Down To Earth

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privileges we had was being able to stay in the music room at lunchtime, which was a blast when all DOWN TO EARTHの歌入りラフ・ミックス」。名作コンピ『ANOTHER FINYL VINYL』と同じRAINBOW研究家が製作したもので、インストだった『DOWN TO EARTH』のラフ・ミックスにグラハムのヴォーカル・トラックやリッチーのギターソロをリミックス。一聴して最終版とまるで違いながら、音楽作品としてキチンと楽しめる「新たなるDOWN TO EARTH」の誕生です。 Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6. The guy in question was Graham Bonnet, a 32-year-old R&B singer from Skegness who was enjoying modest success in Australia as a solo singer.

Coordinator [Project Co-ordinated for Polydor Records / Universal Music Catalogue] – Steve Hammonds Sparks Don’t Mean A Fire (No Time To Lose)」。これは“コージー・テープ”でも唯一の歌入り。これは編集を変えず、音量・音圧など、他曲との統一調整のみで再収録。それでも過去のラフミックスより格段に聴きやすく、歌詞もしっかり聴き取れる。最終版と比べても遜色のない完成度になっています。 Eyes Of The World, Lost In Hollywood for example, the rest are good but nothing special. Even a piece is Earth' came out in July of '79, a good four years into the band's career so in my opinion they have Graham was over the other side of the room when the intro began,” Glover recalls, “and I thought: ‘He’s forgotten it already.’ Right when the vocal was about to start, he leapt across the room, grabbed the microphone and he nailed it.”

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In addition to the “DOWN TO EARTH” number, the “Cozy Tape” also contained a rough mix of the “LINE-UP” song “Set Me Free”. In this work, this song is also upgraded. Graham’s vocals, which were originally recorded faintly, have been greatly remixed and have been adjusted to the level recorded in the album. Moreover, not only the vocals, but also the rhythm section and guitars are well balanced, and even if you listen to the above “DOWN TO EARTH” continuously, it is sublimated to a degree of perfection that is comparable.

Two iconic singles and plenty of other great songs, while Graham Bonnet was more than a decent singer. What more can you ask for? I've been a very big fan of Dio in every way for over a decade, and he was my gateway to Rainbow like many others. I've played the first 3 Rainbow records over these many years ad nauseam, and marveled at the vocal acrobatics countless times. It led me to a natural frustration that he, Ritchie and the others (not least of all Cozy Powell) couldn't get past petty differences to create more music. Because of this, I exclusively followed the Dio camp because I had already been inundated by the glory that was Holy Diver, and it did not take me long to appreciate the brilliance of his work with Sabbath. I never got into Deep Purple, so I brushed off the path that Ritchie took after this split. I just wasn't interested.... what a mistake.a b Begrand, Adrien (28 April 2011). "Rainbow: Down to Earth (Deluxe Edition)". PopMatters . Retrieved 8 December 2013. Don Airey on the keyboard was another replacement. He is still today the "Purple" keyboardist (2007). No problem there. odorous turd from its own banality. It's hard to imagine that Ritchie and his bassist/producer Roger impressed by Dio on their debut album but he had considerably improved later on. His replacement is absolutely rubbish IMHHO a b Pinfold, William (March 2011). "Rainbow - Down to Earth: Deluxe Edition". Record Collector (386) . Retrieved 9 December 2013.