A Better Society We Should Create: Viable options and solutions needed to create a better Society: 1

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Regier, Willis (2005). "Cioran's Nietzsche". French Forum. 30 (3): 78. doi: 10.1353/frf.2006.0012. JSTOR 40552402. S2CID 170571716– via JSTOR. Corsham Court has also been used as a period location in productions such as Barry Lyndon (1975), [89] The Remains of the Day (1993), A Respectable Trade (1997) and Wives and Daughters (1999). Brakspear, Sir; Harold (b. Corsham, Wilts. 10 March 1870 – d. 20 November 1934). Who's Who 2006 and Who Was Who 1897–2005 (2005). Retrieved 10 October 2006. Available from xreferplus. [ permanent dead link] Neston Primary School, Church Rise, Neston, was founded in 1861 as Corshamside School. It now provides for about 200 students. [32]

Weiss, Jason (1991). Writing At Risk: Interviews Uncommon Writers. University of Iowa Press. p. 9. ISBN 9781587292491. I'm simply an accident. Why take it all so seriously?. Gass, William H. (22 August 1968). "The Evil Demiurge". The New York Review. ISSN 0028-7504 . Retrieved 28 September 2022.

born 1921

There is evidence that the town had been known as "Corsham Regis" due to its reputed association with Anglo-Saxon Ethelred of Wessex, [6] [7] and this name remains as that of a primary school. Corsham's small town centre includes the historic High Street and the Martingate Centre, a late 20th-century retail development. Two schools outside the parish take pupils from Corsham: Box CE ( VC) Primary School and Shaw CE Primary School. Historic England. "Corsham Baptist Church (1022108)". National Heritage List for England . Retrieved 4 May 2016. In the north chancel chapel, the large altar tomb of 15th-century landowner Thomas Tropenell is shared with his first wife, Agnes. [45] Outlying churches [ edit ]

Historically, Corsham was a centre for agriculture and later, the wool industry, and remains a focus for quarrying Bath Stone. It has several notable historic buildings; among them the stately home of Corsham Court. During the Second World War and the Cold War it became a major administrative and manufacturing centre for the Ministry of Defence, with numerous establishments both above ground and in disused quarry tunnels. [4] At 10, Cioran moved to Sibiu to attend school, and at 17, he was enrolled in the Faculty of Literature and Philosophy at the University of Bucharest, where he met Eugène Ionesco and Mircea Eliade, who became his friends. [1] Future Romanian philosopher Constantin Noica and future Romanian thinker Petre Țuțea became his closest academic colleagues; all three studied under Tudor Vianu and Nae Ionescu. Cioran, Eliade, and Țuțea became supporters of Ionescu's ideas, known as Trăirism. [ citation needed] Absence and pupil population - The Corsham School - Find school and college performance data". October 2022 . Retrieved 22 June 2023.Pe culmile disperării (translated " On the Heights of Despair"), Editura "Fundația pentru Literatură și Artă", Bucharest 1934 The Pound is an arts venue and community hub for north Wiltshire, run by the Pound Arts Trust and supported by Arts Council England, Wiltshire Council, South Gloucestershire Council and Corsham Town Council. Their Rural Touring Scheme take performances to villages in Wiltshire and South Gloucestershire. [10] Danish neofolk musician Kim Larsen re-enacted Cioran's choking arms photograph on the cover of the 2021 album Your Love Can't Hold This Wreath of Sorrow. Primitive Methodist Chapel". Wiltshire Council. Archived from the original on 4 March 2016 . Retrieved 4 May 2016.

Cioran revised The Transfiguration of Romania heavily in its second edition released in the 1990s, eliminating numerous passages he considered extremist or "pretentious and stupid". In its original form, the book expressed sympathy for totalitarianism, [13] a view which was also present in various articles Cioran wrote at the time, [14] and which aimed to establish " urbanization and industrialization" as "the two obsessions of a rising people". [15] Cioran had a good command of German, learning the language at an early age, and proceeded to read philosophy that was available in German, but not in Romanian. Notes from Cioran's adolescence indicated a study of Friedrich Nietzsche, Honoré de Balzac, Arthur Schopenhauer and Fyodor Dostoevsky, among others. [3] He became an agnostic, taking as an axiom "the inconvenience of existence". While at the University, he was influenced by Georg Simmel, Ludwig Klages and Martin Heidegger, but also by the Russian philosopher Lev Shestov, whose contribution to Cioran's central system of thought was the belief that life is arbitrary. Cioran's graduation thesis was on Henri Bergson, whom he later rejected, claiming Bergson did not comprehend the tragedy of life. [ citation needed] Successively, The Book of Delusions (1935), The Transfiguration of Romania (1936) and Tears and Saints (1937) were also published in Romania. Tears and Saints was "incredibly poorly received", and after it was published, Cioran's mother wrote him asking him to retract the book because it was causing her public embarrassment. [11] His works often depict an atmosphere of torment, a state that Cioran himself experienced, and came to be dominated by lyricism and, often, the expression of intense and even violent feeling. The books he wrote in Romanian especially display this latter characteristic. Preoccupied with the problems of death and suffering, he was attracted to the idea of suicide, believing it to be an idea that could help one go on living, an idea which he fully explored in On the Heights of Despair. He revisits suicide in depth in The New Gods, which contains a section of aphorisms devoted to the subject. The theme of human alienation, the most prominent existentialist theme, presented by Jean-Paul Sartre and Albert Camus, is thus formulated, in 1932, by young Cioran: "Is it possible that existence is our exile and nothingness our home?" in On the Heights of Despair. [34]aesthetics, antinatalism, ethics, hagiography, literary criticism, music, nihilism, poetry, religion, suicide Burlesque dancer Eliza DeLite on way to Corsham's Magic & Mayhem Festival". Bath Chronicle. 19 November 2015 . Retrieved 28 June 2016. [ permanent dead link] One of the towns that prospered greatly from Wiltshire's wool trade in medieval times, it maintained its prosperity after the decline of that trade through the quarrying of Bath stone, with underground mining works extending to the south and west of Corsham. The main turnpike road (now the A4) from London to Bristol passed through the town. [4]