Travelogue

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Using Future material, the Human League released a demo tape to record companies under their new name. The tape contained versions of "Being Boiled", "Toyota City" and "Circus of Death". Ware's friend Paul Bower of Sheffield new-wave band "2.3", who had just recorded a single for Bob Last's Edinburgh-based independent label Fast Product, took their demo to Last and he signed the band. Oakey has stated that upon discovering the girls were only teenagers and also best friends, he invited them both so they could look after each other on the tour for safety. He has also said that he thought having two women as vocalists and dancers would also add glamour to the band. Because of the girls' ages, Oakey and Wright later had to visit Sulley and Catherall's respective parents to obtain permission for the girls to go on the tour. Their parents let them join the band under the provision that Oakey would keep them safe. Sulley also reported that both her father and Catherall's went to the girls' school and convinced them that the experience of touring could be highly educational because of the travelling involved. [16] Whereas Reproduction was more or less the same, travelogue plays itself with the same instrumental sets and patch notes used on reproduction, but with more of a focus on commercial accessibility than their debut ever maintained. While this is true it is still far more different from what mainstream listeners would experience with the new lineup's next album, which by comparison doesn't sound as good or doesn't hold up as well.

In November and December 2008, the Human League got together with Martin Fry's ABC and Heaven 17 for 'The Steel City Tour' of the UK. This was Philip Oakey's concept of a joint tour of all three bands celebrating the original electronic music of early 1980s Sheffield (the titular Steel City). Much had been made in the UK media [ citation needed] of the history between Heaven 17 and the Human League, the original events of 1980 and the fact they were now working together. Both Oakey and Martyn Ware said that any acrimony from that period had long since been forgotten. [36] At Falkirk festival in May 2007. From left: Sutton, Burke, Beevers, Catherall, Barton, Sulley, Oakey. On 22 September 2006, the band performed on the US network television show Jimmy Kimmel Live!. The band's highlight of 2006 was a performance to an audience of 18,000 at the Hollywood Bowl, Los Angeles, on 24 October 2006, one of their largest concerts to date. This was followed up by an 11-venue tour of Europe in November and December 2006. Throughout the following years, the band has continued to tour frequently, enjoying success and popularity as a live act. In 2004, they released The Human League Live at the Dome, a DVD of a live show filmed at the Brighton Dome, complete with a compilation CD called Live at the Dome. The Human League has influenced many electropop, other synth-pop, and mainstream performers, including Pet Shop Boys. [ citation needed] Moby and Little Boots are longtime fans of the group. [46] [47] They have been sampled and covered by various artists, including Ladytron, Utah Saints, George Michael, Robbie Williams and LCD Soundsystem. [ citation needed]The sleeve repurposes a photo, "Sunset Silhouettes Trapper and Dogs Crossing Saganagons Lake, Ontario", which featured in a 1962 edition of the National Geographic magazine. Reynolds, Philip (26 November 2012). "The Human League, The Dome, Brighton, review". The Daily Telegraph. London. Archived from the original on 11 January 2022 . Retrieved 29 December 2012. Since 1978, the Human League have released 9 studio albums, a remix album, a live album, 6 EPs, 29 singles and 13 compilation albums. They have had 6 top 20 albums and 13 top 20 singles in the UK and had sold more than 20 million records worldwide by 2010. [3] [4] As an early techno-pop [5] act that received extensive MTV airplay, they are regarded as one of the leading artists of the 1980s Second British Invasion of the US. [6] History [ edit ] 1970s: Early years [ edit ] Ankeny, Jason. "The Human League Biography". AllMusic . Retrieved 24 January 2017. Synth pop's first international superstars, the Human League were among the earliest and most innovative bands to break into the pop mainstream on a wave of synthesizers and electronic rhythms, their marriage of infectious melodies and state-of-the-art technology proving enormously influential on countless acts following in their wake.

At the end of 2005, together with EMI, the band released a compilation album of remixes. Called The Human League Original Remixes and Rarities, it was aimed at the DJ/Dance market in the US and UK. Their renewed success prompted the band to tour again for the first time since 1987, and they conducted a tour of the US and UK in 1995. Subsequent singles " Filling Up with Heaven" and the non-album single " Stay with Me Tonight" also reached the UK Top 40, and a new remix of "Don't You Want Me" was released to capitalise on the band's revitalised profile. This was in the run up to a new "greatest hits" compilation in 1996, but which proved less successful than their first "Greatest Hits" album from 1988.

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On completion of the tour, Burden went on to his next commitment playing bass guitar in West Berlin. Because of the professionalism they had shown and because he planned to use them further vocally, Oakey and manager Bob Last made Sulley and Catherall full members of the band, to be paid on a salary basis. In 1982, the band received the Best British Newcomer award at the annual Brit Music awards, and Rushent also took Best Producer for his work on Dare.