Tokyo Express (Penguin Modern Classics)

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E proprio questa esattezza matematica che permette un incastro ad orologeria tipo battaglia navale colpito - e - affondato è il punto di forza del giallo ma anche il suo punto debole, e alla lunga stanca. Un giallo meticoloso, non eccezionale non malvagio, reso faticoso dai nomi, non tanto dei personaggi che si limitano ad una rosa anche abbastanza esigua, ma soprattutto per i luoghi geografici e i nomi dei treni i protagonisti incontrastati. For the most part I enjoyed the train motif in this story even if it wasn't quite on the level of Agatha Christie's train-related whodunnits.

Naturally, only having read a couple of Seishi Yokomizo’s books, that was the only point of comparison I had for Japanese mystery fiction. The first thing I noticed was while Tokyo Expressis set only around a decade after the two Yokomizo books I’d read (set in the mid-1940s), this one feels more modern-day, closer in time to where we are with Japan’s well laid out and busy railway system, Tokyo with its coffee shops and trams, and government offices with clandestine dealings with businesses and corruption. Very different from Yokomizo’s isolated villages, rife with superstition and cut off in a sense from city life and ways. Yokomizo of course, also gives us a closer look at the people involved.Due cadaveri su una spiaggia, a pochi chilometri da Tokyo. Giovani amanti, cianuro: è un suicidio, è chiaro. Ma: He was awarded the Akutagawa Prize in 1952 and the Kikuchi Kan Prize in 1970, as well as the Mystery Writers of Japan Award in 1957. He chaired the president of Mystery Writers of Japan from 1963 to 1971.

Torigai's, and then Mihara’s investigations, form the bulk of the story, in many ways they’re thinly-sketched figures yet somehow, they’re quite compelling. Shabby, world-weary, provincial Inspector Torigai’s a particularly sympathetic character, and his bond with the younger, overworked Inspector Mihara’s very effective. Their investigation, with its links to government corruption and bribery, provides a striking glimpse of the machinery of everyday life in post-war Japan, along with its many contradictions: an era of massive reconstruction resulting in a society caught between tradition and rapid change; a place weighed down by complex and damaging social and professional hierarchies, where industrialists thrive but the police are understaffed and poorly-paid. Matsumoto’s portrait of 1950s Japan’s obviously inflected by his comparatively left-wing politics, reminding me at times of the approach of radical crime writers like Maj Sjöwall and Per Wahlöö.

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Ed è così che un lettore abbastanza sprovveduto sulla onorevole precisione giapponese, si incanta al rovello dell’investigatore di turno che vuole seguire il proprio istinto intorno a un caso apparentemente semplice, e dunque frettolosamente archiviato, di un doppio suicidio passionale. Tic toc, tic toc” il tempo scorre inesorabile e ogni ora, minuto, secondo alla stazione di Tokyo si ferma un treno ogni binario, ciascuno con una precisa destinazione.

Talvolta però le prime impressioni ingannano e possono nascondere dettagli che in superficie non si notano, e due ispettori della polizia decidono di indagare più a fondo, sospettando un delitto. La precisione è un requisito fondamentale per i mezzi di trasporto in Giappone e Seichō Matsumoto utilizza questo espediente per costruire l’intera narrazione: Tokyo Express è infatti un romanzo breve in cui un due persone, giudicate da tutti amanti, apparentemente si sono suicidate. L’indagine, basata su dettagli irrisori e spiegata con stile giornalistico, è complessa ma viene resa in modo efficace e piacevole. Inutile aggiungere che, alla fine, nulla è come sembrava all'inizio. Le persone tendono ad agire sulla base di idee preconcette, a passare oltre dando troppe cose per scontato. E questo è pericoloso. Quando il senso comune diventa un dato di fatto spesso ci induce in errore. Il senso comune ha il sopravvento sulla ragione" Tokyo Express", romanzo d'esordio di Seicho Matsumoto, scritto nel 1958 è un compendio di diversi stilemi del giallo classico, non ultimo quello del "giallo ferroviario" (anche se qui il crimine non avviene in treno ma la ferrovia fornisce l'alibi) frequentato dai più grandi giallisti a partire da Agatha Christie con "Assassinio sull'Orient Express" ma anche con "Il mistero del treno azzurro" e altri racconti, oppure da Freeman Wills Crofts con "Il mistero dell’espresso della notte".

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Both the detectives we come in the book across are likeable—whether it is the young, energetic and intelligent Mihara or the older, somewhat self-deprecating Torigai who first suspects that all is not as seems to the eye. Neither of them like more modern detective fiction carry any great burdens, and I kind of liked having a book that was focused on the puzzle rather than the people for a change. Torigai is of course weighed down by past mistakes and long experience while Mihara is unsurprisingly more spirited. I wish Torigai had had more of a role in the investigation, though, since I’d enjoyed seeing him work on the case initially and examine things he thought seemed wrong. But it was good to see that whether it was the local police or those in Tokyo, none was content to simply take the matter at face value and move on. All wanted to find the truth.

After a short opening chapter, the significance of most of the happenings of which we realise only later, we find ourselves on Kashii Beach in Fukuoka where two bodies are found, a man in western clothes and a young woman in a kimono, both of whom have consumed arsenic. Everything seems to point to a ‘love’ suicide, as the persons involved had been seen boarding a train together at Tokyo station and now some days later the bodies have been found side-by-side. But seasoned detective Jūtarō Torigai, of the local police is not entirely convinced, and begins investigating the possible course of events, which if anything, only deepens his suspicions that something doesn’t quite fit. Then one day, Torigai has a visitor, a young colleague from the Tokyo police, Kiichi Mihara, who shares his suspicions. With inputs from Torigai, Mihara begins to investigate the matter, with support from his immediate superior and soon, others up the hierarchy as well. The puzzle before Mihara is no easy one, and us readers go along for the ride as he works at it from different angles, trying to decipher what exactly happened that night at Kashii Beach.Our unassuming detective, Torigai Jutaro, is convinced that the death of a young, attractive woman and man was not, contrary to what evidence suggests, a lover's suicide. Jutaro is certain that a key witness connecting the two deceased is somehow involved in their death. Trains and timetables are crucial to exposing this person, and Jutaro spends much of his investigation travelling trying to understand how to break his suspect’s alibi. Jutaro was kind of a blank, and I happen to prefer my detectives to be either pompous eccentrics or walking disasters. Jutaro has this vaguely hinted-at personality that doesn’t really emerge given the pace and brevity of the story. The culprit is revealed too early on, and I would have found Jutaro’s investigation more intriguing if that had not been the case. There is an attempt at a twist later on in the story which utilizes a femme fatale/vixen sort of figure, and I happen to have a love/hate relationship with this trope. I read Tokyo Express through its inclusion in the 2022 Year of Reading subscription from the English language bookstore Shakespeare and Company in Paris, France.