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Some volume pedals double as expression pedals. They have an Expression Output, which you can connect to another effect, and use the volume pedal to control some parameter. My Review: Upon analysis, I found the affordable, easy to use, and versatile EX-P by M-Audio to be a great volume and expression pedal. I was instantly drawn to the standout quality of the pedal, which is its compatibility with MIDI. I already knew that M-Audio is renowned for its brilliant line of MIDI controllers, and was pleased to find that they have used this expertise to design a compatible pedal. To the discerning musician, a volume pedal is an essential piece of kit. It is something that can alter the complete context of the sound of what you are doing. If you are in a band, it changes their sound as well.
Another standout feature is the inclusion of two useful knobs to alter the Ernie Ball MVP’s volume settings. The Minimum knob is just like the one from the Boss FV-500H, and is useful to control your signal’s minimum amplitude when the MVP is in the “heel down” position. Furthermore, you get a Gain knob, which controls a 20dB gain boost. This boost is a nice touch, as it’s always handy to have some gain on tap if you need it. Using these knobs in conjunction makes the MVP one of the most versatile volume pedals on the market. In this guide we’re going to primarily cover volume pedals for guitar and bass, both electric and acoustic. You can of course use a volume pedal for any electronic instrument, like a keyboard or synthesizer. Stereo vs. mono: This is definitely lower on the list for most people shopping for a volume pedal, but we’ll mention it just in case. Most guitar chains are mono, so that will suffice. If you want a volume pedal you can also use for a stereo instrument like a keyboard, look for one with stereo capability. Experimenting with different techniques and pedal combinations is necessary to learn how to swell properly. The great thing about this effect is that you can use it in any way you see fit, and as you become more aware of the different ways to alter how the swell sounds, you will have more tools at your disposal. My Review: After testing the Most Valuable Pedal by Ernie Ball, I can safely say that it is amongst the best volume and expression offerings available. With its stylish design, high-quality build materials, and exceptionally smooth operation, I found this pedal to be truly a joy to use.
Here Are the Best Volume Guitar Pedals
Alternatively, positioning the volume pedal in the middle of your signal chain will allow you to keep your output more consistent. A popular method is to place the volume pedal just after your distortion, overdrive or fuzz, and before any reverbs or delays. This ensures that the amount of drive is kept consistent, and when you use the volume pedal to raise your dynamics, you can control how much is fed into your reverbs and delays.
From past experience, I’ve found that a common issue with volume pedals is the high-end frequency loss that can occur, but I was pleased to discover that Ernie Ball has ensured that this is not the case with the MVP. It is compatible with both passive and active electronics, which is an added bonus. Who is this best suited for: The JOYO Multimode Wah/Volume pedal is a great choice for guitarists who need to save space on their pedalboard. It functions to a high level as both a standard volume controller or a wah filter pedal, so if both of these effects are on your wishlist, you can save time and effort with this JOYO offering. Tuner output: Several volume pedals have a tuner output separate from their main output. This is so you can connect your tuner pedal to it, and silently tune, which can be massively handy during a gig in between songs. As we mentioned, be careful if you’re using a tuner output and your volume pedal is passive, as you might be sacrificing some of the high end of your tone.
Expression Pedals
Who is this best suited for: Guitarists who are looking for the best possible way to control the volume of their instrument should strongly consider the MVP by Ernie Ball. It’s a highly versatile pedal that works with all types of electronics. Although all volume pedals intend to perform the same basic function, there’s plenty of variation from model to model. High-end volume pedals are likely to offer various controls that will provide you with more freedom, while more primitive versions simply control the dynamics without any additional options included.
You can’t get much more simple than the mechanics of a volume pedal. They are simply a volume control like you’d find on your guitar that you can control with your feet. They are housed in a pedal format with a treadle and look similar to a wah pedal. They are usually ‘passive’ effects which mean they don’t need any power. Some volume pedals, such as the ones in the Dunlop range, are also able to function as an expression pedal.Compared to the VP Jr Standard, which is one of my personal favorite volume pedals, the notable difference is that this special edition has a more refined and distinguished appearance. Guitar volume pedals have always been a bit of an outlier in the effects world. They’re not fancy or flashy. A very worthy competitor to the Ernie Ball VP Jr. The durable steel-band drive does away with breakage issues, and the DVP3 Volume (X) can double as an expression pedal. There are also no tone loss issues. The Ernie Ball VP Jr. is a better deal, but the Dunlop is a slightly better volume pedal. These pedals can be used for a variety of purposes, depending on where you choose to position them in your signal path. We’ll get into that in detail later in this guide. Some musicians choose to use multiple volume pedals interspersed at different points in their signal chain, as this allows them to control the individual dynamics or certain effects groups, such as distortion, modulation, or timing-based effects. My Review: Boss’ range of industrial-strength volume pedals continues with the low impedance FV-500L. Building upon the success of their FV-300 series, the manufacturer has improved the performance of the pedal by installing high-quality inner circuitry. The additional connectivity option was what I noticed at first, as this pedal was much more extensive compared to many others in the FV-300 series that I’d seen in the past.
The Dunlop DVP3 Volume X is capable of beautifully smooth volume swells. It also doubles as an external expression controller for other pedals and instruments. Additionally, I should point out that Morley pedals are pretty well built. Along with Boss FV0-500L/H, I’d recommend it to any touring guitar player. Lehle Stereo Volume Pedal Aside from these creative uses, they can be a useful utility during a live set. They enable you to balance your volume for each song or simply have a rhythm volume and a lead volume. In addition to guitars, volume pedals also make useful companions for basses, keyboards, synthesizers, and electronic devices like drum machines. This is one of the main reasons that a volume pedal is a wise investment because you can use it for so many different purposes. Volume pedals often get grouped together with expression pedals. Simply put, an expression pedal is a variable pedal manipulated with the foot that changes some aspect of a guitar’s sound. This includes wah and volume pedals in addition to auxiliary pedals used in conjunction with an effects unit like a delay, vibrato, or a multi-effects unit like the Zoom G5n. Just keep in mind that when someone says “expression pedal” they will generally mean the latter type that is used with a pedal or multi-effects unit, as both volume and wah pedals are generally referred to as a volume pedal or a wah pedal for clarity’s sake.
The Ultimate Volume Pedal Guide
Other than that, they’re just a volume potentiometer with foot control. However, there are a few things to bear in mind. The fact is that lots of guitarists never realize how essential a volume pedal is to their setup until they try it (it can be a guitar rig game changer, much like a compressor pedal can be). Finally, if you want to use the pedal as a master volume control, then you will need to position it at the very end of your signal chain. Doing so will mean that every single pedal in your chain is affected when you use the volume pedal to alter your dynamics. The advantage of this is that you can completely mute all of your pedals simply by turning down the volume pedal. You can also use it to gradually fade out your signal, and create swells, which are gradually build-ups of dynamics.
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