Blood on Satan's Claw: or, The Devil's Skin

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Deighan, Samm (3 June 2013). "Blood on Satan's Claw (Blu-ray Review)". Diabolique Magazine. Archived from the original on 19 September 2021. Possessing a WITCHFINDER GENERAL-type atmosphere, helped immeasurably by Mark Wilkinson's truly beautiful score, this tale of superstition and a Satanic contagion that exhibits itself as an ugly, hairy patch on the skin (motivating alternate title SATAN'S SKIN) is evidence of solid horror-making afoot. Something evil is stirring in the woods. Something that is corrupting the village youth, who retreat to the woodland deeps to play their pernicious games. Hysteria spreads as it becomes clear that the devil has come to Hexbridge, to incarnate himself on earth. Can the villagers, led by the Squire Middleton (Mark Gatiss) and Reverend Fallowfield (Reece Shearsmith), prevent the devil gaining human form? The story is a simple one of the devil coming to the town of Hexbridge in the 1700s. The discovery of a grotesque relic begins corrupting the youth, and before long strange mutilations and hysteria break out among the townsfolk.

Folk horror is a cinematic novelty that questions what we think of people, their intentions, and the immense landscapes unfamiliar to us. A group prosperous in nature, their Latin and foreign chants, animal skulls, and bloody sacrifices evoke suspense and terror as much—if not more than—a night-set slasher film. It is reachable and real like ghosts and serial killers, but distinct from the facets of Dracula and Frankenstein.To many, the plot of this audio drama may seem like an old tired storyline, but keep in mind when this was originally written for the screenplay there wasn’t much like this. In many ways, while not the first film considered to fall under the folk horror banner, the original Blood on Satan’s Claw was one of the most influential. As I discussed in my review of a recent documentary on the genre, most horror movies do nothing for me anymore. I don’t find that slasher films have aged well, and “jump scare movies” are nearly unwatchable and boring. I’ll take a good story of modernity vs tradition over any of that because sometimes ancient evils once thought stamped out are more “scary” than a loud noise or a flashing light. The Blood on Satan's Claw first received a VHS release in the United States in 1985 by Paragon Video Productions. [31] It was re-released in this format in 1993 by MGM Home Entertainment. [32] [33] In 2005, it was released by Anchor Bay Entertainment in a Region 2 box set along with several other Tigon British Film Distributors films, including Witchfinder General, The Beast in the Cellar, and others. [32]

The story and its themes are stereotypical binary folklore: women are both more mystical and thus more prone to evil or darkness; men represent civilization, rational thinking and authority; Christianity must prevail against an ancient pre-Christian evil. It's still a weird and engaging story, just rooted in traditional tropes. Evans-Powell, David (29 April 2021). "Reviving forgotten horrors: celebrating the 50th anniversary of The Blood on Satan's Claw". Liverpool University Press. Archived from the original on 29 April 2021. Clarke, Donald (2 November 2010). "Mark Gatiss's History of Horror". The Irish Times . Retrieved 2 November 2010.

The local churchyard

Hamilton, John (2005). Beasts in the Cellar: The Exploitation Film Career of Tony Tenser. London: FAB Press. ISBN 978-1-903-25426-4. The story carefully balances a sense of desolation with moments of violence as supernatural elements slowly creep into the tale. While gradual at first, it cleverly works to show only so much of what’s going on, unveiling it as the devil begins to move more openly. The excellent sound design and voice acting is really what helps to convey the story’s atmospheric strength, and the script knows when let them take the heavy lifting when it comes to drama. Between this and the excellent sound effects, it manages to outshine its source material in moments of true terror. Flower curtains open as the sun rises at noon, and people with animal masks prey upon trespassers as spring makes way to summer. There is blood dripping like strawberry jam on your fingers and the group chants to honor your work. That, my friends, is folk horror—bloody and ritualistic terror thriving by day. Seventeenth-century England, and a plough uncovers a grisly skull in the furrows of a farmer's field. The skull disappears, but its malefic influence begins to work in insidious ways upon the nearby village of Hexbridge. First, the cows stop milking and the fruit turns rotten on the trees. Then, an insolent ungodliness takes hold of the local children, mysterious fur patches appear on limbs and people start disappearing....

Seventeenth-century England, and a plough uncovers a grisly skull in the furrows of a farmer’s field. The skull disappears, but its malefic influence begins to work in insidious ways upon the nearby village of Hexbridge. First, the cows stop milking and the fruit turns rotten on the trees. Then, an insolent ungodliness takes hold of the local children, mysterious fur patches appear on limbs and people start disappearing….Something evil is stirring in the woods. Something that is corrupting the village youth, who retreat to the woodland deeps to play their pernicious games. Hysteria spreads as it becomes clear that the devil has come to Hexbridge, to incarnate himself on earth. The obsession with British landscapes, superstitions, and the occult were the initial steps to the rebirth of folk horror as we have seen with recent movies, such as The Witch (2015) and Midsommar (2019). Blood on Satan’s Claw sparked the resurgence of old customs and beliefs, the supernatural, and violent events that could take place in the daylight. Fifty years later, it has earned the respect of horror fans, and it has scared viewers with its non-fiction plot that exists in the world.Blood on Satan's Claw and the Devil films of the 1970s". www.acidemic.com . Retrieved 28 January 2022. Blood on Satan’s Claw director Piers Haggard told Mark Gatiss in the 2010 BBC documentary A History of Horror that he was not aware of the new cinematic terrain he was breaking into in 1971—a genre of English landscapes and witchcraft that reflected the era’s interest in satanism and cults. He showed the vicious things that occurred in beautiful places and how nature was a weapon used to enhance horror. Supernatural and violent endings were the last drops of blood on the dagger that took a stab at the horror genre. “I wasn’t really interested in Dracula,” Haggard recalled. “But I was interested in the dark things that people feel and the dark things that happen, and that’s what I wanted to explore.” The Blood on Satan's Claw was acquired by the American distribution company, Cannon Films, who released it theatrically in the United States in the spring of 1971, with a New York City opening taking place on 15 April 1971. [1] It went on to screen frequently in the American drive-in theater circuit throughout the remainder of 1971. [b]

Actress Roberta Tovey has an uncredited role as the coven member who lures Padbury's character to her death. Related: Harvest Home : The 1973 Pagan Horror Classic that Laid the Groundwork for Stephen King's "Children of the Corn" Several of the younger cast members, particularly Hayden, Ustinov, and Richard Williams, recalled that Haggard's direction was concise and that the shoot operated smoothly. [18] Blood on Satan’s Claw reigns as one of the Unholy Trinity films of the folk-horror genre, and for good reason. It engraved the genre’s key components in stone for all who wanted to wander its forbidden and supernatural powers that continue to terrorize audiences 50 years after its release. Unlike the fictional creatures and growling monsters, the movie reveals the evil existent in humanity. Now that is terrifying.Whilst this book is released under an imprint of Liverpool University Press, Evans-Powell’s delivery gives it greater appeal. Not just for students and scholars, it is accessible, and of interest to wider fans (and even detractors) of The Blood on Satan’s Claw– a film which, although not entirely devoid of flaws (in my opinion it would be better had the fiend itself not be seen outright, but just vaguely depicted in shadows – and for the ending to have been drawn out longer, as it seems a tad rushed), is an important piece of both folk horror and British film history and, indeed, a disturbingly mesmeric artistic creation. An important addition to the Devil’s Advocates catalogue, and one concisely and extremely well provided by its author.