Kodak Gold 200asa 35mm - 36 exp Single

Product Information

Once again, the humble Kodak Color Plus falls in the middle of the road – this time in terms of grain. But compare it to Kodak’s professional offerings and Gold 200 begins to lag behind. Its slightly more saturated color palette places it firmly in the consumer film category, and will take a little bit of post-processing to get looking absolutely perfect. The film’s latitude also isn’t as wide as Kodak’s other offerings, limiting its usage to daylight shooting. Every one of the Kodak color films available today features a daylight color balance. Kodak films are also known for their warm tones that many people associate with “the film look”.

You should still be able to get acceptable results if your exposure is off by a stop or two. Just like other color films, Colorplus usually has a bit more flexibility with overexposure than underexposure. Instead of saving the best for last, I decided to start this series with my favorite film. Maybe it’s my favorite because it was the first film I ever tried, maybe it’s because of its relatively cheap price, or maybe because it renders colors so well. Whatever the reason, Kodak ColorPlus is my go-to color film. Having said that, there is a certain vintage look to the photographs, which makes sense if we’re shooting with an older emulsion. This look is helped by that yellow hue but also brought on by the contrast you get and the grain, which is noticeable but never overbearing, in my opinion. According to Kodak themselves, you get saturated colours, fine grain, and high sharpness. Gold 200 is also good for bright, colourful prints, great for enlargements, and gives high-quality results when scanned for digital output and great prints from digital zoom and crop images.Overall, we’d consider Colorplus 200 to have moderate levels of saturation and contrast with less than Gold 200. It’s important to remember that the scanning process also has a significant effect on these attributes. While their slightly slower speeds also contribute, Kodak Portra 160 and Kodak Ektar 100 both offer buttery-smooth, incredibly fine grain that is particularly good for blowing up at larger sizes. Colorplus 200 is definitely not on this same level. Kodak ColorPlus 35mm film performs best in sunny weather (don’t we all!) It’s sometimes known as Kodak ColourPlus, Kodak Color Plus or even Kodak Colour Plus. You can choose between 36 exposures and 24 exposures.

That’s not to say there’s no information about it floating around though, and a little digging has led me to this goldmine of knowledge. You may also find that some images have a magenta colorcast. This can be off-putting and annoying, especially if you don’t notice it until after you’ve had your images developed. Post Processing Kodak’s color negative range includes the professional Portra series, a film that’s dedicated to portraits or editorial (but that can be used in multiple settings). Another pro film suited for landscape and architectural shots is Ektar. These films get a lot of hype, but Kodak’s more budget-minded films are nothing to shy away from. Amongst these, Kodak ColorPlus stands out. Take care when developing this film – follow Kodak’s recommendation to develop it in full darkness for the best results. Kodak Gold 200 Review: The Features and BenefitsThis film is ideal for beginners due to the wide exposure latitude, making it hard to mess up the exposure on your shots. The latitude allows for anywhere from two stops of underexposure to three stops of overexposure, so you can have fun shooting without worrying too much about the exposure settings. NEW in 120 format, this is genius move from Kodak as we think the emulsion is perfectly suited as a significantly different alternative to the more refined Portra 160 and 400. Budget: local variations will apply - and the Kodak film shortage has made comparisons difficult around the world - but you would expect Ultramax to cost between 10-25% more per roll than Gold.

You might find yourself doing some heavy post-processing work on your shots if the colors are bothering you. Some photographers actively choose this film for its strong yellow tones. But if you’re not a fan, you’ll need to spend some time editing your photos. Want to recreate that happy, carefree, summer holiday feel? The Kodak Gold 200 is the obvious choice! Fine Grain It may cost over twice as much as it did a few decades ago, but the bottom line is that Kodak Colorplus 200 is one of the cheapest 35mm color film available. KODAK_200-8 has OK resolution and fairly fine grain. I wouldn’t consider it to be particularly sharp, or particularly high resolution, but it’s totally serviceable. It’s grain is also not anything to write home about. It’s visible, but pretty middle of the road. Buy Kodak ColorPlus 200 Film

The colours are bright without being overbearing or unrealistic, and skin tones come out looking nice and natural. There isn’t too much grain and the overall feeling was one of a sunny, good time being had by all – which was what holiday memories should be like. Kodak ColorPlus 200 is an ISO 200, 5500k daylight balanced, colour negative 35mm film that’s available in rolls of 24 or 36 exposures. It’s DX coded and is developed using the common C-41 process. And as with every other type of film, taste is completely subjective. This was proven to be true when a recent Reddit thread asked a similar question: if you had to choose between Colorplus 200 and Gold 200 to regularly shoot, which would you choose?

As you can see on the images in this post, the canister doesn’t match the box. It’s a different design and is strangely labelled Kodacolor 200.

If you choose to support Simple Film Lab and send your film in to us, we develop KODAK_200-8 with Kodak’s Flexicolor line of C-41 processing chemicals. The C-41 process is very standardized, and we monitor our process with Kodak control strips to ensure that the process is within specification to ensure that the film is correctly developed. Exposure Guidance Though Tri-X can be processed to be a stellar low-light film, Kodak’s T-max P3200 is undoubtedly the company’s flagship super speed film. It’s actually an 800-1000 ISO film, but is made to be pushed for use in low-light. It has fast become a favorite of the CP staff owing to its super-speed and surprisingly strong exposure latitude and tonality. The warmth of Kodak films is noteworthy when you consider the alternatives. For all intents and purposes, there are only two big names in the color film game – Kodak and Fujifilm.