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The Fifth Doctor admitted that the scarf was warm and sometimes useful, though he occasionally tripped on it; his companion Erimem noted that it was so long she could practically mummify herself with it. ( AUDIO: No Place Like Home) Another licensed scarf is also being manufactured by Elope (found at Hot Topic and many places online). It's not garter stitch, but has pretty good colors. Brown has been omitted (only 6 colors).
The Seventh Doctor used the tartan scarf from his newly found outfit to stall the First Rani as he tried to escape her laboratory. ( TV: Time and the Rani) The Doctor replaced the lost scarf with a paisley one in the TARDIS wardrobe. ( PROSE: The Useful Pile) There are also novels and audio plays featuring the Fourth Doctor. Two early audio plays featuring Tom Baker voicing the Fourth Doctor date from Baker's television tenure as he had mainly declined to appear in any further audio plays since leaving the series. In 2009, however, it was announced that a new five-part series would be produced by BBC Audio (see below). Graeme Burk and Robert Smith Who's 50: The 50 Doctor Who Stories to Watch Before You Die—An Unofficial Companion, Toronto: ECW Press, 2013, p.148-49
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The Eleventh Doctor threw one of his scarves out of the way while in the TARDIS console room when he was searching for his sonic screwdriver. ( COMIC: Sonic Sleuth) The Fourth Doctor appeared in 172 episodes (179, counting the regeneration at the end of Planet of the Spiders and the aborted Shada) over a seven-year period, from 1974 to 1981. This makes him the longest-running on-screen Doctor of the series. Shortly after this, the Fourth Doctor and Romana are projected outside the known universe and into a universe of negative coordinates, known as Exo-Space. The TARDIS lands on a planet called Alzerius ( Full Circle), where they are joined by a young prodigy named Adric. It's in E-Space that the Doctor destroys the last of a race of giant Vampires who had once threatened all life in his universe. Eventually, the Doctor and his two companions find themselves in a white void with no coordinates, a sort of membrane between the two universes. A way out soon forms, but Romana and K-9 choose to remain behind to help free a race of enslaved creatures in E-Space ( Warriors' Gate). Doctor Who: Philip Hinchcliffe Presents (adventure related by the characters the Fourth Doctor & Leela) (2014) New script editor Christopher Bidmead found himself faced with a serious problem from the outset of his time on the show. He ultimately deemed many of the stories left to him by Adams to be unusable, being too close to the humour-driven stories of the previous season. The only one he ended up using was The Leisure Hive (1980), though only after heavily editing it. Bidmead asked a pair of writing friends to come up with what would be the second story of the season, Meglos (1980), which ended up being regarded as one of the weakest shows in the series' history up to that point. [12]
The English way of Death (adventure related by the characters the Fourth Doctor, Romana II & K9) (2015) It was understood that I, as principal designer, would do four of the seven shows and any special assignments. The biggest of these assignments was redesigning the costume for Tom. By this time, in 1980, Tom was an international star. He’d been playing the Doctor for six years, and any change in his clothing was really unthinkable; but it was my assignment to think the unthinkable. So what I decided was that the new design really had to be an apotheosis of the old image, not a break with it. I’d always loved Doctor Who and some of what I’d seen in the series had really left an impression on me. I particularly loved the work of Jimmy [James] Acheson, John Bloomfield and Roly [L. Rowland] Warne, and I thought that Barbara Kidd did some wonderful things on the show. When June Hudson was asked to design a new outfit for the Doctor at the start of season 18, she was given the option to omit the scarf by producer John Nathan-Turner. Eventually, she decided the scarf had become too much a part of the Doctor's image and designed a new one to go with the burgundy colour scheme of the Doctor's new outfit. When I first got into Doctor Who, I wanted to let everyone else in my orbit know about it. Because I was seventeen years old, I had to do so in the most dramatic way possible, so I did what any dedicated fan would do: I bought seven different colors of yarn and I knit my own version of The Scarf. The show is unapologetically optimistic about human nature, sometimes to a fault. I suppose I was also being overly optimistic when I made my replica of The Scarf. It’s difficult to take anyone wearing a fourteen-foot-long scarf seriously. It’s unwieldy. You have to loop it two or three times to keep from tripping over it, and it will still fall down to your knees. I don’t think I wanted to be taken seriously when I wore it; I wanted to be taken as a serious fan of a TV show that I loved, and that I wanted other people to love. When I stopped wearing it, it was because I wanted to be taken as a serious person in a different sort of way. When I made my version of The Scarf, I was doing the same thing as the characters on the show: I was declaring my allegiance to a humanist time-traveling alien by co-opting part of his costume. I was wearing my heart—and my love for the optimism of the show—quite literally around my shoulders.
All Tom Baker Doctor Who Prime Computer Ads". YouTube. Archived from the original on 18 November 2021 . Retrieved 12 June 2010. For their second season, Williams and Read had planned out an overarching storyline that would run through the whole of the season. With more editorial control, it was also decided that the writers would put more emphasis on elements of fantasy and humour. Holmes wrote the first story, The Ribos Operation (1978), and the writing team of Bob Baker and Dave Martin handled what would be the final story of the season, The Armageddon Factor (1979). Douglas Adams wrote the second story, The Pirate Planet (1978), while another newcomer, David Fisher, wrote the third and fourth stories. Again, difficulties began to arise when the fifth story fell through. Robert Holmes consented to writing what would become The Power of Kroll (1978–79). The Master agrees to help the Doctor stop the spread of Entropy by adapting the Pharos Project radio telescope on Earth so that they are able to reopen the CVEs. However, when the Master tries to take control of it, the Doctor runs out under the upturned radio dish to sever the cable linking the Master to the CVEs. The Master makes the dish start rotating so that the Doctor will fall to his death. Before he falls, he manages to tear out the cable, only to leave his companions watching as he clings to the cable. As his grip begins to slip, he sees visions of all the enemies he's faced over the years, then falls. Adric, Nyssa, and Tegan gather around the mortally wounded Doctor and call out his name. The Doctor begins seeing visions of all his companions and even the Brigadier calling his name.
Near the end of this incarnation, the Doctor switched to a longer scarf, but coloured in shades of burgundy. ( PROSE: Into the Silent Land) However, his original scarf was kept on a hatstand in the console room. ( TV: Warriors' Gate) The Beast of Kravenos (adventure related by the characters the Fourth Doctor, Romana II & K9) (2017)
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The Romance of Crime (adventure related by the characters the Fourth Doctor, Romana II & K9) (2015)
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