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The Tastemaker: My Life with the Legends and Geniuses of Rock Music

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Leaving school at the age of sixteen to start his career in the music industry at Decca Records, Tony King would soon find himself becoming a close friend and confidante to some of the world's biggest artists - a far cry from his childhood days in Eastbourne. Tony has the most impeccable eye,” says David Furnish. “It takes years of experience to develop and train your eye to recognise and champion aesthetic brilliance. Throughout his career, Tony has worked with the biggest and best artists in the business. That level of taste and sophistication he’s developed makes him second to none. He’s our tastemaker extraordinaire. That’s why his business card title says ‘Éminence Grise’.

The Tastemaker charts the singular life of a man who has been at the beating heart of music's most iconic moments for over sixty years and features stories of his time working with everyone from the Beatles to the Ronettes and Elton John to the Rolling Stones.This is a brilliant book by a brilliant man. A magician with perfect taste. Thank God I met him. He is gold dust!’ In the 1970s King moved to the US. He toggled between California and New York and organised concerts and records for John Lennon and others.

I thought he was the most stylish person I had ever seen,” says Elton John. “He had elegance from the word go.” The Tastemaker charts the singular life of a man who has been at the beating heart of music’s most iconic moments for over sixty years and features stories of his time working with everyone from the Beatles to the Ronettes and Elton John to the Rolling Stones. Readers will especially enjoy King's tales about promoting the industry's superstars, including the likes of John Lennon, Elton John, the Rolling Stones and Queen, among others. Beatles fans will relish the opportunity to experience King's insider's view of Lennon's Thanksgiving 1974 performance with John at Madison Square Garden. Save for an April 1975 TV special in honor of Sir Lew Grade, it would mark the last time the Beatle played a live show. I suppose I was always very straightforward, a straight speaker,” King says. “I wasn’t an artist but I understood the artists, I was in their camp. I think I had an innate understanding of what artists needed, and I didn’t put up with bullshit.”

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Then, after a couple of years of this, in 1970, King was off again, this time to Apple, The Beatles’ company, having been offered a job as their chief A&R man by Ringo Starr. He started travelling to the US and while in New York happened upon the Continental Baths, “which was an eye-opener”. The following year he was flown to the US to launch the Ringo album, swanning around New York in his Tommy Nutter suits, causing havoc at every turn, cruising around in a rented Thunderbird. After three weeks he was just about to fly home when he got a call from John Lennon’s girlfriend, May Pang, asking him if he’d stay to help promote his new album, Mind Games. I wasn’t ambitious. I just flew by the seat of my pants. My ambition was to have a good time, hang out with famous pop stars and get paid for it. I wasn’t thinking, ‘Oh, I could become this or that.’ No, I was just looking after pop stars and I was really good at it.” Living in an era of seismic social, technological and cultural transformation, King experienced these defining moments as an influential figure in London and New York’s gay scenes. Despite his heady life in showbusiness, however, he would soon learn that a glittering career couldn’t shield him from heartbreak – witness to the AIDS crisis and the devastating consequences, his personal life was intermittently marked by tumult and turmoil. This included spending time with with his friend Freddie Mercury in the Queen frontman’s final days. By the time King discovered he had contracted HIV himself, drugs were available that meant the disease was no longer a death sentence. Nevertheless, he ended up in rehab after a breakdown that seems to have been brought about by seeing so many friends die: “I’d just suffered so much grief. Survivor’s guilt.” Later that summer, as King prepared Lennon's new album for the pop music marketplace, he proposed the concept of a Thanksgiving gig to the former Beatle. "So he says to me," King recalled, "'I'll tell you what, if the record gets to number one, I'll do it.' Of course, he was never thinking it was going to get to number one." Propelled by a deft marketing campaign — and aided, no doubt, by Elton's superstardom during that era — "Whatever Gets You Thru the Night" topped the U.S. charts.

King met the Beatles and the Rolling Stones on their way to becoming the standard bearers of their generation. Reg Dwight (Elton John) hung around the AIR Records office when King worked there.

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He’s brilliant to work with on any creative level and has never lost his eye,” says Elton. “Even now, he’s light years ahead of anyone. Plus, he has an historic knowledge and love of popular music, gleaned from an early career at Decca and having to deal with big stars from America, Britain and Europe. With Tony it’s all about instinct – choosing the right interview, the album cover, etc. Nobody has that more than him. He also has unwavering loyalty and I can’t recall him ever bad-mouthing any of his clients.” By the last 1970s he is in New York. A gay man living in Greenwich Village, he is at ground zero for the AIDS crisis. The telling of living through that is the best and most touching section of the book. Part of King’s personality is his ability to remain good friends with the stars that he has met and worked with through the years; this has served him well.

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