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IN THE BLINK OF AN EYE NEW EDN: New Edition

£6.995£13.99Clearance
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Mniej w niej uwag, które mogą się przydać aspirującym montażystom, ale jest to interesujący wywód pod kątem sprawdzalności zawartych w nim prognoz. Chyba już trochę zdezaktualizowany (przez opisywanie montażu analogowego), ale mimo to ciekawy wykład o sztuce montażu. While I may have gotten a few glimpses of insight, I would have been asking the book to be something other than it is rather than hearing what it has to say. Going in to detail about when and why we blink he takes this and talks about when to cut and how blinking so important. Still, it's converted pretty directly from a lecture he delivered, which keeps the material a little close to the surface for my liking -- I should really keep reading this Peter Wollen film theory book I found at the Strand for the denser, deeper conceptual stuff, or more Ruiz perhaps.

S.’s finest decades of cinema, the 1970s, Walter Murch is part psychologist philosopher and part editor in this short treatise on film editing. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication. Murch views, I guess I'll revisit this book again when I'm starting to apply his view in my work in a couple months. In particular, Murch uses his experience editing The English Patient to explore the digital side of editing.En el contenido original del libro, escrito a comienzos de los 90, el lector descubre el oficio del montaje, su historia y su razón de ser ¿por qué el corte de un plano a otro funciona para el espectador, en vez de simplemente provocar confusión?

The 103 third parties who use cookies on this service do so for their purposes of displaying and measuring personalized ads, generating audience insights, and developing and improving products. Pierwszą część czyta się błyskawicznie, bo rozdziały mają po 2-3 strony, czcionka jest duża, podobnie jak odstępy między akapitami. Once you have your fist cut, he recommends looking again at the original footage—things have changed now and maybe there is something in the original footage that could really help you out now, time permitting. The first half of the book is sensational, and explores a lot of theory behind editing, which is great for any filmmakers. One of the things I found most interesting is that Murch says its not obvious that film cuts should work as well as they do.The way the pictures collide together when mounted on the wall may lead to a new way of looking at things. Used books have different signs of use and might not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material.

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