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Japanese/Chinese Calligraphy Brush Set, Small and Medium Size (2 pcs)

£9.9£99Clearance
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number. Used to identify the size number. There will be a number before that. Example: 3号 (size 3). It is a common question to those who are really interested in this Japanese art and want to learn it step by step. Initially, to make Japanese calligraphy two things should be in your mind: 1) Script style, 2) Use of Kanji or Japanese phrases you want to write in your calligraphy. At the same time, a style of calligraphy unique to Japan emerged. Writing had been popularized, and the kana syllabary was devised to deal with elements of pronunciation that could not be written with the borrowed Chinese characters. Japanese calligraphers still fitted the basic characters, called kanji (漢字), into the squares laid out centuries before. A fragment, Kara-ai no hana no utagire ( 韓藍花歌切, AD 749) is considered the first text to show a style unique to Japanese calligraphy; it shows a Tanka (短歌) poem using Man'yōgana, thus deviated from contemporary Chinese calligraphy. Ono no Michikaze (AD 894–966), one of the so-called sanseki (三跡, "Three Brush Traces"), along with Fujiwara no Sukemasa and Fujiwara no Yukinari, is considered the founder of the authentically Japanese wayō (和様) style, or wayō-shodō (和様書道). This development resonated with the court: Kūkai said to Emperor Saga, "China is a large country and Japan is relatively small, so I suggest writing in a different way." The "Cry for noble Saichō" ( 哭最澄上人, koku Saichō shounin), a poem written by Emperor Saga on the occasion of Saichō's death, was one of the examples of such a transformation. Ono no Michikaze served as an archetype for the Shōren-in school, which later became the Oie style of calligraphy. The Oie style was later used for official documents in the Edo period and was the prevailing style taught in the terakoya (寺子屋) schools of that time.

The origins of Japanese calligraphy are derived from Chinese calligraphy characters, which were modified to fit the Japanese language – this became known as Kanji. Japanese calligraphy will go on to incorporate Kanji alongside Japanese syllabic scripts hiragana and katakana. The play of the calligrapher with the calligraphy brush is often compared to the dance of a ballerina. Just like a ballerina moves the body to perform the choreography, the calligrapher maneuvers the calligraphy brush to shape infinity of calligraphic forms.These days, mastering the highly regarded art form of shodo is a revered task. Japanese elementary school kids begin their basic training of shodo in penmanship class. Some students even take special classes outside of school to learn more and practice their skills. Only a small fraction, though, will continue outside of school to master the traditional art. Japanese Calligraphy – What Is Shodo? Balance and Proportions: Achieving balance and proper proportions between the different elements of the characters is crucial. This includes the size and positioning of strokes, as well as the spacing between characters. The art of shodo originated from China, eventually making its way through to Japan. Initially, calligraphy was an essential part of education for the members of the ruling families. However, as time passed by, shodo organically spread to the common people as well. It’s important to note that Japanese calligraphy encompasses a wide range of styles and artists, so prices can vary significantly. Some calligraphy pieces can be relatively affordable, while others can be quite expensive, especially if they are created by renowned artists.

Use of more or a consistent amount of ink depends on the artist’s preference. Japanese Calligraphy Tools There are some distinct characteristics of Japanese Calligraphy. In fact, it represents more than just writing. Please take a look at the main characteristics given below:A calligraphy brush may have two or more layers, but for the sake of simplicity, we analyze the standard calligraphy brush with two layers: An inner core of shorter hairs, which form the belly of the brush, and an outer layer of longer hairs that make the tip of the brush.

A cloth ( 下敷き, shitajiki ) to place under the paper (often newsprint is used as well) to prevent ink from bleeding through. To the untrained eye, shodo may appear to be just brush strokes of Japanese characters, but there is much more to it than that!

Features of Writing

Before you begin writing, you inhale. Then on the exhale, you write a single stroke. You inhale again, exhale, and write the second stroke. If I had done that with typing every letter in this sentence, I would have hyperventilated by now. The mixed hair or combination brushes are a special category. They are used very much in sumi painting. These calligraphy brushes are made from different types of animal hair, and combine brown and white hairs. The stiff brown hairs from the inner core of the brush are used for their resilient quality, while the outer white hairs ensure the suppleness of the brush tip. Sumi: Sumi (ink) is one of the four treasures of Japanese calligraphy. This is an essential tool which you must use to draw syllabaries. This ink is made from charcoal. Japanese calligraphy, shodo in Japanese, the way of writing, is the fine art of expressing the beauty of Japanese syllabaries (kana). Different styles of traditional Japanese calligraphy can be found that have been practiced by calligraphy masters, especially in Japan. Emperor Kanmu moved the capital from Heijō-kyō in Nara, first to Nagaoka-kyō in 784, and then to Heian-kyō, Kyoto in 794. This marks the beginning of the Heian era, Japan's "golden age". Chinese influences in calligraphy were not changed in the early period. For example, under the Emperor Saga's reign, royalty, the aristocracy and even court ladies studied calligraphy by copying Chinese poetry texts in artistic style.

The phrase BUNBU SHIHO ( 文房四宝 )or “The Four Treasures of Shodo” refer to the four essential tools of Shodo: the brush, the paper, the ink, and the inkstone. Japanese kanji calligraphy is made up of over ten-thousand complex and unique symbols that each have a specific meaning, like sun, five or rice. You can also combine more than one symbol to create more words. Many kanji symbols have more than one meaning and pronunciation, depending on the context in which it is used.Put your hand under the flowing tap water and form a well with your palm. Place the brush tuft in this well and rotate it in the water that collects in your hand gently and without pressure. Do not put the brush directly under the tap water as you could damage the hairs. Soon you will notice that the tuft hairs start to loosen. Continue soaking and rotating the calligraphy brush until all hairs are fully loosened. Some calligraphers or sumi painters open the calligraphy brush only one third or two thirds. This depends on the type of hairs and the technique you use. Complexity and Size of the Artwork: Intricate and larger calligraphy pieces often require more time and effort, resulting in higher prices compared to smaller and simpler works. People in Japan décor their houses with calligraphy that are painted with meaningful Kanji symbols such as they feature the Kanji symbols of Love, Longevity, Happiness, Peace, Prosperity, Dragon and etc.

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