retains it shape and slips snugly over the microphone. It is the correct size for Blue Yeti and Yeti Pro mics. It prevents unwanted interference from wind and plosive frequencies that spoil recording vocals. The Mudder mic cover envelops the whole microphone head serving as a protective barrier between mouth and mic. This keeps long term damage, like the buildup of mold from exposure to saliva minimal. So unless we want to tax our brains writing scripts and songs that contain none of the above letters our recordings are likely going to suffer in quality. Do you need a Pop Filter For Blue Yeti? Used extensively within the recording industry, things are rarely captured these days on microphones without some sort of pop shield or studio mic cover.Because this pop filter is so affordable and comes as a combo with a windscreen for Blue Yeti, it remains out top recommendation. I like the fact that this pop filter comes with a little padding on both surfaces of the clamp which protects your Blue Yeti stand. While you can probably use any pop filter with a Blue Yeti microphone, here are some pop filters that are fully compatible with the Blue Yeti mic. 1. Knox Gear Pop Filter Whilst this 6-inch Auphonix pop filter is suitable for most USB desktop mics it has been designed with the Blue Yeti in mind. Unlike most pop shields, which fix to the boom arm or Blue Yeti microphone stand it will clap directly to your studio mic itself without the risk of damage. It too features a double mesh pop screen giving sufficient protection against high impact sound delivery, which results in flawed vocal recording.

Again, this Pop Filter is specifically designed for Blue Yeti (see the diagram on how to attach the pop filter to the Blue Yeti stand). The pop filter also acts as a barrier which reduces corrosion and saliva droplets to extend the microphone’s life. Compared to other pop filters, the Aokeo pop filter acts as an amplifying modifier which tones down plosive sounds while allowing normal speech to “pass through” without dampening the higher frequencies. As previously mentioned there are several letters in the alphabet who are the culprits responsible for producing these undesirable popping sounds; B, C, D, G, K, P, Q, and T are letters we produce with strong emphasis that can't really be softened sufficiently in a natural manner. S can also be an incredibly problematic sound producing a high frequency hiss, which is known as sibilant noise. It is a sound that is apparent in those with lisps but microphones detect such subtle changes in the space around them they can give lisps to the most eloquent speakers. The Blue Yeti is an unparalleled USB microphone with patterns to choose from suited to different recording tasks that would be a benefit you would lose with too much filtering before initial capture. Conclusion With the development of cutting edge recording technology constantly evolving and improving, professional levels of microphone are becoming lower priced and available on a lower budget.The adjustable clamp fits the Blue Yeti’s stand, but can also be attached to all types of microphone stands and USB microphones. The 2” screw on clamp is easily attachable and will not damage the microphone. What we like about this pop filter is that it caters specifically to the Blue Yeti’s non-standard base design which traditional pop guard clamps find difficult to attach to. The clamp for this pop guard is flat instead of curved so that it will sit directly against the Yeti’s stand. When using a sensitive microphone such as the Blue Yeti model it becomes increasingly prudent to put something into place to ensure you are only recording what you intend to capture, and that you are deadening plosive popping sounds, as the level of distortion will be higher than a recording with a cheap lapel or mobile phone mic. A simple to use clip-on style pop filter shield. This budget pop filter mimics all the features found in typical high-end studio pop filter designs. It has been constructed with a dual layer of woven nylon mesh, which softens the force of the vocals thrown into it, deadening pops. The standard circular shield concept has been tried and tested throughout the music industry. Proven to aid in the creation of professional level recordings. However, not all pop filters are compatible with the Blue Yeti due to its non-standard base design. To help you find the pop filters that can attach specifically to the Blue Yeti’s base, we have compiled this list below. Best Blue Yeti Pop Filters

The windscreen is made from good quality foam materials and helps to filter out harsh ‘p’ and ‘t’ sounds together with popping noises. They are also ideal for protecting your mic against saliva and moisture damage.The screen is 6 inches in diameter and is designed to diffuse bursts of air even if the source isn’t directly in front the microphone (which by the way, you should be sitting in directly in front of the Blue Yeti mic for the best sound performance). Pop-shields, named after the popping spikes in sound, which they were made to thwart they typically feature multiple layers, which the sound wave is, forced to travel through before reaching the mic. There are different schools of though on the subject what you need to take into account its intended use.