Rape of the Fair Country

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Rape of the Fair Country is a novel by Alexander Cordell, first published in 1959. It is the first in Cordell's "Mortymer Trilogy", followed by The Hosts Of Rebecca (1960) and Song of the Earth (1969). [1] The book has been translated into seventeen languages. In addition to the book having been adapted for numerous plays over the years and more recently. [2] Although Iestyn was the main character, I liked Dada as there was a strength of character in him but also a softer side and a sense of humour, not unlike some Welsh men that I know. It is a small village tale which is a part of a huge, ultimately worldwide movement - the birth of socialism, collective bargaining and universal suffrage.

Talking about joining the union/going on strike after one of the family is badly injured in the foundry: Have you seen the iron of Cyfarthfa, then?” he asked, struggling up. “Have you even heard of Merthyr, that is dying under Crawshay? Have you heard of Crawshay, even?”What does Matt Addis bring to the story that you wouldn’t experience if you had only read the book? Conditions in the ironworks are equally appalling – many of the puddlers end up either blind or being ‘splashed’ by the molten metal. Iestyn’s father dies as a result of an explosion, and his brother Jethro is also ‘splashed’ and badly injured. I would listen to this again and again, I had read the book before (hard copy) and enjoyed it but this added a new dimension

And that is what raped this fair country, and huge swathes of other fair countries as well - money, and abused power. It wasn't, and it still isn't, a purely Welsh problem - it's a universal one, one felt as much in post industrial England today as it is in the Welsh valleys. Although this book does get to that conclusion ultimately, it is still cloaked in a much too parochial anti-Englishness throughout most of the book for my liking. It's not just the story of the Mortymers, or even of Blaenavon and Nantyglo, but of the Chartist Movement and the birth of Trade Unionism. The events might be fictional, but they're true to the course of history, with Rape of the Fair Country ending with the disastrous Newport Rising of 1839. The research to write the book must have been extensive, but Cordell makes it seem effortless: momentous events viewed through the lense of a very human and likeable family. There also exist audio versions of the book in circulation read by Philip Madoc and there have been successive attempts to get the book made into a film. [3] Six shillings a week she earns on the trams like an animal, too big round the waist for the towing belt. In less than four months she will drop it in coal dust’. If you can get past the title, which makes it sound like a Mills and Boon bodice-ripper, the rewards are great! This is the delightful, though, at times, harrowing tale of Iestyn Mortymer, a boy from Blaenavon caught up in the birth of the unions and Chartism amidst the beauty of the Brecon hills and valleys, brought to life by another Blaenavon boy, Matt Addis.When we refer to William Crawshay of Merthyr Tydfil we allude to a man who has done more for Glamorganshire, and perhaps for South Wales, than any other living individual. He was one of the few remarkable men who can give a character to a country and a tone to an age. In the extent of his speculations and unbounded enterprise, we cannot name another Cambrian who has done so much and so well or the Principality of Wales.” Poeetiline ülimasendav naturalistlik-realistlik pilguheit 19. sajandi esimese poole Walesi rauasulatustööstusesse, ehk siis Inglise industrialismi sünnivaludele. Neidsamu sünnivalusid jälgitakse läbi Mortymeride perekonna suht traagilise käekäigu. Ehedat autentsust lisavad walesikeelsed väljendid ja mõningad tavad. Eks see raamat vene ajal 1964. aastal ilmuski kuna teda saab ka kirjeldada kui "tööliste võitlust kapitalistlike ekspluataatorite vastu" ja eks pidanud marksismi klassikud tšartiste miskiteks eel-revolutsionäärideks niikuinii, kahe silma vahele on aga jäänud täiesti keltidest waleslaste suht vabad abielueelsed suguelukombed ja julmad kaklused millega nad omavahel tülisid lahendasid, samuti walesi tööliste suht vankumatu ja konservatiivne usklikkus. Olles seda raamatut lugenud vähemalt 10 korda on mind alati siiski haaranud äärmine poeetiline traagika, mis tegelastele osaks saab, samuti walesi looduse ülistus. From the brightly lit foyer to every seat in the stalls, a buzz of expectation hovered over the theatre-goers who turned up to see Rape of the Fair Country which opened at the New Theatre, Cardiff this month. Rarely have midweek performances drawn audiences of this size and it was clear that expectations were running high for this re-run of Manon Eames’ adaptation of Alexander Cordell’s novel. Violence in fact has a strong presence throughout the entire novel. Iestyn himself is involved in many fights, and tragedy strikes the family again when Iestyn’s sister Edwina is murdered and Morfydd’s fiancé, Richard, is killed in a riot. The Chartists’ commitment to violence is confirmed on the night of 3-4 November 1839 when support for the movement is at its highest. Several thousand marchers, including Iestyn Mortymer, go to the Westgate Hotel in Newport, expecting to seize the town and trigger a national uprising.

What a land it is, this Wales! And of all its villages Llanelen is surely the best. The river is milk here, the country is honey, the mountains are crisp brown loaves hot from the baker’s oven one moment and green or golden glory the next. Beauty lies here by the singing river where the otters bark and the salmon leap, and I wish to God the English had stayed in England and ripped their own fields and burst their own mountains.” My mum suggested this book to me after I watched the episode of the crown that surrounded the Aberfan disaster. My grandfather was Welsh, and my great grandparents came to Canada because the working conditions in Wales were so atrocious. The book centres around Iestyn Mortymer, growing up as a child labourer in the mines of the south Wales valleys - fighting, drinking, seducing and struggling under the watchful eye of his strict Calvinistic father. The attitude of “Dada” Hywel is played off against Iestyn’s older sister Morfydd, who clearly represents the reformist views which would come to prominence in industrial Wales. Those who accept their fates versus those who strive for more is always a compelling theme. The sights and sounds of his upbringing are well detailed as he tries to steer himself through this harsh life. Maybe it is because it is coming from the perspective of a young hot-blooded Iestyn, but it seems like every introduction of a female character begins with a description of her breasts and what they are doing (e.g. quivering, bouncing) which is always a bit weird if a woman isn't moving. For me, the best parts of this story were the details of everyday life, love and survival during a period when working people had few choices or freedoms. Cordell's prose often verges on the poetic to create a vivid picture of the life and times of Iestyn Mortymer. I was particularly interested in the story of Iestyn's older sister, Morfydd, who struggles against convention and suffers for her pioneering opinions on politics and the role of women Matt Addis completely captured the mood of the book from the start. The characters all had their own personalities, which is quite a feat with such a cast of supporting roles, and he brought a warm lilt to the narrative; like the style of the book itself, his storytelling was subtle yet powerful.The plot concerns the Welsh iron-making communities of Blaenavon and Nantyglo in the 19th century. The action is seen through the eyes of young Iestyn Mortymer who grows up in times of growing tensions between ironmasters and trade unionists. In 1826, when the book starts, Iestyn is eight years old and already beginning work at the Garndyrus furnaces near Blaenavon. His sister Morfydd has strong feelings about women and children working in mines and ironworks. She sympathises with the Chartist movement and condemns the action of the militant Scotch Cattle groups. In this she is in opposition to Hywel Mortymer, their conservative father who later begins to question his own loyalty to the ironmaster. being just two of the more extreme examples, I get a little bit of a sense of "the lady protesteth....". What happened was not the fault of the "English" at all - at the same time as this was happening in south east Wales, similar things were happening all over industrial England, in the steel and coal and the copper and the cotton works in the midlands, the north , the south West and even further afield. The Crawshays, who re portrayed as the main protagonists in this novel, were more Welsh than English. They just had money, which in turn bought them power over people. For it is greed you are discussing not politics. And until greed is taken from the hearts of men you will always have masters and poor, and which way round it is matters little"

But he was still. Quite still he lay in the fading light of the torches, and his hands were frozen to the musket he held. It is about the rise of Chartism in the south est Wales valleys in the early 19th century, seen through the eyes of young steelworker, Iestyn Mortimer. The shift in the piece takes place through his father's changing attitudes - at first, loyal to the owner's, but slowly seeing the inequalities perpetrated by the wealthy landowners, he shifts his perspective. Although there are flaws in this book - the place of the Welsh language in the narrative, and the inaccurate use of "Wenglish", the portrayal of women, and many of the historical details, this is nevertheless a powerful, powerful story. Rape Of The Fair Country’ is a dramatic account of the industrial revolution in the raw. It is set in the early years of the nineteenth century, when that turbulent and cruel period in British history was in full flight - destroying the countryside and creating dreadful sufferings for the working population – whose former gentle life in green fields was replaced by brutal labour in quarries, factories, coal mines and ironworks.This seems to have come from The Crawshay’s of Cyfarthfa Castle, by Margaret Stewart Taylor. The other source referred to is The History of the Iron, Steel, Tinplate and other Trades of Wales, by Charles Wilkins 1903. But the hotel is occupied by armed soldiers and their superior firepower forces the Chartists to retreat, with twenty of their number killed and at least another fifty wounded. It is a disaster for the movement, and it is not clear what happens to Iestyn Mortymer – but his likely fate may well have been the same as top Newport leaders like John Frost and Zephaniah Williams, both of whom are transported to Tasmania. Others receive lengthy prison sentences with hard labour. Alexander Cordell clearly put in a lot of research into Chartism to write this book and his in depth knowledge of the history of the movement can be found in every chapter. Aside from the general reader, it should also be on the shelves of every student of English and Welsh social and economic history.