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The Bass Bar Double Bass Stand

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Jazz bassist Charles Mingus was also an influential bandleader and composer whose musical interests spanned from bebop to free jazz. Famous double bass makers come from around the world and often represent varied national characteristics. The most highly sought (and expensive) instruments come from Italy and include basses made by Giovanni Paolo Maggini, Gasparo da Salò, the Testore family (Carlo Antonio, Carlo Giuseppe, Gennaro, Giovanni, Paulo Antonio), Celestino Puolotti, and Matteo Goffriller. French and English basses from famous makers are also sought out by players. [ citation needed] Travel instruments [ edit ] The six-string double bass has both a high C and a low B, making it very useful, and it is becoming more practical after several updates. It is ideal for solo and orchestral playing because it has a more playable range. This can be achieved on a six-string violone in D by restringing it with double bass strings, making the tuning B 0–E 1–A 1–D 2–G 2–C 3. If you’re brand new to double bass, we have lots of resources to help you get started, right here on our blog. We’d recommend having a read of our size guide to see which size may suit you best. We offer double basses in all the different sizes and prices to ensure you can find the perfect fit.

The bodies of orchestral and concert double basses are most commonly made from strong, durable wood like maple or spruce. Is this the new K&M one you saw?: [url="http://www.thomann.de/gb/km_141_mkii.htm"]http://www.thomann.de/gb/km_141_mkii.htm[/url] As a member of the violin-family of instruments, the construction of the upright bass is quite different from that of the acoustic bass guitar, as the latter is a derivative of the electric bass guitar, and usually built like a larger and sturdier variant of an acoustic guitar. However, you may also find a double bass with five strings with a fifth string added to the higher register. Bridge & soundpost - these parts of the double bass must be included, as they are crucial for creating sound. If they have been fitted correctly, you’ll get a clear tone from the instrument.

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Playing and performance considerations [ edit ] Body and hand position [ edit ] French double-bass player and composer Renaud Garcia-Fons during a performance The purpose of buying or owning an item is so much important that it influences the buyer's choices in the market. Same for bass stands, the purpose may be to have a type that can be used at home to practice, play, and enjoy the amazing sounds of a double bass without having to take the stand for concerts or to have a portable stand that can be taken to almost all places.

Tuning [ edit ] Regular tuning [ edit ] Double bass player Vivien Garry playing a show in New York City in 1947 Because of its body size and low tuning, the double bass is one of the quietest stringed instruments in any orchestral lineup. In the 19th century, the opera conductor, composer, and bassist Giovanni Bottesini was considered the " Paganini of the double bass" of his time, a reference to the violin virtuoso and composer. Bottesini's bass concertos were written in the popular Italian opera style of the 19th century, which exploit the double bass in a way that was not seen beforehand. They require virtuosic runs and great leaps to the highest registers of the instrument, even into the realm of natural and artificial harmonics. Many 19th century and early 20th century bassists considered these compositions unplayable, but in the 2000s, they are frequently performed. During the same time, a prominent school of bass players in the Czech region arose, which included Franz Simandl, Theodore Albin Findeisen, Josef Hrabe, Ludwig Manoly, and Adolf Mišek. Simandl and Hrabe were also pedagogues whose method books and studies remain in use in the 2000s.Upgraded strings - most double basses in this price range will include upgraded strings, which will help improve the tone of the instrument.

These extensions allow the musician to extend the length of the low E string so that they can play lowered pitched notes. Typically extensions go as low as C! 8. Double Basses Are Made From Wood, But It Depends Which Type If your child is learning at school, the teacher will be following a carefully planned roster of work that allows the students to learn without “gaps”. Bridge - the quality of the bridge of a higher quality - at least an Aubert or Despiau 1-tree or above. Bass parts have relatively fewer fast passages, double stops, or large jumps in range. These parts are usually given to the cello section, since the cello is a smaller instrument on which these techniques are more easily performed.

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The double bass is probably one of the most versatile instruments in an orchestral lineup simply for the fact that you’ll find it in a lot of other genres of music. In the 1970s, 1980 and 1990s, new concerti included Nino Rota's Divertimento for Double Bass and Orchestra (1973), Alan Ridout's concerto for double bass and strings (1974), Jean Françaix's Concerto (1975), Frank Proto's Concerto No.2, Einojuhani Rautavaara's Angel of Dusk (1980), Gian Carlo Menotti's Concerto (1983), Christopher Rouse's Concerto (1985), Henry Brant's Ghost Nets (1988) and Frank Proto's "Carmen Fantasy for Double Bass and Orchestra" (1991) and "Four Scenes after Picasso" Concerto No.3 (1997). Peter Maxwell Davies' lyrical Strathclyde Concerto No.7, for double bass and orchestra, dates from 1992. A higher grade of timber is used to create these double basses, and more highly skilled labour is required - resulting in a higher quality of workmanship. You should be looking for a tighter consistency in the grain across the instrument, which helps the tone of the instrument.

A small number of bass players tune their strings in fifths, like a cello but an octave lower (C 1–G 1–D 2–A 2 low to high). This tuning was used by the jazz player Red Mitchell and is used by some classical players, notably the Canadian bassist Joel Quarrington. Advocates of tuning the bass in fifths point out that all of the other orchestral strings are tuned in fifths (violin, viola, and cello), so this puts the bass in the same tuning approach. Fifth tuning provides a bassist with a wider range of pitch than a standard E–A–D–G bass, as it ranges (without an extension) from C 1 to A 2. Some players who use fifths tuning who play a five-string bass use an additional high E 3 string (thus, from lowest to highest: C–G–D–A–E). Some fifth tuning bassists who only have a four string instrument and who are mainly performing soloistic works use the G–D–A–E tuning, thus omitting the low C string but gaining a high E. Some fifth tuning bassists who use a five-string use a smaller scale instrument, thus making fingering somewhat easier. The Berlioz–Strauss Treatise on Instrumentation (first published in 1844) states that "A good orchestra should have several four-string double-basses, some of them tuned in fifths and thirds." The book then shows a tuning of E 1–G 1–D 2–A 2) from bottom to top string. "Together with the other double-basses tuned in fourths, a combination of open strings would be available, which would greatly increase the sonority of the orchestra." The double bass player stands, or sits on a high stool, and leans the instrument against their body, turned slightly inward to put the strings comfortably in reach. This stance is a key reason for the bass's sloped shoulders, which mark it apart from the other members of the violin family—the narrower shoulders facilitate playing the strings in their higher registers. [10] History [ edit ] Some early basses were conversions of existing violones. This 1640 painting by Peter Lely, a painter of Dutch origin, shows a violone being played.

Instruments

Larger works that incorporate the double bass include Beethoven's Septet in E ♭ major, Op.20, one of his most famous pieces during his lifetime, which consists of clarinet, horn, bassoon, violin, viola, cello, and bass. When the clarinetist Ferdinand Troyer commissioned a work from Franz Schubert for similar forces, he added one more violin for his Octet in F major, D.803. Paul Hindemith used the same instrumentation as Schubert for his own Octet. In the realm of even larger works, Mozart included the double bass in addition to 12 wind instruments for his " Gran Partita" Serenade, K.361 and Martinů used the double bass in his nonet for wind quintet, violin, viola, cello and double bass. The double bass is so big that it’s no surprise you might think it’s also louder than other stringed instruments. The leading figure of the double bass in the early 20th century was Serge Koussevitzky, best known as conductor of the Boston Symphony Orchestra, who popularized the double bass in modern times as a solo instrument. Because of improvements to the double bass with steel strings and better set-ups, the bass is now played at a more advanced level than ever before and more and more composers have written works for the double bass. In the mid-century and in the following decades, many new concerti were written for the double bass, including Nikos Skalkottas's Concerto (1942), Eduard Tubin's Concerto (1948), Lars-Erik Larsson's Concertino (1957), Gunther Schuller's Concerto (1962), Hans Werner Henze's Concerto (1966) and Frank Proto's Concerto No. 1 (1968).

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