Inferno

Product Information

Lemmy sings like he has always sung and – only the best is good enough – he delivers the second voice as well. one would be tempted to think of Motorhead falling behind the bandwagon - releasing something that sounds 1986, when they've been releasing stuff that sounds 1986 since oh about 1979. Interview with Mikkey Dee by Artyom Golew – became cover story in Sep 2006 issue of Russian Alive magazine". The band explained that they made Inferno the same way as all their other albums – at the last minute – by renting a big rehearsal room in Los Angeles and writing songs for about six weeks and, after a week break, recording them while they're still fresh.

There are these soldiers coming in from the sides, which is very much like Iraq or any other hotspots in the world. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.

This CD shows proof positive that he is not growing mellow with age--in fact, he is still spitting venom with fire blazing in his eyes and beating holy hell out of his bass. In an interview for the bonus Inferno DVD, drummer Mikkey Dee states that Webb "pushed us a little more. Suicide's a six minute epic slow-burn, and then "Life's a Bitch" starts off with a blues-punk lick before going into - what's this, more fucking speed metal? This created an issue during recording and when Webb complained to manager Todd Singerman, he said, "dude, your ears are different.

That's right, In the Name of Tragedy is a punk/thrash number with a bit of Laaz power, but with Lemmy and Motorhead doing their thing as only Lemmy and Motorhead can. If Inferno isn’t the best album that Motorhead ever put out, then it’s a surprisingly powerful addition to their extensive discography at the very least. Contrary to popular belief, Motorhead didn’t always release the same album every time they recorded something. I know, it’s no new finding that Lemmy was always an expert in reducing music to its essentials and this song shows once again that conventional song patterns are no indication for a stale overall picture. Which is okay, they're one of the few bands that can actually get away with releasing the same album over and over again and yet still have something new to offer with each album.But I wanted to take the original three chrome heads I had created two years earlier and show it in the process of being formed at the foundry. But I guess that no Motörhead tune ever did this after “Ace of Spades” – and this is no problem at all, because this band offered other values: permanent reliability, dirty humor, powerful chords. Oh yeah, but the lyrics for "In the Name of Tragedy" are a little dumb (but hearing Lemmy rhyme "funky" and "monkey" is kind of funny). Lemmy is older than my Dad and he is still the High Priest of the Church of Motorhead, Keeper of the Sacred Rickenbacker 4001 Bass of Destruction and the Sanctified Marshall Bass Stacks of DOOM!