Sigma 402965 16 mm F1.4 DC DN Contemporary Sony E Lens - Black

Product Information

The Fujifilm X mount is compatible with Fujinon lenses specifically designed for Fujifilm X series cameras. These third-party lenses may offer compatibility, similar focal lengths, aperture values, and image quality to Fujinon lenses, but they may not have the same level of build quality or autofocus performance as Fujinon lenses. What that means is that objects closer to the camera appear larger than ones farther away, even if they are the same size in reality. If you’re taking photos of moving cars from a distance, a zoom lens like the Fujinon XF 50-140mm f/2.8 R LM OIS WR is perfect. It has a fast maximum aperture and long focal length range, making it ideal for capturing distant cars and details.

Shooting at lower f stops (wider aperture) means you can achieve faster shutter speeds. This means a nifty fifty is an ideal lens for photographing fast-moving subjects. Now, a fixed wider focal length might not be ideal subjects like sport or wildlife, but a 50mm lens is great for photographing kids or even pets. One more example: Beautiful sunrise, but it feels like it needs something to me. Better – adding a human element, closer to the camera adds depth that the first image is missing. 2. No clear subject in the imageis arguably the most popular focal length for photographers due to its versatility, being equally at home shooting portraits as well as being wide enough to fill the frame with interest.

There are a few reasons why I think this is one of the best Fujifilm prime lenses and should be the first lens you consider when buying a Fuji mirrorless camera. At half the cost of the 56mm and a third of the cost of the Fuji 56mm APD version, this prime now provides consumers with an entry-level option to hone their skills at this focal distance. The trio comprised the 16mm F1.4 DC DN C, but also the 30mm F1.4 DC DN C, and the 56mm F1.4 DC DN C. This is now the sixth mount that these lenses have become available in, following the initial introduction for Sony E mount and Micro Four Thirds, followed by Canon EOS M, Leica L and most recently Fujifilm X (which most of this review is based on). Now, look at the two images of the bike below. In the one on the left nothing really stands out in the image. By getting even closer the bike is made more of the focus in the image. I’m mere inches from the front tire in the second shot. The Fuji XF 14mm f/2.8 R is great for astrophotography. It has excellent sharpness and minimal chromatic aberrations, helping to produce high-quality images of the night sky. The wide field of view will help capture a large field of view and f/2.8 will help keep your camera’s ISO at a minimum.Silent operation combined with these stealthy looks makes the combination popular with street photographers and documentary wedding photographers who wish to remain unnoticed to capture moments candidly. If you’re looking for a more affordable and lightweight Fuji wide-angle lens, the 18mm f/2 lens is a decent alternative at almost half the price. You will be losing some ability to shoot in low light and 2mm on the wide end, compared to the 16mm f/1.4 version though. A questo dilemma avrei potuto rispondere relativamente facilmente, mi bastava capire esattamente per cosa volessi utilizzare l'Obiettivo e perchè, cosi ho iniziato a chiedermi esattamente cosa avrei fatto con il nuovo Obiettivo e quali progetti futuri avrei potuto realizzare grazie a quest'ultimo e all'improvviso sono arrivato senza nemmeno accorgermene ad un'immediata conclusione, avrei assolutamente preso un Grandangolare.

Above: So that means just one ring on the barrel with a single switch to set it between custom control and focus. In theory I have no problem with this on a compact budget lens with no room for a separate RF control ring, but annoyingly like the RF 50 1.8, Canon continues to force you to also select MF in the menus (or assign it to a function button) if you want to use the ring to manually focus. Physically, there is no significant difference between this Fujifilm X version and other versions of the lens that we have seen, aside of course from the mount. It has the same simple, elegant design that Sigma adopted almost a decade ago. There is minimal text and branding on the barrel, with just a simple small chrome badge with the letter ‘C’ denoting that this is part of the Sigma Contemporary lens line. There are no buttons either, just a very large focusing ring with a ribbed texture. Unlike most of Fujifilm’s lenses, there’s no aperture ring, so to change this setting you have to use a dial on the camera body. AutofocusThe viewer’s eye goes to them because they are large in the frame; their gaze takes you into the church for more. Above: and finally for them both at f5.6 where I’d say the 16 continues to enjoy a minor lead. Note this test was made with a central focus point to evaluate the overall field flatness and you may enjoy sharper corners if you focus in the corner. Sigma 10-20mm f/3.5 EX DC HSM ELD SLD Aspherical Super Wide Angle Lens for Nikon Digital SLR Cameras Una volta scelto la tipologia dell'Obiettivo SIGMA che avrei acquistato mi son ritrovato con un solo nome come possibile scelta, un Obiettivo che veniva lodato da chiunque lo avesse Acquistato con 5 stelle in ogni Sito esistente nel mondo, il SIGMA 16 mm f 1.4. The compact, lightweight, high quality and affordable lens selection are the major drawcards of the Fujifilm mirrorless camera system.