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Orgonon

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Robert E. Butts (1993). "Sciences and Pseudosciences. An attempt at a new form of demarcation". In John Earman (ed.). Philosophical problems of the internal and external worlds: essays on the philosophy of Adolf Grünbaum. Pittsburgh-Konstanz series in the philosophy and history of science. Vol.1. University of Pittsburgh Press. p.163. ISBN 978-0-8229-3738-8. Research into the use of devices such as the orgone energy accumulator and medical DOR-buster to treat human illnesses led Reich to give serious consideration to the construction of a hospital on the property. The importance of Karl Marx’s work and its distortion by communist politicians plays an important role in Reich’s account, as does the political activity in the International Psychoanalytic Association which led to his expulsion from that organization in 1934. The Norwegian press campaign against his biological experiments is also discussed. Reich took an increasingly bioenergetic view of libido, perhaps influenced by his tutor Paul Kammerer and another biologist, Otto Heinrich Warburg. [15] In the early 20th century, when molecular biology was in its infancy, developmental biology in particular still presented mysteries that made the idea of a specific life energy respectable, as was articulated by theorists such as Hans Driesch. As a psycho-analyst, Reich aligned such theories with the Freudian libido, while as a materialist, he believed such a life force must be susceptible to physical experiments.

Reich was also very outspoken about Germany’s turbulent political climate. Unlike most members of the Berlin Psychoanalytic Association, Reich openly opposed the rise of the Nazi Party. But Reich’s activities exacted a high price. In 1933 he was denounced by the Communist Party, forced to flee from Germany when Hitler came to power, and expelled from the International Psychoanalytic Association in 1934. Reich called these events “catastrophes which threatened my personal, professional and social existence.” The conference center is an L-shaped wood-frame structure, built in 1945 and designated by Reich as the Students' Laboratory. It has been adapted for use by the museum to house its offices and meeting space.

BIOGRAPHY OF WILHELM REICH

A good landmark of an artist’s prestige is when they start doing music for films. A new star will show up on the scene and filmmakers will take advantage of their star power to grab a young, hip audience for their movies. There was a period a few years ago where young bands like Florence + the Machine and Paramore gained traction by recording songs for the Twilight Saga. Of course the inverse is also true, as long-established stars are also likely to help a film earn more press. The UK’s bestselling single of 1979, Art Garfunkel’s “Bright Eyes,” is inextricable from its haunting appearance in Watership Down. Just as a song can mark a film, a film can mark a song. He wrote in his best-known book, The Function of the Orgasm: "Between 1919 and 1921, I became familiar with Driesch's 'Philosophie des Organischen' and his 'Ordnungslehre'… Driesch's contention seemed incontestable to me. He argued that, in the sphere of the life function, the whole could be developed from a part, whereas a machine could not be made from a screw… However, I couldn't quite accept the transcendentalism of the life principle. Seventeen years later I was able to resolve the contradiction on the basis of a formula pertaining to the function of energy. Driesch's theory was always present in my mind when I thought about vitalism. The vague feeling I had about the irrational nature of his assumption turned out to be justified in the end. He landed among the spiritualists." [16]

The sessions will meet either in our outdoor classroom, at the top of the hill near the museum building, or in our conference building, on DeMarco, Donald; Wiker, Benjamin (2004). Architects of the Culture of Death. Ignatius Press. p.229. ISBN 9781586170165 . Retrieved 2015-01-18. [...] Reich claimed as his great discovery, made in 1939, that at the heart of all matter is a hitherto unknown energy that he called 'orgone'.[...] Three years later he founded the Orgone Institute, where the 'science' of orgonomy would be studied. Harper is also influential enough that in 1979, “Another Day” was covered on TV by two popular artists. Bush and Gabriel covered it on Bush’s BBC Christmas special, “Kate,” the most gonzo thing the BBC has aired that’s not The Web Planet. It’s an eclectic piece of stage theater that serves as a 45-minute sampler of the Tour of Life as well as a warm-up for Never for Ever.…Thomas Harms, MD and filmmaker Antonin Svoboda discuss their 2017 documentary, CRY BABY, CRY – April 30, 2022

The Cloudbusting machine in the video was designed and constructed by people who worked on the Alien creature [12] [13] and bears only a superficial resemblance to the real cloudbusters, which were smaller and with multiple narrow, straight tubes and pipes, and were operated while standing on the ground. [14] In a reference to the source material of the song, Bush pulls a copy of Peter Reich's A Book of Dreams from Sutherland's coat. [6] Until he was 13 years old, Reich was educated at home by tutors. His mother, to whom he was devoted, committed suicide in 1910 after his father discovered she had had a brief affair with one of the tutors. Reich’s father died four years later from tuberculosis, leaving seventeen-year old Reich to direct the farm work on his own without interrupting his studies at the German high school he was attending. The similarities between “Wow” and “ Wuthering Heights” are largely structural. Both songs have arpeggiated hooks (“Wow” opens with the notes of a C major chord), followed by tense, melodically wrought verses, before breaking into the song’s triumphant chorus. “Wow” is shorter, its album version capping off at four minutes, compared to the four-and-a-half minutes of “Wuthering Heights,” with its intro which is built into the verse, keeping the song moving after its chorus. The chorus and verse of “Wow” are repeated twice each, with the intro and outro essentially built into the verses, letting the song flow smoothly while also breaking it into distinguishable segments. Richard Grossinger (1982). Planet Medicine: From Stone Age Shamanism to Post-industrial Healing (reviseded.). Taylor & Francis. p.293. ISBN 0-394-71238-2. That did all fall apart over a period of about ten bars. And everything just started falling apart, ’cause it didn’t end properly, and, you know, the drummer would stop and then the strings would just sorta start wiggling around and talking. And I felt it needed an ending, and I didn’t really know what to do. And then I thought maybedecoytactics were the way, and we covered the whole thing over with the sound of a steam engine slowing down so that you had the sense of the journey coming to an end. And it worked, it covered up all the falling apart and actually made it sound verycompletein a way. And we had terrible trouble getting a sound effect of steam train so we actually made up the sound effect out of various sounds, and Del was the steam. (Laughs) And we got a whistle on the Fairlight for the “poo poop”. ( Richard Skinner, ‘Classic Albums interview: Hounds Of Love’. BBC Radio 1, 26 January 1992) Highest chart positions

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In 1992, Utah Saints sampled the song's line "I just know that something good is going to happen" for their song "Something Good" as well as scenes from Bush's video for their video. It reached No. 4 on the UK Singles Chart [26] and No. 8 when re-mixed and re-released in 2008 [26] (the latter of which used a different sample from another artist).

The song is about the very close relationship between psychologist and philosopher Wilhelm Reich and his young son, Peter, told from the point of view of the son. It describes the boy’s memories of his life with Reich on their family farm, called Orgonon where the two spent time “cloudbusting”, a rain-making process which involved pointing at the sky a machine designed and built by Reich, called a cloudbuster. The lyric further describes Wilhelm Reich’s abrupt arrest and imprisonment, the pain of loss the young Peter felt, and his helplessness at being unable to protect his father. The song was inspired by Peter Reich’s 1973 memoir, A Book of Dreams, which Bush read and found deeply moving. a b "Gaffaweb - Kate Bush - DREAMING - A. The Albums - Hounds Of Love - The Songs - "Cloudbusting" Pt. 2". gaffa.org. Julian Doyle: “Kate came to me with a storyboard, which I remember had the sun coming up with a face on it. She was a lovely lady, with a great smile that she gave generously. I understood her influences – like, I knew immediately where ‘It’s coming through the trees’ (film sample on ‘The Hounds of Love’) came from and things like that. I also knew about Wilhelm Reich, because there was interest in him among the new women’s movement which was exploring the female orgasm and I was close to the women involved. Learn about terrestrial invasives in our natural spaces as well as our gardens along with native species you can use to replace those non-natives. Janet will also answer questions about aquatic invasives and how we can keep our Maine waterways clear. The Orgonon campus is set on about 175 acres (71ha) of land west of the town center of Rangeley and north of Rangeley Lake, roughly midway between Rangeley and the village of Oquossuc. The property includes two major buildings and two cabins.This news release of Organon (the “company”) includes “forward-looking statements” within the meaning of the safe harbor provisions of the U.S. Private Securities Litigation Reform Act of 1995. These statements are based upon the current beliefs and expectations of the company’s management and are subject to significant risks and uncertainties. There can be no guarantees with respect to pipeline products that the products will receive the necessary regulatory approvals or that they will prove to be commercially successful. If underlying assumptions prove inaccurate or risks or uncertainties materialize, actual results may differ materially from those set forth in the forward-looking statements. The song was remixed by Just Us and released as Everytime It Rains in 2016, before they covered ‘Cloudbusting’ with an other vocalist in 2017. The full-length video features a longer version of the song, which is different from the Organon Mix released on 12-inch vinyl. This version was commercially available on " The Red Shoes" single.

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