DOCTOR WHO - THE DALEKS (1963) [DVD]

Product Information

The penultimate episode of season four manages (just about successfully) to cram in all the tenth Doctor’s previous companions and to link the previously unlinkable worlds of the Sarah Jane Adventures and Torchwood without contradicting the ethos of either series. Drawing these elements together, Davies proves himself to be the best puzzle solver in the business. I can’t help thinking that if faced, as Robert Holmes was, with the challenge of writing The Five Doctors, Russell T Davies wouldn’t have blinked. On watching the faux-regeneration for the first time on TV I was genuinely thrilled thinking, perhaps naively, that the ultimate deception had been pulled off by the production team. The resolution the following week was, to say the least, underwhelming, but these episodes are saved by Julian Bleach’s creepy, pitch perfect depiction of Davros, the true and original Dalek/human hybrid.

Classic Doctor Who DVD List The Complete Classic Doctor Who DVD List

I’d give the episodes more stars individually than I would give the box set – but the box set I would give two stars. I’m not a huge fan of the endlessly repeated ‘surprise’ appearances of Daleks at the end of the season, but if you are going to include them, it is best to make them the centre of the story. This criticism cannot be levelled at the final two episodes in this box set. Compared with the previous Dalek episodes, these seem small and contained. In the context of the mythologizing arc claimed by this box set the story becomes a filler between the Emperor Dalek and Davros, almost a Dalek holiday. The concept of a human/Dalek hybrid is suitably creepy and well done, but I can’t help preferring the realisation of a similar idea in Revelation Of The Daleks.The episode acts as a close reading of the Dalek design, relying on Christopher Eccleston’s superb emotive performance rather than bombastic spectacle to relay to the viewer the reason why the Dalek is such a durable icon. Introducing the individual Dalek on an emotional rather than spectacular level is at the same time a cautious and brave thing to do. Brave because it goes against audience expectation and delays the visual impact of a Dalek army, and cautious because it allows Davies, as nearly happened, to replace the Dalek at the last minute and introduce a replacement. Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. The box set comes with one special feature: an interview with David Tennant. This doesn’t really contribute anything new and is more self-congratulatory than analytical. Indeed ,a great deal of time is spent during the interview talking about Doomsday, only drawing attention to the episode’s absence from the collection.

Doctor Who DVD Special Edition - Resurrection Of The Daleks Doctor Who DVD Special Edition - Resurrection Of The Daleks

The Stolen Earth is spectacular. This doesn’t mean it’s great. I’d contend that the best episodes of the new series, Human Nature, Blink, Utopia, achieve greatness without spectacle.

Side guide

Dalek is an important episode, setting the parameters of the new series approach to the monster while, at the same time, providing a teaser for the climactic final episodes when… The first episode in the box set reintroduces the Daleks by surprisingly presenting them in the singular. The intention of this is to delay the impact of seeing an army of Daleks in the climax of the first season, but it also has a more subtle effect. Pitting the new Doctor and Rose against a single, at first seemingly defenceless Dalek, slowly reveals to the viewer the antagonistic relationship between the Time Lord and the monster. This box set is a mixed bag of episodes that the target audience presumably already own or have seen four or five times on BBC Three. It has some corking moments, but, bizarrely, by leaving out Army Of Ghosts and Doomsday, it does not even contain a complete set of the Dalek episodes. It feels a little like a marketing department exercise in legacy building to me – a way of thematically bottling the last four seasons to create a defined Russell T Davies ‘era’ before the start of Steven Moffat’s run as producer. While I can’t blame them for attempting this, I would suggest that it could be done in a cheaper and, perhaps, a less cynical way.