Luke Una Presents E Soul Cultura

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Luke’s Friday evening show on Worldwide FM has captured imaginations and has already become a cult four hour must-listen monthly journey with fans all over the world. Today Luke remains, as ever, at the forefront of a changing scene, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down. Luke Una Presents É Soul Cultura follows Mr Bongo’s release of The Brkn Record’s The Architecture of Oppression Part 1. Robson Jorge & Lincoln Olivetti - Eva / 2. Chêne noir - Le Train / 3. Metropolis - Every Time I See Him / 4. The Brand New Heavies Featuring N'Dea Davenport – Stay This Way (The Lunar Dub) / 5. Typesun - The P.L. (Extended Edit) / 6. King Errisson - Space Queen / 7. Yusef Lateef - Robot Man / 8. Daniel Humair, François Jeanneau, Henri Texier - Le Cyclope / 9. Airto Moreira - O Galho Da Roseira (The Branches Of The Rose Tree) / 10. Francisco - Waché / 11. Nar'Chiveol - Apocalypse Now Ho / 12. On - Southern Freeez / 13. Soylent Green - After All

Sheffield’s DJ Parrot – who is on the comp as Crooked Man – describes Una as “a mongrel of the Sheffield and Manchester scenes”, with Una’s sensibilities equally rooted in having his mind blown by hearing Cabaret Voltaire on speed and enjoying early house music on ecstasy. It was like a failed utopia, a hotbed of everything counterculture – a huge influence on British music at the time Luke Una on Manchester's Hulme Crescents estate Acid house, for me, probably more importantly than the music itself, blew the doors off in terms of my listening experience. Listening to majestic, weird records at 5am at someone’s house in Chorlton, you know. It could be a John Martyn record, it could be a pop record or a Brazilian record. I just suddenly started listening to music differently, and I’ve done that for a very long time.” Taking a sip of his mushroom soup, Luke Una is pondering how the parlous state of his health pre-Covid has led to clean living, an improved state of mind and an unforeseen career trajectory. “I had a few heart issues come up,” he says. “It was a case of being overweight and eating late and boozing and everything else, not looking after myself and stress and hard work.”Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene, and later Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to E soul, house, disco and techno. Luke’s much loved, long running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ cultural landscape. Merging new with old, abstract with burnished, Luke’s seasoned aptitude for audio alchemy permeates every corner of Vol 2. “It’s a bit like making a classic pasta sauce, you know. You don’t want too much garlic, too little onion, and so on.” Luke goes on to explain that he had no intention for the album to occupy the saccharine realms of the coffee table comp. “God forbid,” he says. “No disrespect to those albums, I just didn’t want that. I wanted a real collection of music, I wanted to reflect all the different corners of the pyramid, if you like.” Luke Una is releasing a new compilation, titled Luke Una Presents É Soul Cultura, via Mr Bongo this May.

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair,a cornerstone cult night in the UK underground club scene. Then later Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to ÉSoul, house, disco and techno. Luke’s much loved, long-running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront ofManchester’s LGBTQ+ cultural landscape. Beginning his career as an original Sheffield house young blood in the mid-1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene, and later Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to E soul, house, disco and techno. Luke’s much loved, long-running Homoelectric night and more recently Homobloc sell-out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ cultural landscape.

Tracklist

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene. Then later Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to É Soul, house, disco and techno. Luke’s much loved, long-running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ+ cultural landscape. Prior to his social media fame, Una spent years DJing and running club nights such as Electric Chair and Homoelectric in Manchester, and in 2020 he was approached by Gilles Peterson to do a radio show on Worldwide FM. These became six-hour odysseys with Una raiding his collection and telling stories. “I was getting transcendental by myself,” he recalls. “I got very evangelical because I just fell in love again.” When presented with news of Luke’s newfound sobriety, some of his friends expressed concern that the quality of his DJing might suffer as a result, but the absence of mind-alteration has in no way diminished his set-crafting inspiration. “In the beginning it was scary. You have no props. Nowhere to hide. But actually, I think I’m DJing better than I ever used to because I’m technically better. People say, ‘You don’t take as many risks when you’re sober’ but I dunno if that’s true.”