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Posted 20 hours ago

beyerdynamic DT 100 Studio Headset - 400 Ohm - Black

£9.9£99Clearance
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ZTS2023
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About this deal

Hiroyuki Sawano – Scapegoat (00:57-01:17), very good instrument/vocal tonality and with a very natural timbre. Although clarity and details could be better. I did quite a bit of research. If I was going to spend this money, I was going to spend it right. I started researching what actual recording studios use. The DT-100s look exactly what you see in documentary films about recording. Hiroyuki Sawano – Scapegoat (00:57-01:17), cleaner and more detailed on the FH3 but more natural on the DT100 due to the tonality and timbre.

Bass: Djuro – Drop that bass (01:15-01:30), extends and rumbles more on the DT100. Punch quantity is also more on the DT100 and is more textured but a bit faster and tighter on the DT200. This i.e.m. is a neutral sounding i.e.m. If you like an accurate, defined and well detailed sound, this might be what you are looking for.

When I first got into home recording, I had a pair of Sennheiser studio headphones. I can’t remember the exact model, but it was the lower end of the range, but I was pleased as punch with them, because they were from a proper brand name like Sennheiser. Deuce – America (03:03-03:16), not shouty or sharp at all, but instrument separation and imaging needs to be better as it gets a bit chaotic. Technicalities: Shiro Sagisu – Hundred years war (02:24-02:57), Similar soundstage but details, instrument separation and imaging are better on the DT200. Timbre is better on the DT100. The band connecting the phones part was made of metal – no flimsy plastic for that here! It suggested that the chance of these breaking along that band were approximately nil. Which was very reassuring.

Hiroyuki Sawano – Pretenders (01:18-01:47), speed, tightness and texture are in another league on the FH3 but similar quantity. Technicalities: Shiro Sagisu – Hundred years war (02:24-02:57), soundstage, details, instrument separation and imaging are much better on the FH3. Mids/treble timbre is better on the DT100 while bass timbre is better on the FH3. Bass: Djuro – Drop that bass (01:15-01:30), extension, rumble, texture, speed and tightness are on another league on the FH3.Technicalities: Shiro Sagisu – Hundred years war (02:24-02:57), similar soundstage, but details, imaging, instrument separation and timbre are better on the DT100. Hiroyuki Sawano – Pretenders (01:18-01:47), a bit more quantity on the DT100 and more textured. Tightness and speed are a bit better on the DT200 so it is cleaner on the DT200 but more fun and natural on the DT100. The Beyerdynamic DT 100-series studio monitor headphones is a German masterpiece crafted to precision and perfection with the latest technological and industrial grade components. Other features include: Overall: The DT100 is outclassing the T2 on pretty much all aspects. Timbre, tonality and technicalities are much better on the DT100. If your budget allows it, just get the DT100. Technicalities: Shiro Sagisu – Hundred years war (02:24-02:57), similar soundstage, but a bit better instrument separation, imaging and details on the DT100. Timbre is much better on the DT100.

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