RØDE Boompole Professional Boompole (3.3m)

Product Information

In my experience, the way it works on a regular film set is the camera crew set up the shot. Now the sound crew pops up and tries to set up around them, to the undisguised irritation of a camera crew… haha just kiddin (or am I?). As you can see, both a shotgun and lavalier mic have pros and cons so it’s important to think about the setting you are using them in. Summing Up

Drawbar hitch receivers mount to the 3-point hitch on a tractor to easily allow the insertion of a 2″ trailer hitch for moving and hauling trailers around the farm or homestead. Considering the cost of this budget-friendly boom pole, it's a great bargain. I often recommend the Nicama to my friends working for local outlets and journalist groups, while I also use them myself from time to time. This boom pole uses the same carbon fiber materials as our top choice. It is incredibly durable (we tested it) and very lightweight. You won't have to worry about arm fatigue if you're shooting long sessions. Padded hand grips work really well, no matter what shape your hands are in. If you are new to location sound, I suggest you read this post from top-to-bottom. In doing so, you’ll fully understand the most important boom pole features to consider and be able to discern which one is best for your work. For this article, we’ll run you through the list of our choice on the best boom poles for filming. We’ll then dive into each one and talk about the features that make them stand out and who it will be best for. Not everyone is on the same budget, and not all needs are the same, so by the end of this, you should have an idea of which of these boom poles is best for you.As a micro-budget filmmaker, I would also encourage you to improvise and think practically about the job. There are set ways that you are taught to do things in films school, but these aren’t the only way you can record sound. The narrow acceptance angle makes the AT897 an excellent choice for long-distance recording, though it still works great close up. I've used this one on a boom on several occasions and on-camera and found it to be highly versatile. Founded by Stéphane van den Bergh, VDB was the inventor and 1st manufacturer of boom poles in carbon fibre that revolutionised the market in 1984. As with anything in audio production, preparation and considering what you’re recording, where you’re recording it, and the desired outcome are crucial.

As for booming from the sides, this is not standard practice. There will naturally be a lot of ambient noise in a horizontal plane, which will sit in line with your actors and mic in this placement situation. This noise will definitely make its way into your recording, ruining your ideal signal-to-noise ratio. Boom-holding techniques Its sturdy aluminum design is tough enough to endure the rigors of road use, while remaining lightweight and travel-worthy.Point broadcast spreaders are useful for spreading fertilizer, pelletized lime, seed, and salt. The rotary action of the spreading disc is driven by the tractor’s PTO. The span of spread is determined by the PTO’s RPM and the flow of material is controlled by a gate attached to a lever that the operator can adjust. On the 30th anniversary of the company, VDB revealed its new QUART DE TOUR range, the “QT” so Cuty! A single shank subsoiler can also be modified to use as a wire or pipe trencher too. Some manufacturers offer attachments for this, but many tractor owners make their own modifications to perform this task. Here’s a link to a good YouTube video from Country View Acres showing how well this works.