The Artist

Product Information

We understand complex expressions and emotions through drawings from a very early age, in ways we can’t yet do with the written word or spoken language. Sunday Times Children's Book of the Week(Ireland)-'Perfect for creative minds, Ed Vere’s beautiful children’s book The Artistfollows a young dinosaur on a mission to share her art with others...This book features joyful illustrations and a powerful message about what it means to be an artist.' - Lynn Enright

Even if readers don't need encouragement to unleash their own talents, they should be intrigued by this protagonist's arc toward artistic assurance Publishers Weekly A young dinosaur artist (looking a bit like a T-rex but a cute one) sees the dinosaur world as full of joy and beauty, something that some dinosaurs are too busy to notice. She sees all that, draws and paints it and makes it into her art. Later she decides to go live in the city with lots of empty walls to paint so more people can see her art and really look. But she has a crisis of confidence when she starts to make mistakes and colour outside the lines - she almost gives up on art until she finds out it’s the heart in art that really matters. Kirkus starred review-'Colorful, boldly imaginative, dynamic, quirky, and wonderfully child-appealing illustrations. . . . This book proclaims what children already know: Creativity and making art spark joy.' From the moment a child comes into the world they are searching for visual clues. Trying to understand if you are friend or foe, through facial expression and body language. Pictures speak this language fluently. Pictures intimate emotions, feelings and nuances that words cannot because of this sophisticated visual vocabulary (which we are constantly building). Pictures are open to interpretation – there’s nothing concrete to get right or wrong - which means they’re open to discussion.

I struggled enormously with literacy projects at school, English comprehension was an unending nightmare. I just didn’t get it. Drawing was another matter. Some children are academic thinkers – others, just as bright, think in other ways; spatially or visually. We must learn how to engage them, so they don’t come to believe, as I did, that they aren’t worth much.

Puffin started out as a non-fiction publisher, with its first title appearing in 1940. As the most iconic and well-known children’s book brand in the UK today, we are always on the lookout for innovative ways to tell the world’s favourite stories and for brilliant new debut talent and brands that connect with today’s young readers, from newborn up to twelve years old. Ed has performed on stage, live drawing with (amongst others) The Britten Sinfoniaand The Neil Cowley Triofor the 'Mr Big plays Jazz' concerts. Selected venues have been; The Barbican Centre (London), Wigmore Hall (London), The Hexagon (Reading), Saffron Hall (Saffron Waldon), Norwich Cathedral and Cuirt International Literary Festival in Galway, Ireland.By the time a child arrives at primary school they’re able to use this visual vocabulary creatively when they‘read’pictures and when they draw, yet we don’t harness either. Worse still, most children have given up drawing by the age of 9 or 10 (believing there’s a right and wrong way – there isn’t). In doing so, they lose a vital form of self-expression which they don’t have another outlet for. Careless of us in these times where we’re supposedly more aware than ever of emotional wellbeing. A fable celebrating ingenuity, teamwork, and asking for help from the New York Times-bestselling author of Max the Brave and How to Be a Lion. Ed worked with CLPE toco-createthe award winning Power of Picturesprogrammewhich encourages visual literacy in primary schooleducation andhas received major funding from the Arts Council, EEF & RSA.You can read an article in The Guardian relating to this work here . How to Be a Lion, by Ed Vere (Penguin Random House, June 2018) Nominated for the 2019 Kate Greenaway Medal and the 2019 Carnegie Medal

Vere has worked with the Britten Sinfonia and the Neil Cowley Trio to stage live concerts for schools and family audiences. With the Britten Sinfonia, adaptations of Mr Big and Max the Brave have been staged in concerts which bring together live drawing and classical music, the most recent at The Barbican Centre. The concerts were devised with and presented by Hannah Conway. Mae'r llyfr yn berffaith i'w ddarllen gyda phlant sydd wedi dechrau tynnu lluniau ond sydd weithiau'n colli calon pan nad yw eu llun yn troi allan yn union fel maen nhw'n ei weld yn eu pennau, fel sy'n digwydd mor aml.Vere staged 'Mr Big plays Jazz' at Wigmore Hall, London & Birmingham Symphony & Town Halls with the Neil Cowley Trio.